The History of the German Section of the Theosophical Society 1902-1913

GA 250 — 12 June 1907, Berlin

35. Report on the Organization and Course of the Congress in Munich

[We have not seen each other here for a few weeks. You know that this is because of our congress, which took place at Pentecost. These congresses will indeed] establish a kind of connection between the different nations within Europe, also in relation to our theosophical cause. The Munich congress, which is the fourth – after Amsterdam, London and Paris – should, in a certain respect, be a stage in the development of our theosophical movement.

I do not intend to give a proper report of the congress today, but just a few remarks for those who were unable to attend. It should show one thing that I have emphasized over and over again in relation to our Theosophical cause: that Theosophy should not be just a matter of personal brooding and introspection. The theosophical cause should intervene in practical life, should be a matter of education, a matter of becoming familiar with all branches of practical existence. Only those who have a deeper understanding and a deeper concept of the actual impulses of the theosophical cause already know today what possibilities this theosophy will offer in the future. It will be the harmony between what we see and look at and what we feel inwardly. For those who can see more deeply, an important reason for the absent-mindedness of today's people lies in this disharmony between what is and what Theosophy wants. Not only Theosophists have felt this, but also other important natures, such as Richard Wagner.

In earlier times, every door lock, every house, every structure was a structure of the soul. Soul substance had flowed into it. In ancient times, the work of art belonged to human feeling and thinking. The forms of Gothic churches in ancient times were in keeping with the mood of those who made the pilgrimage to the churches. They were their own soul mood. The pilgrim to the church felt the forms as a folding of hands, as the old Teuton felt a folding of hands in the growing together of the trees. In those days everything was more familiar to people. You see this wonderfully expressed in Michelangelo and Leonardo da Vinci. The gathering of the whole village in the church was nothing other than the expression of the entire soul life of the village. The whole ether currents gathered at the place where the church stood. The materialistic age has fragmented all this. Those who cannot contemplate life do not know this. But the seer knows that when you walk through a city today, there is almost nothing but things that concern the stomach or the obsession with cleanliness. Those who know how to follow the secret threads of life also know what materialistic culture has brought to this division.

The recovery of the outside world arises from the fact that it becomes an imprint of what our innermost soul moods are. You can't immediately reach for the most perfect, but an example of this was given in Munich. The theosophical worldview was expressed in the room. You saw nothing but theosophy. The whole room was decorated in red. There is often a great deal of confusion about the color red, but the red could not be mistaken in its deeper meaning.

The development of humanity is an ascending and descending. Look at the original peoples. They have green in nature. And what do they love most? Red. The occultist knows that red has a special effect on the healthy soul. It releases the active forces in the healthy soul, those forces that inspire action, those forces that are meant to move the soul from the comfort into the discomfort of doing. A room with a holiday mood must be papered in red. Anyone who paperes a living room in red shows that they no longer know a holiday mood and profane the red color. Goethe has said the most beautiful words about such things: “The effect of this color is as unique as its nature. It gives an impression of both seriousness and dignity as well as of grace and charm. It does the latter in its dark, condensed state, and the former in its light, diluted state. And so the dignity of age and the loveliness of youth can be clothed in one color.”

These are the moods that are triggered by red; moods that can be proven in an occult way. Look at the landscape through a red glass and you get the impression: this is what it must look like on Judgment Day. Red makes you happy about what man has achieved in his development. Red is an enemy of retarding moods, of sinful moods.

Then there were seven column motifs for the time when Theosophy could also build a building. The motifs of the columns are taken from the teachings of the initiates, from ancient times. Theosophy will have the opportunity to give architecture truly new column motifs. The old columns actually no longer mean anything to people. The new ones relate to Saturn, the Sun, the Moon, Mars, Mercury, [Jupiter], Venus. [These] principles were expressed in the capitals.

Between the columns we had placed the seven apocalyptic seals in a Rosicrucian way. The Grail seal has been revealed to the public for the first time.

Theosophy can also be built. It can be built in architectonics, in education and in the social question. The principle of Rosicrucianism is to introduce the spirit into the world, to do fruitful work for the soul. We will also succeed in elevating art to a mystery art, for which Richard Wagner had such a great longing. An attempt has been made in Edouard Schur's mystery drama, which Edouard Schur has tried to recreate the mystery plays (of antiquity).

What underlay the [whole of the congress arrangements] was the intention of crystallizing theosophy into the structure of the world. The program booklet showed the festive color red and bore a black cross entwined with roses in a blue field. Rosicrucianism passes on what Christianity has given to the future. The initial letters on the program booklet reflect the basic ideas.