Myths and Legends, Occult Signs and Symbols

GA 101 — 29 December 1907, Cologne

IX. Pictorial Representations as a Necessary Educational Tool for Mental Training

I would like to discuss some more characteristic symbols and signs today, so that we can become clearer and clearer about the actual basic theme of our lectures, which should consist of showing how signs and symbols relate to the astral and spiritual worlds, also called the devachanic world.

We have seen that the symbols and pictures and the numerical and formal relationships really taken from the nature and essence of the higher worlds, when absorbed by the soul, evoke in it real soul forces in the form of perceptions, thoughts, ideas and feelings, which have a formative effect. Yes, we could even see that Noah's Ark was formative for the present physical body of man, and that the Temple of Solomon, when it works in its forms on the people of the present, will have a great significance for the shaping of man in the sixth race. From these statements you can already see that the path taken by the guides of humanity, who are constantly working on the course of human development, is actually similar to that taken by the individual in the elementary secret schools. There, too, we are dealing with a concentration of sensations, thoughts, images, and so on - many other things are added - that are effective and formative for the human being.

In many cases, the various occult currents of the present day are of the opinion that in our time there may be an ascent into the higher worlds by other means than through the application of imaginative and symbolic ideas. And for people of the present day, ascending into the astral world with the help of symbolic signs or other occult means of education is associated with a certain fear, even aversion. If you raise the question: Are such states of fear justified?, then you can say: Yes and no. In a certain respect they are justified; in another respect they are completely out of place, because no one can really go up into the higher worlds without passing through the astral world. It is a mistaken assumption if someone thinks that he can pass through the astral world blindfolded. You must realize, however, that the spiritual world as such has different regions. Man has descended from the spiritual world into the physical world, and he must ascend from the spiritual world back into the spiritual world. What must be avoided is that man, in his development, falls back into earlier states. Man must never fall back into earlier states. Every mediumistic state is a falling back into an earlier state, whereas true secret schooling is an ascent into higher states. Man must ascend through the astral world with full, bright day-consciousness in order to reach the higher regions of the spiritual world. Whatever longings, passions, instincts today's man carries within himself is anchored in the astral body, of which the astral body is the carrier. If a person wants to ascend to higher worlds, he must work with feelings and sensations; there is no other way. But the point is that he should never try to ascend to the higher worlds other than by fully maintaining the achievements of our physical world, that is, never with a damping of consciousness. When we look at mediums, we always find that they are thrown back into an earlier state of consciousness. Their bright day consciousness is dampened down, weakened, and an earlier state of consciousness, which the person has already overcome, is evoked. Anyone who wants to become a clairvoyant in the modern sense must retain their present bright day consciousness and take it with them. He can only do this by passing through the point of “sensuality-free thinking”, and nothing can ever happen when a person passes through sensuality-free thinking. Let us be quite clear about what this means.

Sensual thinking and imagining is anything that starts from the sensual perception of the objects around us. If you form your ideas in such a way that you first look at an object, perceive it, and then keep it in your memory, and your thoughts are such that you are stimulated by such ideas, then you have sensual thinking. This thinking fills by far the greatest part of the soul experiences of the present human being. And when a person examines himself to see how much remains to him when he throws out of his soul all ideas that are caused by sensory perception, then he will first become aware of what content is still there in the soul. When the ideas that were stimulated by external impressions have been removed, then he will grasp what the Greek philosopher Plato meant when he wrote over the entrance to his school, “No one unfamiliar with geometry shall enter.” This means that no one should enter who has not been able to rise to thinking free of sensuality. He did not demand ordinary geometry. Nor is it required today by those who want to ascend to higher worlds. Nor would it be necessary today for intrinsic, objective reasons. But from geometric representations one can form an idea of what thinking is that is free of sensuality. If you put three beans here, add three more beans, and another three beans, then you can learn from this sensual impression that 3 times 3 = 9. The child or primitive man learns it by the fingers. This is sensual thinking. When you no longer need the fingers or the beans, but when you learn the same thing through pure mental contemplation, then it is sensual-free thinking. The child starts learning from a bridge [beans or fingers] and only later rises to sensual-free thinking. If we draw a circle on the blackboard, it is not really a circle; what we draw there is a collection of little chalk mountains. You will not be able to grasp what a real circle is with sensory perception alone. Only the spiritually viewed, inwardly constructed circle is free of sensuality.

The best means for a larger circle of people to arrive at a thinking free of sensuality is today Theosophy, if Theosophy is understood in the sense that the human being learns to detach the images from sensuality. Particularly in those areas that go a little beyond the most elementary, man is led by theosophy to thinking that is free of sensuality. If, for example, you want to understand what the etheric body or the astral body is, you cannot see them externally. That is precisely what theosophy gives you: it describes things that you cannot see externally. Or when we describe the old moon in Theosophy, we create a picture of it, a very drastic one, in fact, in which we combine sensual and supersensible ideas, so that a materialistically minded person would say: He is painting something that is not possible. Yes, in Theosophy one must teach something that is almost impossible for today's conditions and describe the old moon in such a way that there were no such rocks, minerals and stones on it as there are on our earth today. The entire old moon consisted of a living substance that could be compared in density to a kind of spinach puree or cooked salad, a body halfway between minerals and plants, half plant, half mineral. We find something like a semi-vegetable life on the old moon. Minerals as they are today did not yet exist at that time. If you look at today's peat bogs, where there is also a kind of semi-vegetable substance, you would get an outwardly similar picture to the substance of the old moon. Instead of rocks and mountains, you would have found at most something on the old moon that is like the bark of our trees today. Now every naturalist will object that something like that could not exist as a planet. But it is precisely this that is needed, and it is a necessity in order to understand other epochs of development, for the human being to tear his thinking away from what today adheres to the conceptions of ordinary sensory thinking and feeling, and to arrive at a thinking that is free of the senses. Thinking that is free of the senses is not abstract thinking, but very, very real thinking. If we think of the old moon as a kind of large salad with its bark and so on included, then this is “sensual-supersensual” thinking, as Goethe says. By detaching color and form from sensuality and projecting them freely into space, you have gained imaginations through sensual-free thinking. Anyone who regards this as a firm foundation will never be able to stumble when ascending to higher worlds.

Let us make a schematic drawing for ourselves. Some things become unclear due to incorrect symbolic drawing. So, although it is sufficient for understanding certain relationships if the physical plane, the astral plane and the devachan plane are drawn on top of each other, it is more correct to imagine the physical world as a self-contained sphere, where the astral is all around, and the devachanic is around that again. Instead of drawing horizontal layers, it is good to draw it this way (see drawing), because this provides a way to distinguish two areas of the astral plane from each other. If we look into two very specific areas of the astral plane, which we indicate here with arrow 1, we see that in the astral world, what we call the male and the female here on earth are the two opposites of “form” and “life”. Form and life are opposites on the astral plane. Now, if we want to encounter form and life on the astral plane, we will only encounter them if we go in that direction (from the center upwards, see arrow 2). If we go in the other direction (center downwards, see arrow 3), we will by no means encounter the beneficial contrast of form and life, but rather the contrast of “decay” and “disease”. So if we start from the physical world, we encounter the opposite of form and life on the astral plane above; this corresponds to the opposite of decay and disease in the astral world below, i.e. going down below the physical plane. Whenever we go to one side, where we see beneficial properties for the physical world, these correspond on the other side to destructive, harmful influences for the physical world. We now have an opportunity to distinguish between the parts of the astral plane. There are actually two quite different areas of the astral plane that affect the human soul. If we want to form an idea of how these two very different areas affect the soul, we have to imagine that in a human being we have: the physical body, the etheric body, the astral body; and depending on their development, which has been described many times: manas or spirit self, budhi or life spirit, and atma or spiritual man; and in between we have, filled by the I, the soul. So that we can distinguish in a certain respect: body - which actually includes the three bodies -, soul and spirit. Now the three lower members, astral body, ether body and physical body, are reflected in the soul. Insofar as the physical body, ether body and astral body are reflected in their original nature, they introduce lower, downward-pulling qualities into the human soul. But that which is higher is also reflected in man: manas, buddhi, atma, and thus we also have uplifting, purifying elements in the soul. In strict Christianity, people also knew about this twofold way of being reflected in the human soul. One saw that the higher human nature was reflected in the soul, or the lower nature was reflected in the soul. Many sensed this, even if they were not esotericists. That is why it was said: When a person dies, he perceives the reflection of the spiritual world as the collection of laws of Moses; and when the lower nature is reflected in the soul, the devil reads the record of sins to the soul in death.

This means that the soul is presented with all the qualities that adhere to it: That which is reflected from above is held up to it as the tablets of the law of Moses; and that which is reflected from below is described by saying: the devil reads the soul's record of sins to it. If the soul does not take the right path, it can indeed sink into its lower passions; that can happen. But this must not be presented to man as a deterrent.

All imagistic, pictorial representations educate the human being in order to gradually bring him to that point in the development of life where he learns to look more and more into the higher worlds. Pictorial representations, such as the image of the old moon, are a powerful educational tool in this direction. Through such images, the idea of development is introduced to the human being in the right esoteric way. If one only presents dry, abstract concepts to the human being, he remains on the physical plane with his thinking, because ordinary thinking as such never comes from the physical plane. It is indeed a reflection of the Devachan plan; but the thought that the human being entertains is something that belongs to the physical plan, it is only a shadow image of the higher processes. No matter how fine your conceptions may be regarding the process of development, how a being on the first step of existence differentiates itself, descends and envelops itself, these are all only conceptions that give you ideas of the physical plan, but do not help you in your development. Only concepts and ideas that are both sensual and supersensible can gradually help you to really advance one step. First, you have to transform the concepts into images, into imaginations, and then repeat this process over and over again.

If one were to express this process, which was taught, for example, in the Rosicrucian schools, in a dialogue between teacher and student, one could put it like this: - In reality, such a dialogue never took place in this way, but we can present it in this way to show what the student had to go through step by step in long, drawn-out experiences. The teacher said to the student: “Look at the plant and see how it directs its root into the earth, how it grows towards the sun with its stem and blossom, and how it develops its fruit organs. And now imagine the human being in contrast. The human being is poorly compared to the plant when one compares his head with the flower and his reproductive organs with the root of the plant. Even Darwin, the great naturalist, used this comparison correctly by comparing the head of the human being with the root of the plant, so that even for Darwin, the plant is the human being turned upside down. What the plant holds up chastely to the sunbeam, its reproductive organs, man directs to the center of the earth. Thus, in man we have to think of an inversion of the plant, in that he freely directs all the forces that in the plant are directed toward the center of the earth to the sun-filled cosmos, and shamefully directs those organs that the plant holds up chastely to the sunbeam toward the earth. The animal stands in the midst of it.

If we therefore want to draw the real directions of power that exist in the world, we can do so as follows: the true esoteric meaning of the sign of the cross is a sum of forces. One direction of force goes downwards: the plant being is directed by this force. In the human being, it is directed in the opposite direction. The animal has a horizontally aligned spine, and in it this force is manifested as orbiting the earth horizontally. The soul principle ascends from plant existence to animal existence to human existence. And Plato, who so often expressed things that originated in the mysteries, spoke the beautiful sentence: The world soul is crucified on the world body. That is, the world soul passes through the plant, animal and human; it is crucified in the forces of the three realms: plant, animal and human. And if we thus inscribe the cross into the three natural realms, then the cross becomes for us the sign of the direction of development.

Now the teacher said to the student: You have to imagine how the plant stretches its calyx towards the sunbeam, how the fruit organs reach maturity when the plant is kissed by the sunbeam. - The development into a human being happens through the fact that the pure, chaste plant substance is permeated by desires, instincts and passions. In this way man conquers his consciousness, in this way he becomes human by passing through his animal nature. By interweaving the lower nature of desire into the pure plant nature, man has ascended from the dull plant consciousness to the bright consciousness of day.

From this level of present-day man, the teacher pointed the student to a higher level. Just as man has developed from a state similar to that of a plant, so too will he purify his instincts and desires to a higher, chaste level. The teacher showed the student the structures in the physical body of man through which the higher levels of consciousness can be attained and human substance can in turn become a substance similar to that of plants. Every being must use a physical body if it wants to appear on earth. But the body of man will change more and more in the future. We distinguish between a descending and an ascending development with regard to the human organs. Some human organs are in a state of descending development; in the course of time, which admittedly counts in millennia, the human being will discard them. Other organs are in the process of becoming; in the future they will undergo an upward development, for example the human larynx; it is only at the beginning of its development. The human heart will undergo a further upward development, becoming a completely different organ in the future. While other organs have already passed their zenith, becoming detached from human nature and withering away, we have an organ in the heart that is only at the beginning of its development.

We can distinguish between striated and longitudinally striated muscles in the human body; these are voluntary and involuntary muscles. The voluntary muscles of the hand, for example, are striated. The muscles of the intestines, on the other hand, which involuntarily push food forward, are longitudinally striped. The heart is an exception here, and this is a crux for today's physiological and anatomical scientists. The heart belongs to the involuntary muscles, but it has striated musculature. Therefore, our anatomists cannot understand the heart either. They consider all organs to be the same. If we consider the organs spiritually, they may well consist chemically of the same components, but one may be in a descending development and the other in an ascending one. The heart is on the way to becoming a voluntary muscle in the future; its anatomical structure already bears the characteristic features for this. Today, however, it contributes to the effect of emotional experiences on the blood. You can see how, when you feel fear, the blood mass withdraws from the periphery of the body and moves inward, or how, when you feel shame, the blood is driven from the center of the body to the periphery. In the future, in addition to the transformation of the heart, there will also be a transformation of our larynx. Today, the larynx serves to translate my thoughts into words by making the air vibrate. You can pick up and hear my words with your ears; this is caused by the vibrations of the air. The present human larynx is capable of transforming into air vibrations what is going on in the soul. The human body of the future will transform its larynx into a fertilizing organ, and the word, which today only creates in the air, will in the future become creative in our environment. Reproduction will then take place through the larynx, which will create the race of the future.

Just as the teacher pointed out to the student the chaste chalice of the plant, and how he pointed out to the human being who, in descending, has permeated his plant substance with the lower nature of passions, desires and instincts, but But in exchange for this, has acquired his present clear day-consciousness, the teacher showed how the present human being will ascend to higher states of consciousness, and how the future human being will transform the substance, filled with desires, back into pure and chaste organs. The pupil's attention was drawn to the past, present and future. Just as the chalice of the plant extends chastely towards the sun and its fruit organs grow towards the sun, this will be there again on a higher level, where man will offer his larynx as a chalice to the spiritual sunbeam. This spiritual chalice, the transformed organ of speech, was called the Holy Grail. This is a real ideal. The beginning, middle and end of human development: here you see the idea of human development transformed into a picture.

Through the feelings that we develop from these pictures, the forces flow to us that truly open up the higher worlds for us. All this takes place without magic. The images stimulate the feelings that lead the human being into the higher worlds. Feelings and sensations lead the human being into the astral world, just as the will leads him into the devachanic or spiritual world. Thinking corresponds to the physical world, feeling to the astral world, and the purified will to the devachanic world.

If we look at the plant in its original chaste substance, we find green as the color in the life of the plant. The plant is permeated by chlorophyll, by what is called chlorophyll, in those parts where the etheric body is actively alive. The etheric body has a basic law, which is the law of repetition. If only the etheric body were active in the plant, then one and the same form would be repeated again and again; leaf by leaf it sets in. But when the astral body of the earth begins to affect the plant, it completes growth and sets in the flowering. The effect of the etheric body is revealed in the repetition. This principle also applies to human growth. The etheric body shows its influence in the formation of the spinal vertebrae, but this only goes as far as the arching of the cranial vault, where the astral body begins to take effect. We can therefore only influence the etheric body through the principle of repetition. When you think and comprehend, you only affect the astral body. But when you pray or meditate, for example, and repeat the same prayer or meditation every day, you have an effect that extends into the etheric body. The way it is in the cosmos is that the principle of repetition first manifests itself in the deeds of the etheric body, then the principle of closure through the astral body. Where the astral body withdraws, the principle of repetition naturally reappears. This is how your hair and nails grow, because the astral body has withdrawn there. It doesn't hurt when you cut your hair, because pain is an expression of the astral body.

We initially have the pure, chaste plant substance, where the plant, subject only to the law of the ether body, adds leaf after leaf. Now this pure, chaste plant substance is increasingly permeated by what is called kama in theosophy, the realm of instincts and feelings, the realm of desires, right up to the images. And now, in man, that which has developed in him since he had a plant nature is to be overcome again. As man developed, he took in the red blood. The red blood brings about in the human being that which makes him self-conscious. The chlorophyll of the plant, permeated by astral substance and the I, has been transformed into the red blood. If you could permeate the green plant substance with the I and the astral substance, you would get the red blood. Now think of the image of the cross. In the image of the cross you also have something that points to the future of man. Where does man's future lie? He is to regain his plant nature, but connected with the higher level of consciousness that today's man has already gained. The red roses of the Rose Cross signify what has been gained through blood, but also what he had as plant nature and is to have again. This is prefigured in the rose. It has a plant nature, and it also has the red color of blood. The etheric body is active in the green leaves, and the astral body is active in the red blossom, where the closure is; the rose blossom owes its red to the most intense effects of the astral body of the earth.

In the future, the human being's astral body will become free and consciously active from the outside, from outside the physical body, just as the earth's astral body now acts on the rose. Then what is now present as a plant rose at a lower level will appear at a higher level as the human rose. Thus, in the wreath of roses surrounding the black wood of the cross, we actually have a sign of the development of the human being. In the black wood we see what dies; it is an image of what will also die in man. And in the red rose we see what will continue to develop until it becomes that chalice which, like the chalice of a plant towards the sun, holds out towards the spiritual sun-rays. And the rose cross, where the red roses surround the black cross, presents this process to us in an image.

The important thing about the symbols is that we do not merely think them, but that we feel and sense them. For only when we feel that the red rose is saying: that is what you will become one day, that is what the goal of human development represents to us – and when our hearts open and our feelings become pure, then the forces within us are released that lead us up into a higher world. Thus these symbols are workers at our soul. They permeate and interweave our soul; they are the greatest and most effective educators of our human race.

Just as we place images and imaginations before our soul here, so in still higher spheres the inner forces of numbers are placed before man. Man must learn to feel the inner relationships of numbers like spiritual music. One can describe the relationships of the physical body, ether body, astral body and I to one another by attempting to provide images of the relationship between these four aspects of human nature. In doing so, one experiences a kind of imagination. Thus, one can describe the relationship between the physical body and the etheric body by saying: the physical body comes into being because all the forces and substances that are spread out in the mineral kingdom are connected by the etheric body; it would disintegrate if the etheric body did not permeate it; the etheric body is an inner fighter against the disintegration of the physical body. In this way we work our way up to an image of the etheric body.

And if we try to gain a pictorial representation of the astral body, we imagine how it moves out at night and works on the etheric and physical bodies from the outside, by removing the fatigue substances. Let us make this clear to ourselves pictorially. But there is an even higher way of imagining this relationship; here one has to imagine the inner value of certain numbers. You have to recognize that the ratio of 1:3 is something quite different than the ratio of 1:7. This is not irrelevant. With the ratio of 1:3, you have to imagine that the 3 is differentiated within itself, and you have to imagine the interrelations of the individual quantities to the others.

But what is important is the ratio of 1:3:7:12. If you understand the relationship between these numbers as a tone ratio, in that you imagine that a tone makes three vibrations in a certain time, another seven vibrations in the same time, and yet another twelve vibrations, then you have expressed in these numbers the ratio that indicates the ratio of the I, the astral body, the etheric body and the physical body in spiritual music.

I = 1
astral body = 3
etheric body = 7
physical body = 12

There is good reason for this in the existence of the world. If we were to follow the development from the oldest Saturn existence to the present earthly existence, we would soon be able to find how this is rooted in the human existence. The Earth, in its first, in the Saturn embodiment, was surrounded by the twelve signs of the zodiac. They provided the first germinal formation of the physical body. Through the influence of the corresponding signs on the body, this relationship of the number twelve to the individual limbs of the physical body came into being. The seven planets influenced the etheric body. When the Earth was a sun, the other planets were around it, and so the number seven influenced the etheric body. When the Earth was in its lunar embodiment, it was first affected by the Sun. But then, as a result of the Sun and then the Moon separating from the Earth, three bodies emerged from one body, and so the number three was effective in the formation of the astral body. And when the I came down from the higher worlds, this was expressed in the number one. The ratio of 1:3 gives you the ratio of the I to the astral body, to 7 the ratio to the etheric body, and to 12 the ratio to the physical body.

1:3:7:12 thus denotes the ratio of the four elements of human nature, which you must feel inwardly. It is not easy to awaken the sensations that one has to imagine the physical body as the most perfect of the four parts, the etheric body as the less perfect, the astral body even less perfect, and the I as the “baby” among the four members of human nature. We must think of the physical body as being twelve times more perfect than the I, the etheric body as being seven times more perfect, and the astral body as being three times more perfect. These numbers indicate the degrees of perfection for the four aspects of human nature. These numbers are therefore profound symbols for the real conditions.

Occult schools provided instructions for gradually becoming familiar with the numerical values. For example, the significance of the number three was taught by saying: “Let us consider the development of a plant and pay attention to three things.” Let us start with the plant germ. You have an inconspicuous, small plant germ, from which the plant gradually develops. We can depict this in a drawing by letting the plant germ diverge in a radiating manner, up to the leaves, flowers and fruit. Now the germ has become a plant and then the plant germ has become a plant again. What has diverged in the plant to become leaves, flowers and fruit is all wrapped up together in the germ; it has, as it were, slipped into the germ. In a developed plant, everything is revealed in the senses. Then the senses enter into a completely different realm, into the germ. There we have in the germ the senses as small as possible and the spiritual as large as possible.

But a third thing also takes place. While the germ is forming out of the plant and the new plant is developing out of this germ, elemental forces from the environment are continually acting on the plant from the outside. The germ is there, which developed from the plant, and out of it the new plant develops again; but the third comes from the whole surrounding world; and it is this third that changes each plant again a little. The higher a being stands, the more the influence of the third changes it.

Let us now turn again to the human soul and consider how it lives between birth and death. There it spreads out what it has brought with it as the fruits of a previous embodiment. Just as external influences affect unconscious plant life, so man consciously experiences the most diverse influences from outside in the life between birth and death. And everything he experiences there was not yet present in the seed; it is something entirely new, an enrichment, the fruits of which the person takes with him into a later life, into a following incarnation. What was present in the old plant continues to work in the new plant; but in the development of the new plant something else appears that was not present in the old plant.

Thus, in all development, we have three aspects to consider: first, the unfolding from a, as it were, wrapped-up state; we call this development or evolution. Then, what lies in the germ must come into being through the reverse process, the wrapping or involution. These two processes alone, however, do not yet give progress. Only when a being is able to take in influences from outside and process them into inner experiences can something new and progressive come into the world. That is the third thing; it is called creation out of nothing. You are constantly developing what is predisposed in you from the past, constantly taking in something from your environment that you transform into experiences, and then you carry that into a new embodiment. In all life, the trinity of evolution, involution and creation out of nothing is at work. In the case of human beings, we have this creation out of nothing in the work of their consciousness. They experience the processes in their environment and process them into ideas, thoughts and concepts. Dispositions come from previous embodiments, but all progress in life is based on the production of new thoughts and new ideas. The circumstances of the environment are “consumed”, and the inner experiences lead to new thoughts and ideas. Therefore, three is the number of life, it is called the number of creation or of action.

On the other hand, another number is called the number of revelation. You can easily imagine which number is called the number of revelation. If you look at anything in the world, it must always reveal itself in a duality. As we cannot perceive light without darkness, so we always encounter an attenuated or opposite aspect of every real concept. Light and darkness, good and evil, and so on. Duality reigns in all that is revealed. Therefore, the number two is the number of revelation. Opposites are only united in the realm of the occult, which lies beneath the revealed. Therefore, the number one is the number of unity. Evolution and involution are not contradictions, because they would always unfold in the same way without the third - from germ to plant and from plant to germ. Only in connection with the third, creation out of nothing, does the new arise, which is expressed by the number three.

Thus, in the first three numbers you have important symbols of the spiritual world. It should be indicated to you by individual examples how that which is called symbols relates to the higher worlds, and how, for example, symbols such as the Holy Grail or the Rosicrucian in the picture express higher development.

Another beautiful symbol is the image of the mirror. We often call that which surrounds us a mirror of the spiritual, because in truth nothing external shows us anything other than the reflection of spiritual beings. You can observe this yourself in physical life. When you perceive a physical object, what does your eye see? Your eye would not see the object at all if the sun's rays did not fall on it and reflect off the object into your eye. In truth, your eye does not see ordinary objects, but the sunlight reflected from the objects, and that is how an object appears to you in a certain form. In truth, you do not see yourself when you look in the mirror either, because your spiritual part is outside of your physical being. What you see in the mirror is the reflection of the rays that fall on you from the spiritual world. What you see reflects the light of the spirit just as ordinary objects reflect sunlight. The outer body of man is actually the mirror in which his true being is reflected.

In the Atlantean period, man did not see objects outside at all. He knew that he was in a spiritual substance and therefore could see spiritually inwardly. Only in the last third of the Atlantean period did the spiritual light go out, and man only saw the reflected rays of the spiritual light. Imagine looking into a glass pane and being aware of your own spiritual qualities. Now someone applies a mirror substance to the back of the glass pane; as a result, you no longer see your own being in the glass pane, but only the image reflected by the mirror. Man now sees his image; and now the illusion arises for him that what he sees there is his ego. This illusion is wonderfully expressed in the Bible. Man lost Paradise when he became so absorbed in sensuality that he saw himself. Before that Adam and Eve had not “seen”; now “the eyes of both of them were opened, and they knew that they were naked.” And because here an illusion actually occurred, legend attributes the fact of the externalization of objects to the Luciferic principle.

In Eastern Europe there is a folk tale that tells of a monk who wanted to test whether the biblical saying was based on truth: Those who seek will find, and to those who ask, it will be given. He wanted to test whether this was really true, so he prayed for what he wanted to beg for. He wanted nothing more nor less than the king's daughter herself. He proposed to the king's daughter. She told him that she would be his on one condition: he had to bring her an instrument in which she could see herself from top to bottom. This was at a time when there were no mirrors. So he went off searching, and met the devil, who told him the secret of the mirror principle. When he returned with this, he received the princess's hand in marriage; however, he later renounced her. So in order to obtain the mirror, he had to resort to the devil.

In the manifold signs and symbols that have come to us in these lectures, we have been able to see the real meaning of these images. Sensory perception is the content of the physical world. Images and imaginations are the expression of the astral world. Harmony of the spheres, sound of the spheres is the expression of the spiritual world. Those who ascend to this spiritual world perceive its inner spiritual sonority, it penetrates into them. Inspiration is the vital element of the spiritual world, just as imagination is the vital element of the astral world. A truly inspired world is created out of the spirit. IV