# The Origin and Development of Eurythmy 1923–1925

## GA 277d — 23 March 1924, Dornach

### Eurythmy Performance

*From 1924 onwards, there was occasionally a “traveling group” of eurythmists, while other eurythmists remained in Dornach and organized small performances there, sometimes with children and — as in the following program — the newly arrived “gentlemen.”*

> On Sunday, there will also be a eurythmic performance at five o'clock, first a performance by younger eurythmists, children, and young ladies. And then there will be a performance given by gentlemen, namely gentlemen from our guard, in the second part.
> —From the esoteric hour in Dornach, March 21, 1924

> Staff exercises  
> Ball and spread  
> “Auf grüner Heide”  
> Tactics  
> Tone eurythmy exercise  
> “Das Häslein” by Christian Morgenstern  
> Tone eurythmy exercise  
> “Liederseelen” by C. F. Meyer  
> Scherzo by Carl Reinecke  
> Musette by J. S. Bach  
> Largo by G. F. Handel  
> “Treue Leben ewig” by Albert Steffen  
> “Für meine Mutter” by Albert Steffen  
> Allegretto by W. A. Mozart  
> “Am Turme” by Annette von Droste-Hülshoff  
> Gavotte by Arcangelo Corelli  
> “Lied vom Winde” by Eduard Mörike  
> Minuet by G. F. Handel  
> “Lüfteleben” by Friedrich Rückert  
> Aria by J. S. Bach  
> “Der Morgen” by Annette von Droste-Hülshoff  
> “Waldszenen” by Robert Schumann  
> ‘Brüder’ by Christian Morgenstern  
> “Friede auf Erden” by C. F. Meyer  
> “Prooemion” by J. W. v. Goethe  
> “Erleuchtung” by Friedrich Hebbel  
> ‘Spiel’ by C. F. Meyer  
> “Hussens Kerker” by C. F. Meyer  
> Prelude “Schicksalsfrage” with music by Leopold van der Pals  
> “Die Krypte” by C. F. Meyer  
> Adagio by L. v. Beethoven  
> ‘Gefunden’ by J. W. v. Goethe  
> “Mailied” by J. W. v. Goethe