# The Origin and Development of Eurythmy 1923–1925

## GA 277d — 27 July 1923, Dornach

### Eurythmy Performance

> Prelude in F minor by J.S. Bach  
> “Where does evil come from?” from the 9th scene of “The Trial of the Soul” by R. Steiner  
> “Davidsbündler Tänze” op. 6,11 by Robert Schumann  
> “Schwing Dich auf die Sattelflügel” (Swing Yourself onto the Wings of the Saddle) by Albert Steffen  
> “Sind unsere Wünsche so flüchtig” (Are Our Desires So Fleeting) by Vladimir Solovyov  
> “Summer Evening” by Edward Grieg  
> Ghost Chorus from “Faust I,” Study Room, by J. W. v. Goethe  
> “Funeral March” by Felix Mendelssohn Bartholdy  
> “Orpheus” from “King Henry VIII” by W. Shakespeare with music by Leopold van der Pals  
> Largo in C major from Op. 7,4 by L. v. Beethoven  
> “Laughing song” by William Blake, with music by Jan Stuten  
> “Mélodie sans paroles” by Peter Tchaikovsky  
> “Dirge: Fear no more” from ‘Cymbeline’ by William Shakespeare  
> “Fairy's lullaby” from “A Midsummer Night's Dream” by W. Shakespeare with music by Max Schuurman  
> “Full fathom five” from “The Tempest” by William Shakespeare  
> Musette in G major from the “3rd English Suite” by J. S. Bach  
> “When icicles hang” from “Love's Labour's Lost” by William Shakespeare  
> “Clown's song: When that I was” from “Twelfth Night” by William Shakespeare