Images of Occult Seals and Columns

GA 284 — 21 October 1907, Berlin

Images of Occult Seals and Columns

An Introduction to the Portfolio with Fourteen Images

The fourteen plates presented here are reproductions of the “seals and symbols” used to line the interior of the building where the Congress of the “Federation of European Sections of the Theosophical Society” took place on May 18, 19, 20 and 21, 1907 (in Munich). They are not arbitrary “symbols” that can be interpreted rationally, but spiritual-scientific “characters” that must be taken as befits true spiritual science. These do not invent such “signs” out of their own minds or arbitrary imagination, but only reflect in them what is really present as a vision to the spiritual perception in the supersensible worlds. No speculation, no intellectual explanation, however ingenious, is appropriate in the presence of such signs, because they are not invented, but merely provide a description of what the so-called “seer” perceives in the invisible worlds. The signs reproduced here are a description of experiences in the “astral” and “spiritual” (devachanic) worlds. The “seals” of the first seven tablets represent such real facts of the astral world and the seven “columns” represent similar facts of the spiritual world. However, while the seals directly reflect the experiences of “spiritual vision”, this is not the case with the seven columns. For the perceptions of the spiritual world cannot be compared to “seeing”, but rather to “spiritual hearing”. In this, it must be borne in mind that one should not think of it as too similar to “hearing” in the physical world, for although it can be compared to it, it is nevertheless very unlike it. The experiences of this spiritual hearing can only be expressed in an image if they are translated from “sounding” into form. This has been done with these “columns”, but their essence can only be understood if the forms are thought of as plastic (not painterly).

In the sense of spiritual science, the causes of the things of the physical world are to be found in the supersensible, invisible. What manifests itself physically has its archetypes in the astral world and its spiritual primal forces (primal sounds) in the spiritual world. The seven seals give the astral archetypes of human development on earth in the sense of spiritual science. When the “seer” on the “astral plane” follows this development into the distant past and distant future, it presents itself to him in the given seven seal images. He has nothing to invent, but merely to understand the facts he perceives spiritually.

SEAL I comprehensively represents the entire evolution of man on earth. This seal, as well as other seals in the series, can also be found, in a sense, described in the “Revelation of St. John” (Apocalypse). For anyone who is able to understand this writing in a spiritual-scientific sense sees in it nothing other than the description given in words of what the “seer” perceives in an archetypal way as the development of humanity on the astral plane. Thus, such a person also understands the first words of this writing, which (approximately correctly rendered) read as follows: “The Revelation of Jesus Christ, which God has offered him to illustrate to his servants how the necessary events will shortly take place; this is sent in ‘signs’ by God's angel to his servant John. He has expressed the 'Word' of God and its revelation through Jesus Christ in the way he saw it.” The ‘signs’ that he saw have been depicted by the recorder of the ‘secret revelation.’ — One can see that the following seals are in many ways similar to what is described in the Apocalypse, but not quite. For our pictures are based on a spiritual-scientific method which, although it is in harmony with all traditions, has been developed in its own form since the 14th century in those circles that have had the task of cultivating these things since that time, in accordance with the modern spiritual needs of humanity. Nevertheless, the description here, where it matters, is given with reference to the “Revelation of St. John”. It should be expressly noted that some of the seven seals have already been published in this or that work of modern times; but the initiate in such matters will be able to find that these other renderings differ in some respects from the form given here, which seeks to present the genuine spiritual-scientific basis.

The description of the first seal can be compared with that in the Apocalypse. “And I turned to hear the sound that came to me; and I saw seven golden lamps, and in the midst of the lamps the image of the Son of Man, clothed with a garment down to the foot and girded about the loins with a golden girdle. His head and hair were white like wool, as white as snow, and his eyes were like blazing fire. And his feet were like glowing coals of a fiery furnace, and his voice was like the sound of rushing waters. And in his right hand were seven stars, and out of his mouth came a sharp two-edged sword, and his face in its brightness was like the shining sun.” In general images, the most comprehensive secrets of human development are pointed out. If one wanted to present in detail what the seer can see from these images, one would have to write a thick book. Only a few hints are made. Every sign, every form on the seal images is meaningful, and what is said here can only be a little of much. Among the organs and means of expression in the human being, there are some which, in their present form, represent the downward stages of development of earlier forms, and which have thus already passed their degree of perfection. Others, however, represent the initial stages of a development that moves in an ascending direction. Such members in the human being are still imperfect today and will have to fulfill completely different, higher tasks in the future. The organ of speech represents an organ that will be something much higher and more perfect in the future than it is at present, with all that belongs to it in a human being. In touching on this, one touches on a great secret of existence, which is also called the “mystery of the creative word”. This gives a hint of the future state of this organ, which will one day, when man has spiritualized, become a productive (creative) organ.

In myths and religious stories, this future spiritualized form of production is indicated by the appropriate image of a fiery “sword” coming out of the mouth. The first stages of man's development on earth took place at a time when the earth was still “fiery”; and it was out of the element of fire that the first human embodiments took shape; at the end of his earthly career, man himself will radiate his inner being creatively outwards through the power of the element of fire. This progressive evolution from the beginning to the end of the Earth is revealed to the “seer” when he beholds the archetype of the evolving human being on the astral plane, as depicted in the first seal. The beginning of the evolution of the earth is represented by the fiery feet, the end by the fiery countenance, and the complete power of the “creative word” to be attained last of all by the fiery sword that comes out of the mouth. During this process of development, the becoming of the human being and the powers that are thereby unfolded are successively influenced by forces that are expressed in the seven stars of the right. Thus, each line and each point in the picture represents something that is connected with the comprehensive developmental secret of the human being.

SEAL II represents one of the first developmental stages of humanity on earth, with everything that goes with it. In distant prehistoric times, the human being on earth did not yet have what is called an individual soul. In those days, what was present in him was what animals, which are still at an earlier stage of human development, still have today: the group soul. When, through imaginative clairvoyance, human group souls are traced on the astral plane in retrospect to prehistoric times, it becomes clear that the various forms of these can be traced back to four basic types. And these are represented in the four apocalyptic animals of the second seal: the lion, the bull, the eagle and that figure which also approaches the individual soul of the present man as the group soul and which is therefore also called: the “human being”. This touches on the truth of what is often so dryly allegorized in the four animals.

SEAL III represents the secrets of the so-called harmony of the spheres. Man experiences these secrets in the interim between death and a new birth (in the “spirit realm” or what is called “Devachan” in the common theosophical literature). However, it should be noted that all these seals only represent the experiences of the astral world. But other worlds than the astral world itself can be observed in it. Our physical world can be observed in its astral-plane counterparts. And the spiritual world can be seen in its after-images on this plane. Thus, the third seal represents the astral after-images of the “spirit world”. The angels blowing trumpets represent the spiritual primal beings of the world phenomena; the sounds of the trumpets themselves represent the forces that flow from these primal beings into the world and through which the beings and things are built and sustained in their becoming and working. The “apocalyptic riders” represent the main points of development through which an individual human being passes in the course of many embodiments, and which are represented on the astral plane by the riders on their horses: a horse shining white, expressing a very early stage of soul development; a horse of fiery color, pointing to the warlike ; a black horse, corresponding to that stage of the soul where only the outer physical perception of the soul is developed; and a green shimmering horse, the image of the mature soul, which has mastery over the body (hence the green color, which results as an expression of the life force working from the inside out).

SEAL IV represents, among other things, two columns, one rising from the sea and the other from the earth. These columns hint at the secret of the role played by red (oxygen-rich) blood and blue-red (carbon-rich) blood in human development. The human 'I' undergoes its development in the cycle of the earth by physically expressing its life in the interaction between red blood, without which there would be no life, and the blue blood, without which there would be no knowledge. Blue blood is the physical expression of the powers that give knowledge, but which in their human form are connected with death; and red blood is the expression of life, which in its human form could not give knowledge by itself. Both in their interaction represent the tree of knowledge and the tree of life, or also the two columns on which life and the knowledge of the ego develop further to that degree of perfection where man will become one with the universal earth forces. This latter state of the future is shown on the seal by the upper body, which consists of clouds, and by the face, which has appropriated the spiritual powers of the sun. Man will then no longer absorb “knowledge” from outside into himself, but will have “swallowed” it into himself, which is indicated in the book in the middle of the seal. Only through such “devouring” on a higher level of existence do the seven seals of the book open, as they are also indicated on Seal III. In the “Revelation of St. John” we find the significant words about this: “And I took the little book out of the angel's hand and ate it...”

SEAL V represents a higher stage of human development, which will occur when the earth has united with the sun again and man will no longer work merely with the forces of the earth, but with the forces of the sun. The “Woman who gives birth to the sun” refers to this future human being. Certain forces of a lower nature, which live in man and prevent him from fully developing his higher spirituality, will then have been expelled from him. These forces are represented in the seal, on the one hand, by the beast with the “seven heads and ten horns” and, on the other, by the moon at the feet of the solar man. For spiritual science, the moon is the center of certain lower forces that still work in the human being today and that the man of the future will subjugate.

SEAL SIX represents the purified human being, not only spiritualized but also having become strongly spiritual, who has not only overcome the lower forces but transformed them so that they are at his service in an improved form. This is expressed by the tamed “beast”. In the Book of Revelation we read: “And I saw an angel come down from heaven, having the key of the bottomless pit and a great chain in his hand. And he laid hold on the dragon, that old serpent, who is the Devil, and Satan, and bound him a thousand years.”

SEAL VII is the reproduction of the “mystery of the Holy Grail”. It is the astral experience that reflects the universal meaning of human development. The cube represents the “space world”, which is not yet permeated by any physical being or physical event. For spiritual science, space is not just the “void”, but is the carrier that holds the seeds of all physicality in an as yet invisible way. Out of it, the whole physical world precipitates, as a salt precipitates out of a still completely transparent solution. And what, in relation to the human being, is formed out of the world of space, undergoes a development from the lower to the higher. Out of the three spatial dimensions, which are expressed in the cube, the lower human powers first develop, visualized by the two serpents that give birth to the purified higher spiritual nature, which is represented in the world spirals. Through the upward growth of these higher forces, the human being can become a recipient (chalice) for the reception of the pure spiritual world, expressed by the dove. Thus man becomes the ruler of the spiritual powers of the world, of which the rainbow is the image. This is only a very sketchy description of this seal, which contains within itself immeasurable depths that can reveal themselves to him who, in devoted meditation, allows it to take effect upon him. This seal is circumscribed by the truth saying of modern spiritual science: “Ex deo nascimur, in Christo morimur, per spiritum sanctum reviviscimus,” “From God I am born; in Christ I die; through the Holy Spirit I am reborn.” In this saying, the meaning of human development is fully indicated.

In the congress hall, one of the seven columns reproduced in the second series of pictures was placed between every two of these seals. As already indicated above, the capitals of these columns depict the experiences of the “seer” (which is actually no longer an appropriate name in this field) in the “spiritual world”. It is about the perception of the primal forces that exist in spiritual tones. The plastic forms of the capitals are translations of what the “seer” hears. But these forms are by no means arbitrary, but rather as they naturally arise when the “seeing man” allows the “spiritual music” (harmony of the spheres), which flows through his entire being, to act on the forming hand. The plastic forms here are truly a kind of “frozen music” that expresses the secrets of the world. That these forms appear as column capitals seems self-evident to anyone who understands the situation. The basis of the physical development of earthly beings lies in the spiritual world. From there it is “supported”. Now all development is based on a progression in seven stages. (The number seven should not be understood as the result of “superstition”, but as the expression of a spiritual law, just as the seven colors of the rainbow are the expression of a physical law.) The earth itself passes through seven states in its development, which are designated by the seven planetary names: Saturn, Sun, Moon, Mars, Mercury, Jupiter and Venus. (For an understanding of this, see my “Occult Science” or the essays “From the Akasha Chronicle” in “Lucifer-Gnosis”. But it is not only a heavenly body that advances in its evolution; every evolution passes through seven stages, which, in the sense of modern spiritual science, are designated by the terms for the seven planetary conditions. The spiritual supporting forces of these conditions are reflected in the forms of the Capitals of the Columns in the manner described above. But we shall not arrive at a true understanding of this matter if we base our observation of the forms only on a rational explanation. We must look into the forms with a feeling and intuitive perception and let the capitals act on us as forms. If we fail to do this, we shall believe that we have before us only allegories or, at best, symbols. We shall then have misunderstood everything. The same motif runs through all seven captains: a force from above and one from below, which first strive towards each other, then, reaching each other, work together. These forces can be felt in their fullness and in their inner life and then the soul itself can experience how they expand, contract, embrace, devour, unlock and so on, in a lively, formative way. We will be able to feel this complication of forces, just as we feel the plant's “shaping” from its living forces, and we will be able to sense how the line of force first grows vertically upwards in the column, how it unfolds at the bottom in the plastic forms of the capitals, which open and unlock to the forces coming towards them from above, so that a meaningful capital becomes. First the power from below develops in the simplest way, and you strive just as simply towards the power from above (Saturn column); Saturn Column then the forms from above begin to fill, pushing into the tips from below and causing the lower forms to move out to the sides. At the same time, these lower forms close up into living structures (Sun column). Sun Column In the further course, the upper part becomes more diverse, a point that had been pushed forward grows as if towards a fertilizing principle, and the lower part is transformed into a fruit carrier. The other force motif between the two has become a supporting pillar, because the relationship of the intermediate links would not be felt strongly enough as a load-bearing force (Moon column). Moon Column Furthermore, a separation of the lower and upper parts occurs, the strong supports of the moon capital have themselves become columnar, the upper and lower parts in between have grown together into one structure, with a new motif appearing from above (Mars column). Mars Column The structures that have emerged from the connection between the upper and lower parts have taken on life and therefore appear as a staff entwined with snakes. One must feel how this motif grows organically out of the previous one. The central forms of the capital of Mars have disappeared; their power has been absorbed by the supporting inner part of the capital; the hints coming from above have become fuller (Mercury Column). Mercury Column Now it comes to a kind of simplification again, but one that includes the fruit of the previous diversification. The upper part opens up like a chalice, the lower part simplifies life in a chaste form (Jupiter column). Jupiter Column The last state shows this “inner abundance” in the greatest possible external simplification. The growth formations from below have elicited a fruit-bearing chalice-like form from above (Venus column).

He who can feel all that is expressed in these “columns” of world events feels the all-embracing laws of all being, which solve the riddles of life in a very different way from abstract “laws of nature”.

These pictures are intended to show how spiritual insight can take shape, come to life and be artistically expressed. Note that the pictures depict living forces of existence in the higher world; and these higher spiritual forces have a profound effect on the observer of the pictures. They act directly on forces that, corresponding to them, lie dormant in every human being. But their effect is only right if one looks at these pictures with the right inner soul disposition. Those who look at the pictures with theosophical mental images and theosophical feelings in their hearts will receive the most sacred from them. If you want to hang them anywhere or put them anywhere, where you will encounter them with everyday thoughts and feelings, you will feel an unfavorable effect, which can go as far as a bad influence on your physical life. You should act accordingly and only enter into a relationship with the pictures that is in harmony with a devotion to the spiritual worlds. Such pictures should serve as decoration for a room that serves a higher life; they should never be found or viewed in places where people's thoughts are not in harmony with them.