# Introductions for Traditional Christmas Plays

## GA 274 — 26 December 1915, Dornach

### Introduction

We have let two Christmas plays pass before our soul. We may perhaps raise the thought: Are the first and second Christmas plays dedicated in the same sense to the great human cause that is so vividly before our soul these days? The two plays are fundamentally different, quite different from each other. One can hardly imagine two plays that are more different and yet are dedicated to the same subject. When we consider the first play, we see in all its parts the most wonderful simplicity, childlike simplicity. There is depth of soul, but it is breathed through and lived through everywhere with the most childlike simplicity. The second play moves on the heights of outer physical existence. It is immediately associated with the thought that the Christ Jesus enters the world as a king. He is confronted with the other king, Herod. Then it is shown that two worlds open up before us: the one that, in the good sense, develops humanity further, the world that Jesus Christ serves, and the other world that Ahriman and Lucifer serve, and which is represented by the devilish element. A cosmic, a cosmic-spiritual picture in the highest sense of the word! The connection between the development of humanity and the writing on the stars is immediately apparent. Not the simple, primitive clairvoyance of shepherds, which finds a “shine in the sky” that can be found in the simplest of circumstances, but the deciphering of the writing on the stars, for which all the wisdom of past centuries is necessary and from which one unravels what is to come. That which comes from other worlds shines into our world. In the states of dreaming and sleeping, that which is to happen is guided and directed; in short, occultism and magic permeate the entire play.

The two plays are fundamentally different. The first one comes to us, one may truly say, in childlike simplicity and innocence. Yet how infinitely admonishing it is, how infinitely sensitive. But let us first consider only the main idea. The human being who is to prepare the vessel for the Christ enters the world. Its entrance into the world is to be presented, to be demonstrated, that which Jesus is for the people into whose circle of existence he enters. Yes, my dear friends, this idea, this notion, has by no means conquered those circles so readily, within which such plays have been listened to with such fervor and devotion as this one. Karl Julius Schröer, of whom I have often spoken to you, was one of the first collectors of Christmas plays in the 19th century. He collected the Christmas plays in western Hungary, the Oberufer plays, from Bratislava eastwards, and he was able to study the way in which these plays lived and breathed among the people there. And it is very, very significant when you see how these plays were handed down from generation to generation in handwritten form, and how, not when Christmas was approaching, but when Christmas was approaching in the distant past, those who were found suitable for this in the village prepared to perform these plays. Then one sees how closely connected with the content of these plays was the whole annual cycle of life of the people in whose village circles such plays were performed. The time in the mid-19th century, for example, when Schröer collected these plays there, was already the time when they began to die out in the way they had been performed until then. Many weeks before Christmas, the boys and girls in the village who were suitable to represent such plays had to be found. And they had to prepare themselves. But the preparation did not consist merely of learning by heart and practicing what the play contained in order to represent it; rather, the preparation consisted in the fact that these boys and girls changed their whole way of life, their external way of life. From the time they began their preparations, they were no longer allowed to drink wine or consume alcohol. They were no longer allowed to fight on Sundays, as is usually the case in the village. They had to behave very modestly, they had to become gentle and mild, they were no longer allowed to beat each other up, and they were not allowed to do many other things that were otherwise quite common in villages, especially in those times. In this way, they also prepared themselves morally through the inner mood of their souls. And then it was really as if they were carrying something sacred around in the village when they performed their plays.

But this only came about slowly and gradually. Certainly, in many villages in Central Europe in the 19th century there was such a mood, the mood that at Christmas these plays were something sacred. But one can only go back to the 18th century and a little further, and this mood becomes more and more unholy. This mood was not there from the beginning, when these plays came to the village, not at all from the beginning, but it only emerged and established itself over time. There were times, one does not even have to go back that far, when one could still find something different. There you could find the village gathering here or there in Central Europe, and a cradle in which the child lay, in which a child lay, not a manger, a cradle in which the child lay, and with it, indeed, the most beautiful girl in the village – Mary must have been beautiful! – but an ugly Joseph, an ugly-looking Joseph! Then a scene similar to the one you saw today was performed. But above all: when it was announced that the Christ was coming, the whole community appeared, and each person stepped on the cradle. Above all, everyone wanted to have stepped on the cradle and rocked the Christ Child, that was what it was all about, and they made a tremendous racket, which was supposed to express that the Christ had come into the world. And in many such older plays, there is a terrible mockery of Joseph, who has always been depicted as an old man in these times, who was laughed at.

How did these plays, which were of this nature, actually come into the people? Well, we must of course remember that the first form of the greatest, most powerful earthly idea, the appearance of Christ Jesus on earth, was the idea of the savior who had passed through death, of the one who, through death, won for the earth what we call the meaning of the earth. It was the suffering of Christ that first came into the world in early Christianity. And to the suffering Christ, after all, sacrifices were offered in the various acts that took place in the cycle of the year. But only very slowly and gradually did the child conquer the world. The dying savior first conquered the world, only slowly and gradually did the child conquer it. We must not forget that the liturgy was in Latin and that the people understood nothing. Only gradually did people begin to see something more in the sacrifice of the Mass, which was fixed for Christmas, besides the sacrifice of the Mass that was celebrated three times at Christmas. Perhaps not without good reason – if not for him personally, then for his followers – the idea of showing the mystery of Jesus to the faithful on Christmas night is attributed to Francis of Assisi, who, out of a certain opposition to the old forms and spirit of the church, held his entire doctrine and his entire being. And so we gradually, slowly see how the believing community at Christmas should be offered something that was connected with the great mystery of humanity, with the coming down of Christ Jesus to earth. At first, a manger was set up and figures were merely made. It was not acted out by people, but figures were made: the infant Jesus and Joseph and Mary – but in three dimensions. Gradually, this was replaced by priests dressing up and acting it out in the simplest way. And it was only in the 13th or 14th century that the mood began to develop within the communities that could be described as people saying to themselves: We also want to understand something of what we see, we want to penetrate into the matter. And so people began to be allowed to play individual parts in what was initially only performed by the clergy. Now, of course, one must know life in the middle of the Middle Ages to understand how that which was connected with the most sacred was at the same time taken in such a way as I have indicated. At that time it was entirely possible out of a sense of accommodation, so that the village community, the whole community, could say: I too rocked a little with my foot at the cradle where Christ was born! — out of the accommodation of this mood. It could be expressed in this and in many other ways, in the singing that accompanied it, which at times intensified to the point of yodeling, in all that had taken place. But that which was alive in the matter had in itself the strength, one might almost say, to transform itself out of a profane, out of a profanation of the Christmas idea, into the most sacred itself. And the idea of the child appearing in the world conquered the holy of holies in the hearts of the simplest people.

That is the wonderful thing about these plays, of which the first was one that was not simply there as it now appears to us, but became so: piety first unfolding in the mood out of impiety, through the power of that which they represent! The Child had first to conquer hearts, had first to find entrance into hearts. Through that which was holy in Itself, It sanctified hearts that at first encountered It with rudeness and untamedness. That is the wonderful thing about the developmental history of these plays, how the mystery of Christ still has to conquer hearts and souls piece by piece. And tomorrow we will take a closer look at some of what has been conquered step by step. Today I would just like to say: it is not without reason that I noticed how admonishingly even the simplest thing is presented in the first play.

As I said, slowly and gradually that which came into the world with the mystery of Christ entered into the hearts and souls of human beings. And it is actually the case that the further one goes back in the tradition of the various mysteries of Christ, the more one sees that the form of expression is an elevated one, a spiritually elevated one. I would like to say that the further back one goes, the more one enters into a “cosmic utterance”. We have already incorporated some of this into our reflections, and in the previous Christmas lecture I showed how Gnostic ideas were used to understand the deep mystery of Christ. But even if we follow this or that even in the later periods of the Middle Ages, we find that, as late as the Middle Ages, something is present in the Christmas poems of that time that was later absent: an emphasis on the early Christian idea that Christ descends from the heights of the spirit. We find it in the 11th and 12th centuries when we bring such a Christmas carol before our soul:

> The honor of the incarnate Son of God  
> Is proclaimed by the heavenly hosts, rejoicing and exulting;  
> And loudly resounds from the shepherd's mouth  
> The joyful tidings.
> “Glory in the highest! And peace on earth!”  
> So it resounds in solemn song;  
> With wonder it is seen by men today,  
> What never happened before.
> The heavens shine brightly with a new star;  
> Guided by it, from afar come  
> the wise men, and greet with delight  
> the sight of them.
> With him, truth has now been born anew.  
> What was lost through sin has been replaced;  
> In the light of grace, the fruits of blessing  
> Bloom more gloriously.
> The punishment of the past has now been revealed,  
> Since this fruit has sprung from the earth,  
> Which grants us life and refreshment,  
> And nourishes forever.
> He has come, clothed in our flesh,  
> The good shepherd who tends all nations;  
> He has dwelt, like us, in pilgrim huts,  
> Suffered for us.
> Hail then to the earth that saw his light!  
> Through him for time and eternity beglücker,  
> Consecrate everyone to him, the Savior, thanks and love  
> With pure impulses.
> Help us, Christ, to fulfill Your law ourselves,  
> Through You, let us succeed in doing good deeds,  
> So that one day, the crown of eternal life  
> will also reward us!

Such was the tone that resonated from those who had still understood something of the cosmic significance of the mystery of Christ.

Or there was another Christmas poem from the middle of the Middle Ages, a little later than the Carolingian period:

> The Son of God, begotten from eternity, who invisibly and without end,  
> Through whom the heavens and the earth were built, and all that dwells there was created,  
> Through whom the days and the hours pass and return;  
> Whom the angels in the heavenly castle always praise in fully harmonious singing,  
> Freed from all original sin, clothed in a weak body,  
> He, who took from Mary, the Virgin, destroyed the guilt of the first father Adam  
> As well as the lust of the mother Eve.  
> Today's glorious day of sublime splendor testifies that now the son,  
> The true sun, dispelled the ancient darkness of the world with the beam of his light.  
> Now the night is illuminated by the light of that new star,  
> Which once amazed the sky-wise gaze of the magicians,  
> And see, that shine for the shepherds, who were blinded  
> By the lofty splendor of the heavenly inhabitants.  
> Rejoice, Mary, Mother of God, for at your birth you were attended by a host of angels  
> singing your praises.  
> O Christ, only Son of the Father, who for our sake took on the nature of man,  
> of man, so you revive your own who plead here.  
> O Jesus, graciously hear the pleas of those whom you have deigned to take care of,  
> to make them, O God's Son, partakers of your divinity.

This is the tone that, I would say, sounds from the heights of more theologically colored scholarship down to the people.

Now we also hear a little of the sound that rang out at Christmas from the people themselves, when a soul was found that expressed the people's feelings:

> He is powerful and strong,  
> who was born to win,  
> That is Saint Knist.  
> yes, praise be to thee in all that is, Niewan the deep  
> because of his great arrogance  
> so hell became his portion.
> In hell is Michael out of place  
> who has his home there,  
> Your sun never shines so brightly,  
> the moon does not help him,  
> Only the bright stars,  
> yes, he has to see everything,  
> yes, he would love to be in heaven so much.
> In heaven there is a house,  
> a golden gate opens therein,  
> the windows are the pearls of pity,  
> which adorn our little house  
> with precious stones:  
> no one enters there,  
> he is cleansed of all sins so pure.
> He who gladly goes to church  
> and stands there without sinning,  
> may well live joyfully,  
> he will be given  
> the angels' common lot,  
> if he so desires:  
> in heaven, life is so pure.
> I have long served  
> alas a man  
> Who walks around in the darkness  
> and has sworn an oath at my wrongdoing,  
> His reward is evil.  
> Help me, Holy Spirit,  
> to free myself from his delusion.

That is the prayer that the simple man said and understood. We have read the descent, now we have the ascent.

I will try to reproduce this 12th-century Christmas carol so that we can see how the simple man also grasped the full greatness of Christ and related it to the whole of cosmic life:

He is mighty and strong, who was born at Christmas. This is the Holy Christ. Everything that is there praises him, except for the devil, who, through his great arrogance, was sent to hell. There is much filth in hell – “much” is the old word for great, mighty – there is much filth in hell. He who has his home there, who is at home in hell, must realize: the sun never shines there, the moon does not help, nor do the bright stars. There everyone who sees something must say to himself how nice it would be if he could go to heaven. He would very much like to be in heaven. In the kingdom of heaven stands a house. A golden path leads to it. The columns are marble, that is, made of marble, adorned with precious stones. But no one enters there who is not completely pure from sin. Anyone who goes to church and stands there without envy may well have a higher life, for there are always young ones, that is, when he has finally ended his life. Remember, I once introduced the word “younger” from the ether body here. Here you have it in the vernacular! So when he is given “young” to the angelic community, he can certainly wait for it, because in heaven life is pure. — And now he who prays this Christmas carol says: I have unfortunately served a man who walks around in hell, who has developed my certain deed. Help me, holy Christ, to be released from his captivity, that is, to be released from the prison of the evil one. So that is in the language of the people:

> He is mighty and strong  
> Who was born at Christmas...