Olaf Åsteson

GA 158

The Dream Song by Olaf Åsteson

A significant folk tale is to be presented: It is about the young Olaf Åsteson, who lives in the saga of the Norwegian people. A dream of this Olaf Åsteson is told in a truly folksy poetic form. A dream that the people imagined filled a long sleep of thirteen days and nights, those thirteen nights and days that lie between Christmas Eve and Epiphany, on January 6. These thirteen days play a role in many folk traditions. To understand what is expressed in such traditions, one must imagine how, relatively recently, people in rural and mountainous areas felt an intimate connection with the course of nature. They felt differently when the plants sprouted out of the earth in spring than when the ground stretched bare in autumn; differently when the sun burned hot in the sky at Midsummer, and differently when the snow clouds hid all the sun's rays in December. In summer, the soul lived with nature; in winter, it withdrew into itself, lived within itself. This withdrawal of the soul became particularly intense towards Christmas time, when the nights are longest. And then it was so for the soul that it withdrew from the outside world as in falling asleep, when the eyes no longer see and the ears no longer hear. A brooding of the soul occupied with itself occurred, which became like a dream in particularly predisposed people. Then some souls experienced their immersion in the spiritual world particularly vividly. Everything they felt, about guilt and sin, about hope in life and worries of the soul, came before them. And just as dreams take on special forms when morning approaches and the first ray of sunshine falls on the dreamer's still sleeping face, so the brooding and dreaming of the soul takes on a special form when, from Christmas onwards, the sun begins to appear earlier in the day, when the approach of the new dawn is felt. Anyone who has ever lived with mountain or rural people is familiar with the dream experiences that we are considering here, which introduce the folk soul to other worlds. Nowadays, however, such experiences are no longer common. They are actually disappearing as locomotives and factory chimneys invade the landscape. In many areas, even the legends of those old dream worlds have already faded away. In areas that have been less influenced by modern industrial and transportation culture, such as certain areas of Norway, beautiful parts of that mythology have been preserved, as in our song about Olaf Åsteson. It comes from ancient times, but was recently rediscovered by the Norwegian people and is spreading quickly, so that many people know it again today, after it was long lost.

It tells of a long dream that Olaf Åsteson dreams in which he experiences the fate of souls after death. The idea behind it is that after death the soul wanders among the stars, that it comes, for example, to areas where the constellations of Taurus, the Serpent, and Canis Major are close, that it comes into the spiritual proximity of the moon. The soul enters these worlds by crossing the Gjallarbridge, which connects the earthly world with the spiritual. In many folk tales, the rainbow is presented as this bridge. Part of this spiritual world is Brooksvalin, where the deeds of the souls are weighed and retribution is meted out to them. The way the song presents the experience points to the time in which it was formed through folk poetry. The ideas about life after death are not yet entirely Christian; they are partly those that were still formed in the old pagan times. However, the time in which Olaf experiences his dream is already presented as Christian. This is evident not only from the fact that he tells his dream at the church door, but also from the fact that Christian ideas of Michael and Christ play into the pagan ideas of the Gjallarbridge and Brooksvalin. Indeed, one can immediately recognize the penetration of Christianity into Norway from the south in the approach of Christ from the south. We are dealing with a folk tale that is probably eight to nine centuries old, because that is how long ago Christianity entered Norway.

By presenting this poetry, we would like to draw your attention to the life of the folk soul, which, through the formation of legends such as that of Olaf Åsteson, shows that it was aware of its connection to the spiritual world, which inwardly experienced images of this connection that gave it the certainty that the spiritual world exists. For anyone who approached Olaf Åsteson and said, “There is no such thing, science has proven that,” would have been looked at quite sympathetically by Olaf Åsteson, who would then have smiled sympathetically and said, “There are more things in heaven and on earth than you can dream of in your school wisdom.