Images of Occult Seals and Columns

GA 284 — 20 October 1907, Berlin

Report on the Congress at the Sixth General Assembly of the German Section of the Theosophical Society

... What we were also responsible for in international terms was the holding of the Munich Congress. You were able to get an idea of our intentions from the design of the congress hall, the images of the seals and columns with which the hall was decorated, and the nature of the entire program. The intention was to make a start, to allow Theosophy to be more than just a collection of abstract dogmas, but to give it influence over the life that surrounds us. No one can be under the illusion that the way in which we have succeeded in harmonizing the entire organization of the congress was more than a weak beginning compared to what lives as Theosophical thought. But everything has to start somewhere. If the German Section has only shown what intentions could prevail at such a congress, shown how the life that lives in the soul can also be expressed in form, in art and in being together, then the German Section has done what it was able to contribute on this particular occasion. From such inspiration, the strength can arise that will gradually make it possible for the Theosophical Society to be not just a place for spreading these or those dogmas, but to intervene deeply in the whole life of the human being.

What also needs to be mentioned is the fact that the budgeted expenditure for the congress, which amounted to 4,500 marks, has been greatly exceeded. The congress has become all the more beautiful as a result. It is deeply gratifying to note that on this occasion in particular there has been such a spirit of understanding, especially in the German Section. We needed a lot of money; but it has been shown that where it matters to sustain the Theosophical life, there is also understanding and a willingness to make sacrifices. Therefore, there is no deficit to report.

No less emphasis should be placed on the deeply satisfying fact that those who were able to have worked in an incredibly dedicated manner. Everything that had to be done was done by our dear friends in Munich in a way that was not only dedicated but also thoroughly understanding, so that what is called Theosophical unity and harmony was most beautifully realized in this work. There was no one who was not willing to do the most demanding spiritual work alongside the most menial work, which is necessary at such a congress. People who had never done such work in their entire lives carried large items that were intended for this or that purpose; others hammered, others painted large columns; in short, it was all dedicated work. Donations ranging from the thousand-mark note to the ten-pfennig piece were collected. The administration, which had been taken over from Munich, was prudent in everything except the work that showed how real achievement, real cooperation, harmonizes people. We brought it to the point where the deeply satisfying performance of the Mystery Drama of Eleusis could take place. If you could realize what had to be done to make it happen, from the translation from the French to the sandals on the feet of the actors, who were all members and had to undergo weeks of rehearsals; if you knew how it all went , how beautifully and harmoniously everything went, how the work was carried by the common idea and the devotion of the feeling, then you could appreciate the practical value that arises when a common bond of work embraces everyone. Just as the plant harmoniously strives towards the sun, so people become harmonious when they are ruled by the same feelings.

We have the good spirit of this corps of contributors to our Munich Congress to thank for the fact that everything has turned out as it has. The spirit of harmony really did live in the Munich working group during all these preparations, and in this respect it could, to a certain extent, serve as a model for the way in which people in the Theosophical Society can work together and collaborate in general. It is to be hoped that this somewhat different way of working, which the German Section has been trying to achieve for five years, will not only be recognized in the International Theosophical Society, but will also have a somewhat fruitful effect. The International Theosophical Society can only flourish if each section contributes its share on the altar of joint, theosophical international activity.

It hardly needs saying that the most heartfelt thanks of the German Section of the Theosophical Society go to Fdonard Schure, the author of the mystery drama. However, it should be emphasized that we are deeply indebted to Bernhard Stavenhagen, the famous pianist and sensitive composer, who, in the midst of his busy and demanding workload, took it upon himself to provide the musical part of the dramatic performance at my request. The deep impression that this composition made on all those present will remain in their memories. The beautiful harmony between the musical creation and the mystery was felt by everyone.