Images of Occult Seals and Columns

GA 284 — 12 June 1907, Berlin

Report on the Congress in the Berlin Branch

The Munich Congress, the fourth – after Amsterdam, London and Paris – should in a certain respect be a stage in the development of our Theosophical movement. It will create a kind of connection between the different nations, also in relation to our Theosophical cause within Europe. I do not want to give a proper report of the congress today, but just a few remarks for those who could not attend.

It should show one thing that I have emphasized over and over again with regard to our Theosophical cause – it should show that Theosophy should not be just a matter of personal brooding and introspection. The Theosophical cause should intervene in practical life, should be a matter of education, a matter of becoming immersed in all branches of practical existence. Only those who have a deeper understanding and a deeper concept of the actual impulses of the theosophical cause already know today what possibilities this 'theosophy will offer in the future. It will be the harmony between what we see and look at and inwardly feel. For those who can see more deeply, an important reason for the distraction of people lies in the disharmony between what is and what Theosophy wants. Not only Theosophists have felt this, but also other important natures, such as Richard Wagner.

In earlier times, every door lock, every house, every structure was a structure of the soul. Soul substance had flowed into it. In ancient times, the work of art belonged to human feeling and thinking. The forms of Gothic churches were in ancient times corresponding to the mood of those who made the pilgrimage to the Kitchen. They were the expression of their own spiritual mood. Those who made a pilgrimage to the church felt at that time that the forms were like the folding of hands, just as the ancient Teuton felt in the folding of the trees a folding of hands. In those times, everything was more familiar to people. You can still see this wonderfully expressed in Michelangelo and Leonardo da Vinci. The gathering of the entire village around the church was nothing more than an expression of the life of its soul. The whole ether currents gathered at the place where the church stood. The materialistic age has cleft all that. Those who cannot contemplate life do not know that. But the seer knows that today, when you walk through a city, there is almost nothing to see but things that concern the stomach or the obsession with cleanliness. He who can follow the secret threads of life also knows what materialistic culture has brought to this cleft. A recovery of the outside world can arise from the fact that it becomes an expression of what our most inner soul moods are. One cannot immediately reach for the most perfect, but an example of this was given in Munich. The theosophical world view was expressed in the room. There was nothing but theosophy to be seen. The whole hall was decorated in red. There is often a great misunderstanding about the color red, but the red could not be mistaken in its deeper meaning.

The development of humanity is a process of ascent and descent. Look at the original peoples. They live in a natural environment of green. And what do they love most? Red. The occultist knows that red has a special effect on the healthy soul. It releases the active forces in the healthy soul, those forces that inspire action, those forces that are to move the soul from the comfort into the discomfort of doing. A room with a festive atmosphere must be papered in red. Anyone who papers a living room in red shows that they no longer know what a festive atmosphere is and profane the red color. Goethe has said the most beautiful words about such things: “The effect of this color is as unique as its nature. It gives an impression of both seriousness and dignity as well as of grace and charm. It does this in its dark, condensed state, and in its light, diluted state. And so the dignity of age and the loveliness of youth can be clothed in one color.”

These are the moods that are triggered by red; moods that can be proven in an occult way. Look at the landscape through a red glass and you get the impression: this is how it must look on Judgment Day. Red makes you happy about what man has achieved in his further development. Red is an enemy of retarding moods, of sinful moods.

Then there were seven column motifs for the time when a building could also be built for Theosophy. The motifs of the columns are taken from the teachings of the initiates, from ancient times. Theosophy will have the opportunity to give architecture truly new column motifs. The old columns have actually no longer meant anything to people for a long time. The new ones relate to Saturn, the Sun, the Moon, Mars, Mercury, Jupiter and Venus. The laws were expressed in the capitals. Between the columns we had placed the seven apocalyptic seals in the Rosicrucian manner. The Grail seal has been revealed to the public for the first time.

Theosophy can also be built: it can be built in architectonics, in education and in the social question. The principle of Rosicrucianism is to introduce the spirit into the world, to do fruitful work for the soul. We will also succeed in elevating art to a mystery art, for which Richard Wagner had such a great longing. An attempt has been made in Edouard Schuré's mystery drama. Here Edouard Schur has tried to recreate the Greek mystery plays.

The program showed the festive color red and bore a black cross with roses entwined in the blue field. Rosicrucianism carries forward into the future what Christianity has given. The initials on the program reflect the basic ideas.

The underlying intention was to crystallize theosophy in the construction of the world.