17. Eduard von Hartmann His Teaching and its Significance

According to an oft-repeated saying, it is incumbent on the philosopher to express the cultural content of his time in the form of pure thought. Just as the artist endeavors to express in a sensual, descriptive form the ideas, feelings and other contents of life that are present in the depths of the popular and contemporary consciousness, so the philosopher seeks to represent in a conceptual, thinking way the totality of everything that dominates and animates his time and his people. Kuno Fischer says in his witty work "History of Modern Philosophy": "If we want to compare a cultural system or an age with a pictorial pillar, then philosophy forms the sensing eye that looks inwards," Without this living reference to the age, without the urge to recognize that, without the urge to penetrate with calm clarity what takes place in life amidst to and fro struggles and in the restlessness of the day, in order to have a stimulating effect on it, the philosopher cannot escape the fate of leading a worthless existence on his lonely heights.

Few renowned philosophers have approached their task in the manner just described as brilliantly as our great contemporary Eduard von Hartmann. While on the one hand we see him wrestling with the deepest mysteries of world-building and the riddles of life, on the other hand he does not disdain to deal thoroughly with the pending questions of the day, with the aspirations of the parties and the interests of the state. The socio-political currents of the present, the errors of the liberal partisans, military and church policy issues, school and academic reform, national and democratic ideas occupied his interest no less than modern artistic endeavors, the women's question, and the literary events of our time. Indeed, he also spoke out openly and unreservedly on sensitive issues such as spiritualism, hypnotism and somnambulism; and when the Polish question came on the agenda in Germany, he was the first to write in favor of the solution that Bismarck later advocated as the right one. And yet, like so many philosophers, he did not intervene in the dispute of opinions with a preconceived template, but was always guided by the reasons that lay in the facts and emerged from a thorough study of the facts. To judge how Hartmann draws from the fullness of an almost immeasurable knowledge, what sum of knowledge he possesses, one must have had the good fortune to have met him personally. However, in the course of this essay we will show that this kind of work is only a consequence of his scientific conviction.

The consequence of this phenomenon, which is rare in the history of intellectual life, is also a quite incredible effect. E.v. Hartmann is now forty-nine years old, at the peak of his creative power and enthusiasm, still promising much (his first appearance was in 1868), and we already have a literature about him that is unmissable. The significance of a man is reflected differently in the consciousness of his contemporaries, and differently in that of posterity. The former can hardly find the right standard of judgment. The future historian of intellectual life in Germany in the second half of the nineteenth century will have to devote a large chapter to Hartmann. We will first characterize the historical position of Hartmann's circle of ideas and then go into the individual main areas of his activity.

In the sixties of this century, German philosophy had reached a precarious point in its development. The confidence with which Hegel's students had appeared after the master's death (1830) had given way to complete discouragement in the field of this science. Starting from Hegel, they had hoped to spread a net of absolutely certain knowledge over all branches of knowledge, but the Hegelians were soon no longer able to deal with the abundance of the gradually accumulating material of actual results of research. They abandoned their doctrinal edifice piece by piece, tried to improve it here and there and to adapt the traditional doctrine to the new situation of empirical science. Most of them, however, tried to free themselves completely from the beliefs of their youth and, like the aesthetician Vischer, for example, regarded their Hegelian period only as a time for training their philosophical thinking. Complete confusion and perplexity prevailed in the cathedrals. While one group of professional philosophers gave up any prospect of success in the development of a world view for the time being and merely turned to the treatment of special questions, another group shifted to a rather unfruitful further development of Herbart's way of thinking, which had become stuck in antediluvian prejudices. The representatives of empirical science, however, looked down with contempt on all philosophy, which, in their opinion, only dealt with worthless fantasy. Finally, the great mass of educated people satisfied their philosophical needs from the world view of a thinker who had hitherto remained almost unnoticed and was in fact almost useless for a serious, thorough pursuit of science: Schopenhauer. The bad experiences that Schopenhauer had with his first work, the only one of his that was of any great significance for science: "On the Fourfold Root of the Theorem of the Ground", led him to take ever more precarious paths. He now turned personal views and subjective experiences into philosophical propositions and, in "Parerga and Paralipomena", completely sacrificed the truth to an ingenious style that captivated the audience. His explanations were gripped with greed because it was easy to obtain the phrases necessary for daily use from his writings, which offered nothing but philosophical trivialities in the appropriate form.

This was the state of philosophy when Hartmann came on the scene (1868). He did so with the indispensable self-confidence in the weapons of his thinking and in full possession of the knowledge of the individual sciences available at his time. He recognized that neither everything from Hegel could be accepted nor everything rejected. He peeled the lasting core of Hegel's world view out of its harmful shell and began to develop it further. He completely separated the method from the results of Hegel's philosophy and declared that the good in Hegel was found without, indeed against, his method, and that what the latter alone provided was of dubious value. In his view, the method needed a thorough reform. And it was here that he entered into an alliance with natural science. The demand to seek scientific results only by means of observation, which natural scientists were increasingly insisting on, also became his own in the philosophical field. "Metaphysical results according to the scientific-inductive method" became the motto of his main work "Philosophy of the Unconscious", published in Berlin in 1869. But he held the view that Hegel had also arrived at his truly valuable results using the same method, indeed that positive scientific propositions can only be arrived at in this way. Hartmann's strict consistency, however, prevented him from using this method to arrive at the one-sided views that characterize the natural sciences of the time. How can one claim that observation delivers nothing but what the senses perceive, what eyes see, ears hear and so on, he asked himself? Is not thinking an organ of perception that transcends all the senses? Should reality exhaust itself in the raw material? Open your senses to reality, but do no less with your rational thinking, he called out to the natural scientists, then you will find that there is a higher reality than the one you consider to be the only true one!

Hegel was no less thirsty for reality than a modern natural scientist, but his higher mind also revealed a higher reality to him. E. v. Hartmann also found himself in this position. He took the view that not everything we encounter in the world can be explained by causes that we perceive with our senses. Even when we see a stone fall to earth, we attribute the cause to the gravitational pull of the earth, which we can no longer perceive, but only grasp in our minds. And only when we follow an organism in its development from the egg to its completion! Who would want to satisfy his need for explanation without resorting to the view that forces are at work here which we can only visualize in our thoughts? It becomes clear to us from such a consideration of the organism that we must presuppose a unified mental basis if we want to satisfy our need for knowledge. We must add something to the perception in thought and out of thought if we want to understand the matter. What we add there can of course only be a thought, an idea. But just as we need an idea in our thinking in order to bring about the conception of an organism, for example, so there must also be something analogous in the thing itself that brings about the same thing in its reality. Hartmann calls the analog in reality, which corresponds to the idea in our consciousness, the unconscious idea.

However, this concept of the idea is not so very different from what Hegel calls the idea. Hartmann asserts nothing other than this: what works outside in the world as the cause of things and processes is expressed within our consciousness in the form of the idea. Thus he must regard the content of our world of ideas as that which lifts the veil of existence for us, insofar as the latter is possible for us at all. And Hegel says: grasp the world of ideas in your consciousness, then you have grasped the objective content of the world. So far there would now be complete agreement between the two thinkers. Whereas But whereas Hegel simply seeks out the world of ideas within us and thereby accepts their inner logical character as decisive, Hartmann says: the idea as logical, merely as it is in us, in thought, could at most again cause ideas in a logical way, but not bring forth things of reality. For this there must be a second element, a force, something utterly illogical. Of this second element of the highest reality I can, of course, only recognize the representative that it sends into my consciousness. But if I ask myself, what is the power in me that actually accomplishes that, that makes it a reality, what determines logic, then I find my will. Something analogous to this must also prevail in the external world in order to lend reality, saturated existence, to the otherwise powerless ideas. Hartmann calls this analog the unconscious will. However, unconscious idea and unconscious will together form the unconscious mind or the unconscious.

Hartmann does not claim that the unconscious idea or the unconscious will are present in the outside world in the same quality as their conscious representatives in our mind. Rather, he maintains that we know nothing about the quality of what corresponds to the idea and the will in the objective, but that for us only one thing is certain, that such analogs exist.¹

Through the latter assumption, through the unconscious will, Hartmann now essentially goes beyond Hegel. If the latter, according to his basic assumption, had to regard logical determinacy as the only thing that comes into consideration in the idea, and see the highest laws of the world in logical laws, then Hartmann claims that everything we become aware of in the world is the ideal realized by the will. Since the will is, of course, a force that knows nothing of the laws of logic, the laws of the world are not logical laws either. So if I merely look into myself and observe my world of ideas in their logical connections, I will not reach any goal. I must look out and investigate through observation what creatures the will spouts forth from the eternal source of being. What I observe there, what I ultimately gain as a result, is an idea, but an idea borrowed from reality.

Hartmann reproached the natural scientists for simply not having the ability to observe ideas and therefore stopping at mere sensory perception. The natural scientists, however, dismissed the philosopher by declaring his "Philosophy of the Unconscious" to be the work of a fantasist who wanted to discuss scientific questions in a completely amateurish manner. Soon after the "Philosophy of the Unconscious", a series of counter-writings from a scientific point of view appeared, including one by an anonymous author. The natural scientists declared it to be a very meritorious booklet, which refuted Hartmann's frivolous statements from the standpoint of true empirical science with genuine expertise. The book went through a second edition, but now the author put his full name on the title page. It was - Eduard von Hartmann. The philosopher had had the fun of thoroughly demonstrating to his opponents that one can already understand them if one only wants to stand down on their point of view. He succeeded brilliantly in showing who contradicts because they don't understand their opponent.

The success of the "Philosophy of the Unconscious" was the greatest imaginable. To date, ten editions have been published and translations have been made into all European cultural languages. Encouraged by this, Hartmann devoted all his energy to expanding his world view. He sought not only to illuminate the ever-increasing experience of natural science from the point of view of his philosophy,²

A supplementary volume to the first to ninth edition of the "Philosophy of the Unconscious" (Leipzig, Wilhelm Friedrich) was published in 1891, which deals with the latest results of natural science..

Hartmann's ethical views can mainly be found in his book "Phenomenology of Moral Consciousness". His basic views in the field of ethics are also reflected in his position on politics and the cultural issues of the day.

The unconscious idea is realized through the unconscious will. This is the essence of the world process. And the histotic process of development is only a part of this process. But as such it is again a whole, and the individual cultural systems and moral views of peoples and ages are only its parts. He who recognizes this cannot seek the purpose of his existence in a single act, but only in the value which his particular existence has for the cultural process of the whole of humanity and indirectly thereby for the whole course of the world. Only in selfless devotion to the whole, in being absorbed in humanity, can the individual find his salvation. In addition to this insight, Hartmann seeks to provide empirical proof that no pleasure in the world can grant us an unrestricted feeling of happiness. Wherever we may look, if we become attached to individual, temporary things, the deprivation will be greater than the satisfaction. We must imbue ourselves with this conviction and then dedicate ourselves all the more joyfully to the ideal life task described above. If you want to call this ethical view pessimism, then you may do so. But beware of confusing this Hartmannian view with Schopenhauer's pessimism.

The latter is convinced that the will in its lack of reason is the only world principle and that the idea has no objective meaning at all, but is merely a "brain product". He therefore finds the world unreasonable and bad. A realization through the irrational will could only produce a worthless existence. There would be nothing worth living for in the world. Since we can achieve nothing in such a world, non-action is preferable to action for human beings. As you can see, Schopenhauer's ethics ends with the recommendation of complete inaction.

Compare this with Hartmann's ethics and you will see that it leads to a completely opposite result, that it seeks satisfaction precisely in selfless, devoted action, which selfish enjoyment could never offer us. The fact that both world views are nevertheless constantly thrown together, despite repeated protests on the part of E. v. Hartmann, proves the power that slogans have even over the educated public.

But where should we take the principles for our respective actions from, asks Hartmann. We work most effectively when we grasp our task most correctly in the place where history has placed us. What is good today was not good in the Middle Ages and will not be good centuries later. What a man has to do must result from what his predecessor has done. This is where he must pick up the thread and develop it further. Only those who know their tasks for the present from the past, from historical development, can create something good. We must not enter the arena of action with abstract, template-like concepts, but equipped with knowledge of the true needs of actual reality.

Because the liberal parties want to rule the world from the outside, from theory, disregarding these needs, Hartmann is an opponent of them. He wants party principles that follow from the study of reality. He is conservative in the sense that he wants reform efforts everywhere to be linked to what already exists, but not at all in the way of many conservatives who would like to put all kinds of restraints on development or preferably even order it to stand still. Hartmann wants progress, but not in the way that liberalism sees it, but as a continuous approach to the great cultural goals of mankind. For him, each cultural epoch is only the preparation for the next. No branch of culture is excluded from this development.

Hartmann has explained how religious needs are also subject to this general law in his two works: "Die Selbstzersetzung des Christentums und die Religion der Zukunft" and "Das religiöse Bewußtsein der Menschheit im Stufengang seiner Entwicklung". We are living in a time in which the old religious forms have become rotten everywhere and must make way for new ones. Christianity is not an absolute religion, but only one phase in the religious development of mankind, and there are already enough signs of the new view that will replace it.

It would be a serious prejudice to believe that Hartmann's philosophical discussions are worthless for practical life. I would just like to point out a few things that could refute this. Hartmann theoretically called for the German-Austrian alliance and the current constellation of European states long before they actually materialized. The party formations that we have seen emerge in Germany in the second half of the past decade were previously presented by Hartmann as a necessity. We have already mentioned the Polish question. We must not forget that our philosopher is far from claiming that what he describes as necessary in this way is also the best. To demand the best is, in his view, an empty demand; one must see what can arise according to the motives at work in people and in time and offer one's hand to this. Hartmann is a real politician in the most eminent sense.

For some time now, people in German-Austria have not spoken well of Hartmann because in an essay in 1885 he spoke of a "regression of Germanism in the Austrian lands". If one were to examine the content of this essay closely, one would probably come to a different conclusion. For apart from a few remarks which make the situation of our fellow tribesmen appear sadder than it really is, and which must be set against the fact that Hartmann must have gained his knowledge in part from newspaper reports and brochures which falsify the matter, one will find in that essay only the views represented which today the most national Austrian politicians have written on their banner. Hartmann explained to the Germans in Austria that they must sink below the level of influence they deserve if they continue to lose sight of the real tasks of their nation and the Reich over liberal party programs. In his view, they must rely on the power of the people and their higher education in order to achieve what they can never achieve by making pacts with "immature nations" and through liberal phrases, namely to steer "the state of Western Austria". To accuse Hartmann of even the slightest anti-German sentiment because of this essay is unacceptable when you consider how deeply his entire world view is rooted in Germanness and how he honors this Germanness when he says, for example, that the outbreak of the Franco-Prussian War "has shown so clearly that Germany will essentially have to forever renounce being understood by anything other than German blood".

The significance of Hartmann's view of the political situation will only be fully appreciated when one of his main ideas - the "complete separation of all political parties from economic and religious-church parties" - has been realized and when the Central European Customs Union he called for in 1881 becomes possible. It will then be seen that Hartmann's views are nothing but the moral, political, religious, economic, etc. forces of the. of the present. He tries to eavesdrop on the direction in which they are striving, and according to this direction he tries to show the way for practical reforms.

Recently, Hartmann gave us a two-volume "Aesthetics". The first volume seeks to give a historical account of the development of German art history since Kant; the second endeavors to build its own independent edifice of the "science of beauty". In the first part, we admire the all-round approach, which deals with every phenomenon and provides not only a historical development of the basic views of the individual aestheticians, but also an account of the progress of the individual basic aesthetic concepts, such as: beautiful, ugly, comic, sublime, graceful and so on. The fact that the often misunderstood Deutinger and the completely lost but highly significant Trahndorff find their just appreciation in the book is not one of its least merits. Anyone who wants to learn in detail how views on art have developed from Kant up to the present day must turn to this book.

In the "Science of Beauty" Hartmann, true to his principle, seeks to find that area in what actually exists in which beauty, that which is created by art, has its seat. He rejects the abstract idealism of the Schellingians, who seek beauty not in the object of art itself but in an abstract sphere and claim that every single beauty is only a reflection of the supernatural idea of beauty that never appears in its perfection. Hartmann counters this "abstract idealism" with his "concrete idealism", which seeks the reason and the root in the aesthetic object itself, in short, which also applies the observing, contemplating, not the constructing method here. What is actually the object in which the "beautiful" is realized? asks Hartmann. Neither merely the real work that we have before us, as the realists want, nor merely the harmony of feelings and sensations that it produces in us, as the idealists want, are the seat of beauty, but the appearance of reality, for the production of which the real product serves the artist only as a means. Anyone who is unable to disregard the real effects exerted on him by the art product and can only indulge in the impression of the "aesthetic appearance" detached from all reality is not yet capable of true enjoyment of art. A person who commits a crime in reality creates a real feeling of revulsion in us through his actual deed. He affects us through what he is. The actor who portrays the criminal only has the right effect on us if, denying his real being, he only arouses feelings and emotions in us through what he appears to be, through his representation, which is exhausted in appearance and behind which there is no reality. "Whoever has not yet stripped away the last trace of realistic velleities from aesthetic appearance and the content hidden in it has not yet penetrated to a purely aesthetic conception, but has more or less remained stuck in an amalgamation of aesthetic with theoretical or practical conception." (Wissenschaft des Schönen, p.21.) Only those who are able to emancipate themselves completely from the real meaning of the object in front of them and devote themselves only to the enjoyment of what it seems to be are capable of aesthetic contemplation. And now Hartmann shows us just as much how the appearance detached from reality expresses itself in individual forms of artistic creation, in the sensually pleasing, in mathematical relationships, in organic formations and so on, as he also shows us how the individual arts can evoke the "aesthetic appearance" with the means at their disposal. We ourselves have published an essay in these journals that takes as its starting point basic views that do not entirely coincide with Hartmann's. In particular, we believe that aesthetics should not neglect to say what it is in "aesthetic appearance" that actually has an effect on us. It is just as certain that he who is influenced in his aesthetic contemplation "by accidental knowledge of the private life of the actor Schultze and the dancer Müller in the judgment of their mimic artistic performances" does not arrive at the true enjoyment of art, as it is true that I must remain aesthetically unaffected even in the pure contemplation of appearances if I have no feeling for what speaks to me precisely through the aesthetic appearance. Certainly, the artist can only have an effect on me through appearance, but it is not the character of the appearance that constitutes the nature of the work of art, but the content in the appearance, that which the artist embodies in the appearance. Whoever has only a sense for appearance and none for what is expressed in appearance remains insensitive to art. Appearance is only necessary because art has something to tell us that cannot be said to us by immediate reality. It is a necessary auxiliary to art, a consequence of artistic creation, but it does not constitute the latter. These are objections of principle, however, and we would be unjust if we did not counter them with the fact that we have rarely read a book with such satisfaction, with such great benefit, as Hartmann's Aesthetics. Everyone can learn from it through the thorough knowledge of technique in the individual arts that characterizes the author, through the views on life that testify to Hartmann's genius and the great style with which he grasps the sum of all cultural expressions, and finally through the fine taste that underpins all his judgments on art.

We are rarely as pleased as when we read the announcement of a new work by Hartmann, because then we always know that a great treasure is being added to our minds. And we wish time good luck for everything that will come from Hartmann, because, as we have already mentioned, he is at the height of his creative powers. He has almost completed his system. We do not know what area his work will now focus on. But we do know this: everything we can still expect from him will have the character of greatness and significance.