# Myths and Legends, Occult Signs and Symbols

## GA 101 — 28 December 1907, Cologne

### VIII. Forms and Numbers in their Spiritual Significance

What can be given here are essentially only examples from the rich number of occult symbols and signs. It is also not so much a matter of giving a complete treatise that is supposed to explain this or that occult sign, but rather of developing the meaning of the occult signs in general and their relation to the astral and spiritual world. If such signs were nothing more than a kind of schematic illustration, then their aim and significance would truly be no great, and some might believe that they are only a kind of symbolization of certain facts of the higher worlds. But this is not the case. Those symbols and signs that are borrowed from the occult world view have a great significance for man's development, for his perfection; indeed, it may be said that occult signs and seals, if we understand them only in the broadest sense of the word, have played a great role in the education and development of all mankind. You just have to be aware that thoughts, feelings, and ideas that a person has are a real force that has a transforming, shaping, and changing effect on that person.

We need only recall the fact that the physical and etheric aspects of the human being, as he stands before us today, are denser forms of the astral. Man was previously a purely astral being before he became an etheric being and then a physical being. In truth, all the denser substances, that is, the etheric substance and the physical substance, are differentiated out of the astral substance, just as ice is differentiated out of water. Just as water condenses and becomes ice, so the astral substance becomes 'condensed into etheric and then into physical substance. In the time when man was still a being like you are today, when you sleep, where you are outside your physical and etheric body, the forces that shaped his astral substance were pure powers of sensation and imagination. The astral substance works quite differently from the etheric or physical substance. The astral substance is in perpetual motion. Every passion, every instinct, every desire is immediately realized in the astral substance, so that in the next moment it is of a completely different form, if it is the expression of a different passion. Today, the mental no longer has such an easy effect on the dense physical body of man. Nevertheless, the mental and the emotional still have an effect on the physical body of man. You only have to observe that when a person is frightened or afraid of something, they turn pale. This means that the entire blood mass is moving differently in the body than in a normal state. It pushes the blood mass from the outside inwards. Or take the blush of shame, where the blood is driven from the inside to the periphery, outwards. These are only slight effects that the soul still has on the body today. But if you consider long periods of time, you will find much more significant effects of the soul and the mind on the body. If you could follow the human forms through the millennia, you would see that the shape, the whole physiognomy, everything about the human being changes. This happens in such a way that the soul and spiritual processes are there first. Man has certain ideas, and as he forms his ideas, so in the course of millennia his physical form and physiognomy are formed, even if this is not immediately noticeable to an external biological observer. Everything is formed from the inside out. Our external materialistic science is still far from understanding how these effects relate to each other over the course of millennia. But they are there.

To make it clear to us what such connections are like, let us just recall the first appearance of Gothic architecture, where certain processes in the development of humanity were expressed for the first time in Gothic architectural forms. Those people who devoted themselves to prayer in rooms built in the Gothic style experienced the thoughts that were the inspiration for the Gothic buildings. These thoughts, which were active in the souls of men, formed the souls, the inner powers of man, right into the etheric body; they reshaped the powers of man. And after centuries, as a consequence of these impressions received by the senses, and the ideas formed after these sensory impressions, that mystical movement emerged, which we find in Meister Eckhart, Johannes Tauler and others. In what they devised, we have the after-effects of what their ancestors had received as impressions from Gothic buildings. And those higher individualities who lead humanity in its development consciously guide this process of human development. They consciously look ahead into the centuries and millennia, and at a certain time humanity is given what is to develop these or those qualities. Thus we see how, here in the course of a few centuries, by looking at the external forms of Gothic architecture, the pointed arch style, that mysticism striving towards heaven is expressed in Meister Eckhart, Tauler and so on. If we were to consider millennia instead of centuries, we would see how even the human body forms according to the thoughts and feelings and ideas that people had millennia ago; and the great leaders of humanity give people the right ideas at the right time in their development, so that even the human form is transformed.

Now let us imagine ourselves in the period of transition from the Atlantic to the post-Atlantic period. We know that our ancestors, indeed our very souls, lived in other bodies, in ancient Atlantis. In the last days of Atlantis, this continent, especially the northern parts, was largely covered by masses of fog, and everything that lived on the earth, on this continent, was shrouded in dense fog. And if we go back even further, we come across times when there were not only masses of fog, but where our air circle is today, there were masses of water trickling down. The first Atlantean man was even more of a water creature. It was only gradually during the Atlantean period that he transformed into an air being. At that time, man had a completely different distribution of his etheric and physical bodies. Today, the etheric body and the physical body are distributed in such a way that they are almost the same in shape and size in the upper parts. This is by no means the case with other beings. If you were to look at a horse's etheric body, you would see the horse's etheric head shining out far above its physical head. In humans, too, the etheric body of the head used to extend far beyond the physical head, and it was only towards the end of the Atlantean period that the two parts merged. A point that is now within the head used to be outside it, and only gradually was it drawn in. These two points drew closer and closer together, and in the last third of the Atlantean epoch they coincided. That was the time when the pre-Semitic race descended from the northeast of Atlantis, from the area of present-day Ireland. At that time, man acquired the ability through which the two points coincided and came to overlap. Due to the etheric body of his head being outside, the Atlantean man had a kind of misty clairvoyance. He could not calculate or count, nor develop any kind of logic of thought. This is only a result of the post-Atlantean time. But they had a kind of primitive clairvoyance because they were much more out of their heads than in them with the ether part of the head. At that time, when this ether part of the head was outside the physical head, the thoughts and feelings of the astral body also had a much greater influence on this part of the ether body and thus on the formation of the physical body. That which first lived in the astral body as feelings, sensations and thoughts continued as a process of movement in the etheric body and shaped the physical body into its present form.

Where did the present length, width and height of the physical body actually come from? It is an effect of what was first present in the astral body and in the etheric body. First there were thoughts, images, sensations and so on. You will be able to understand this better if you remember the process that occurs immediately after physical death; the physical body is first left by the etheric body and then by the astral body. During sleep, only the ego and the astral body go away, while the etheric body and the physical body remain in bed. Death differs from sleep in that the etheric body also leaves with the astral body and the ego. A peculiar phenomenon occurs, something that could be described as a sensation, but which is linked to a certain idea. The person feels as if he were growing, as if he were expanding in all directions; he takes on dimensions in all directions. This expansion of the etheric body, which it takes on immediately after death, this seeing of the etheric body in large dimensions, is a very important concept. In the ancient Atlantean man, this idea had to be awakened when the etheric body was not yet as closely connected to the physical body as it is today. The fact that it was awakened, that man was introduced to the magnitude that he feels today when he grows after death, is how the cause, the thought form, was formed to bring the physical body into the form that it has today. When, in those days, when the physical body and etheric body were still more separated, man was presented with these forms, these measurements, it stimulated the physical body to take on the form it has today. And these forms were suggested by those who are the leaders of human evolution. In the various flood legends, especially in the biblical flood legend, there are traces of precise details. If you imagine the human being surrounded by the forms that his etheric body must have in order for the form of the physical body to be formed in the right way, then you have the size of Noah's Ark. Why does the Bible state that Noah's Ark was 50 cubits wide, 30 cubits high and 300 cubits long? Because these are the proportions that a person needs in the transition from the Atlantic to the post-Atlantic period in order to form the right thought form, which is the cause that the body of the post-Atlantic person was formed in the right way in length, height and width. In Noah's Ark you have a symbol for the proportions of your present body. These proportions are effects of those thought forms which Noah experienced and which he had built into the ark in such a way that by looking at them the world of thought was created according to which the organism of the post-Atlantean man was to be built. Mankind was educated through effective symbols. Today you carry within you the proportions of Noah's Ark in the dimensions of your physical body. When a person stretches out their hands upwards, the dimensions of Noah's Ark are contained within the dimensions of the human body.

Thus man has passed from the Atlantean era into the post-Atlantean era. In the sixth cultural epoch, the epoch that will follow our own, the human body will be shaped quite differently again. Today, too, people must experience the thought forms that can provide the basis for the human body to take on the right proportions in the next cultural epoch; this must be demonstrated to people. Today man is formed according to the measurements of 50 : 30 : 300. In the future he will be formed quite differently. How is the thought-form given to man today, through which the future form of man will be formed in the next race? It has already been said that this is given in the measurements of Solomon's Temple. The measurements of Solomon's Temple are a profound symbol of the entire organization of the form of man as he will be in the next, the sixth race.

All the things that are effective in humanity happen from within, not from without. What is thought and feeling in any one period is external form in the following period. And the individualities that guide the development of humanity must implant the thought forms into humanity many millennia in advance, which are to become external physical reality afterwards. There you have the function of thought forms, which are stimulated by such symbolic images as Noah's Ark, the Temple of Solomon, and the four apocalyptic figures of man, lion, bull and eagle. They have a very real significance. We have thus already said something about the images that guide the human being when he devotes himself to them. Yesterday we also mentioned images in the four forms of man, lion, bull, and eagle; and today we are talking about images. Images lead the human being to an interest in the world that directly borders his own.

When we ascend to an even higher world, we no longer deal with mere images, but with the inner relationships of things, with what is called the sound of the spheres, the music of the spheres, the world of sounds. When we travel through the astral plane, we essentially have a world of images that are the archetypes of our things here. The higher we ascend, the more we enter into a world of sounds and tones. You must not imagine, however, that the world of sounds is a world of sounds in the external sense. You do not hear the devachan world with the outer ear. You cannot compare the essence of the sounding spiritual world with our physical sounds, which are only an external manifestation of the devachanic world of sound. The spiritual tones are substances of the devachanic world, of the spiritual world, which begins where the world of images passes into the world of sounds. These worlds are thoroughly interwoven. Here, around the physical world, is both the astral and the devachanic world; one permeates the other. It is the same as if you were to lead someone born blind into this illuminated room; the colors and the burning candles are around him, but he cannot perceive them; only when he acquires sight through a successful operation can he also perceive what has been around him all along. Likewise, the astral and spiritual worlds around us are only perceived when the senses are opened to them; then it is also perceived that these worlds do not border on each other, but penetrate each other. One can perceive everything that is in one world in the other worlds.

What spiritual music is in the Devachan world is reflected in the astral world and expressed through numbers and figures. What is called Pythagorean music of the spheres is usually taken as an image by abstract philosophers. But it is a true, genuine reality. The sound of the spheres is there, and the one who trains his hearing - the expression is not quite correct, but we have to use it - in order to perceive in the higher worlds, perceives not only the images and colors of the astral world around him, but also the sounds and harmonies of the spiritual world. Just as the things around us on the physical plane are revelations of the astral world, so they are also revelations of the spiritual world, which express themselves through the mediation of the astral in the physical. The spiritual world expresses itself in all our physical things, and the more uplifting and meaningful the sensual things are, the clearer, more beautiful, more magnificent they also show themselves as expressions of the spiritual world. If we take an insignificant thing of our physical plane, it is usually very difficult to trace it back to its spiritual archetype. On the other hand, when we look at more significant, uplifting things in the physical world, the spiritual archetypes reveal themselves with great beauty. For example, we have given an expression of the spiritual world in the interaction of the planets of our planetary system. What is present in our planetary system in the most diverse forms can be traced back to what is called the harmony of the spheres for those who can recognize these things. The movements of our planets are such that he who is able to perceive this in the spiritual world 'hears' the mutual relationships of the movements of our planets. For example, from the point of view of higher worlds, Saturn moves 2 1/2 times faster than Jupiter. This movement of Saturn is perceived in the spiritual world as a correspondingly higher tone, “with spiritual ears,” as Goethe puts it.

Let us visualize the relative speeds of the planets in our solar system. If you take the speed of Saturn's movement in relation to Jupiter, then Saturn moves 2 1/2 times as fast as Jupiter, that is, at a ratio of 2 1/2: 1, and the speed of Jupiter's movement in relation to Mars is 5 : 1. For the spiritual ear, the movement of Jupiter in relation to the movement of Mars is therefore perceived as a much higher tone. If you take the speed of the movements of the Sun, Mercury and Venus, which is approximately the same, this stands in relation to the movement of Mars at 2:1, so it is just twice as fast. If you take the movement of the Sun, Mercury and Venus in relation to the Moon, this ratio is 12:1, so the speed is twelve times as great. From a spiritual point of view, if you consider the movement of all the stars visible to us in relation to their background, the starry sky advances by one degree in one century. And the speed of Saturn's movement in relation to the starry sky is 1200:1.

We therefore have

> Saturn: Jupiter = 2½ : 1  
> Jupiter : Mars = 5 : 1  
> Sun, Mercury, Venus: Mars = 2 : 1  
> Sun, Mercury, Venus: Moon = 12 : 1  
> Saturn: Starry sky = 1200 : 1

These ratios are expressed for spiritual perception through tones that can be perceived in the spiritual world by the spiritual ears. These are the real backgrounds of what is called “music of the spheres”. These numbers actually indicate harmonies that really exist in the spiritual world. So you see, just as the clairvoyant sees images and colors in the astral world, so the clairaudient hears the spiritual harmonies of things in the spiritual or Devachan world. For the one whose spiritual ear is trained for it, everything that manifests itself here in the physical world has tones as a spiritual background. Thus, for the occultist, the four elements of earth, water, air and fire produce different tone relationships that are quite beyond the perception of the ordinary person. The initiates have recreated tone relationships in the physical world that they could hear from the spiritual background of earth, water, air and fire. And the result of these tone vibrations has been captured in the original tuning of a musical instrument, the lyre. The lyre's string vibrations correspond to the notes that the initiates recognized as the four elements. The bass

> string corresponds to the Earth  
> the D string to Water  
> the A string to Air  
> the G string to Fire.

In this way we would be able to understand much if we could go back to times long past, and we could then see how many things in culture that today are taken for granted by man have been developed out of observations in the spiritual world. The physical tones of the lyre are modeled on what first existed spiritually as the relationship of the four elements to one another.

The fundamental idea underlying this is that everything that happens in man, in the microcosm, should be modeled on what lives in the macrocosm. When everything in the microcosm resonates with the macrocosmic spiritual events, then the world and man are in harmony; and because there is no disharmony, man can truly connect with the evolution of the world and feel at one with it. But when man leaves this harmony, when he does not join the world-sounds, then his outer condition also becomes disharmonious, and it becomes impossible for him to go on with the course of the world.

All this should give us an idea of how the symbols were created out of the higher worlds, which are real facts in these higher worlds. Many of the things in our culture are symbols, symbols to be realized, through which it is ensured that the human being can be prepared to develop in the future on the physical plane that which is only on the higher planes today. It is the course of evolution that everything that is in the higher worlds today descends into the physical world. Since man is called upon to help create the outer world, he must descend with his thoughts into the physical world. He forms the world around him, and he also forms what is in his own physical being. Through Theosophy, man must develop a feeling for the fact that everything he does, feels and thinks in one time continues to have an effect in another time, in the future. When man builds temples, works of beauty, or when he creates statesmanship for the social coexistence of people, these are all things that have significance for the future. What man builds today with the help of natural forces, he forms the natural products of the future. When man builds a Gothic cathedral, for example, he assembles it according to mineral laws. It is true that the substance, the materiality, the bricks and stones, of which the cathedral is composed, will disintegrate. But the fact that the form once existed is not meaningless. The form that was imprinted on the matter by human beings remains, it is incorporated into the etheric and astral body of the earth and develops as a force with the earth. And when the earth has passed through the present stage of development and the pralaya and reappears as Jupiter, this form will grow out of the earth as a kind of plant being. We are building the works of art and beauty today, we are not building the works of wisdom in vain on our earth. We are shaping them so that they will later merge with the earth as natural products. And just as we build cathedrals and houses today whose forms are lasting, which combine with the earth and will emerge again in the future as a kind of plant, so too have our present-day plants and crystals been shaped by what our predecessors built in the pre-world, by the gods and spirits that preceded us. Everything that man incorporates into the earth from the point of view of knowledge, wisdom and beauty and of true social life, everything that he brings into the outer world in the form of symbols, even if he only forms them in his thoughts, becomes a great, joyful, progressive force for the further development of the earth; they will be real forces and forms of the future. Our machines and factories, however, everything we make to serve external utility, the principle of utility, will be a harmful element in the next embodiment of our earth. If we imprint symbols on matter that are expressions of higher worlds, they will have a progressive effect; our machines and factories, on the other hand, which only serve external utility, will have a kind of demonic, corrupting effect in the next incarnation of our earth. Thus we ourselves shape our good forces and also the demonic forces for the next age of humanity.

Today, in the fifth post-Atlantic cultural epoch, we are most deeply immersed in matter and creating the worst demonic forces for the next epoch. Where we transform the ancient and sacred into physical and mechanical things, we are working down into the physical plane. What man fashions in this way will become the underworld. It must be clearly understood that the evil powers of the earth's evolution must also be integrated. At the time when they must be overcome, man will have to expend a tremendous amount of energy to transform evil and demonic forces back into good. But his strength will grow as a result, because evil is there to steel the strength of man by overcoming it. All evil must in turn be transformed into good, and it is providentially designed to develop strong, energetic effects in man, much higher than if he never had to transform evil into good.

All the things we think up in the physical world with our minds have a spiritual background, and we can see these things in the spiritual world. I would now like to give an example of how something that is conceived on the physical plane expresses itself in the spiritual as a figure: the Caduceus, the rod of Mercury.

Our present consciousness is the so-called bright day-consciousness, where we perceive through the senses and combine through the mind. This day-consciousness has only developed to its present level. It was preceded by another consciousness, a dream-like pictorial consciousness. At the beginning of the Atlantean period, man still perceived the world and its spiritual and soul entities clairvoyantly in astral and etheric images. Today's dream is still a last remnant of this atavistic pictorial consciousness. Let us draw a picture of this. First we have the bright day consciousness. This was preceded by consciousness, which today only plants have, which we can call sleep consciousness in humans. Then there is an even duller consciousness, as our physical minerals have it today; we can call it a deep trance consciousness. (During these explanations, the following was written on the blackboard, from bottom to top: day consciousness, image consciousness, sleep consciousness, deep trance consciousness. See drawing next page.) We can connect these four consciousnesses with a line (drawn as a straight line from top to bottom). However, man does not develop in this way. If man were to develop in the same way as the straight line, he would start from a deep-trance consciousness, then descend to the sleep consciousness, then to the image consciousness and finally to today's day consciousness. But it is not that simple for man; instead, he has to go through various transitional stages. Man had a consciousness of deep trance on the first earth embodiment that we can trace, on Saturn; there he developed this consciousness to various degrees. We draw it here in such a way that we let consciousness develop in this line. Man separates himself from the straight line and reconnects with it on the sun, where he undergoes the sleep consciousness, then continues as this spiral line shows to reach the image consciousness on the moon. And today, after various transformations, man stands at the level of bright day consciousness. Man now retains this clear day consciousness for all subsequent periods, and consciously acquires for himself the states of consciousness which he had in a dull form on earlier levels. In this way he consciously acquires for himself the pictorial consciousness again on the Jupiter condition of the earth; this will enable him to perceive again soul-life around him. This development takes place, however, in such a way that his clear day-consciousness is not weakened or dulled, but that on Jupiter he will have the image consciousness in addition to his day-consciousness. One could say: the day-consciousness brightens up into the image consciousness (see drawing: broken line). Then he will again have the sleep consciousness that he had on the sun when the earth was in its Venus state; this will enable him to look deeply into the beings, as today only the initiate can do. The initiate goes the straight way; he develops in a straight line, whereas the normal development of man is a winding one. And then, ascending, man also regains on Vulcan the first consciousness, the consciousness of trance, while retaining all the other states of consciousness. Thus man undergoes an evolution in a descending and one in an ascending line. You can see this line recurring again and again. This path of descent and ascent is a real line that has found expression in the Caduceus, in the staff of Mercury.

[The following section is only incompletely reproduced in all the lecture notes.] Thus we see how the symbols that we obtain in this way are deeply rooted in the whole essence of our world process. And a line like the Caduceus also has an educational significance for people when they devote themselves to this figure in meditation. No one can memorize this figure without it having a profound educational effect on them. The seer brought this line out of the spiritual worlds to give people something that would make them future seers. What one must develop when meditating on this line are certain sensations. At first you feel a dull darkness. You stare into the darkness, and gradually it begins to brighten and take on a violet color, then indigo, blue, green, yellow, orange, red, and now back, with a certain reflection of the evolution taking place, until you have risen again to violet. As you follow this shaded line, your feelings will change from the quality of the color nuances to moral feelings. If you do not perceive this line merely as a chalk or pencil line, but, by looking into the black, try to imagine the dark before your soul, and at the violet imagine the devotion, and so on through the other colors, blue, green, yellow, orange, then call the joyful before your soul with the red, then your soul will go through a whole gamut of sensations, which are first color sensations and then become moral sensations. By reflecting the form of the staff of Mercury in sensations, something is incorporated into the soul that enables it to develop the higher organs. Through the real symbol, it is transformed so that it can receive the higher organs within itself.

Just as the influence of outer light once magically transformed indifferent organs into eyes, so too does devotion to the symbols of the spiritual world magically transform the organs for the spiritual world. It is quite impossible to say: I still cannot see what is to arise there. That would be just as if the person who had not yet had eyes had said: I do not want to let the light work on me. We must first be taught what can lead to the development of the inner organs, then we can perceive the secrets of the spiritual world around us.