1921-04-14 · 4,982 words
Consonantal forms in eurythmy express the human being's varying degrees of engagement with the external world through three organizational principles: vowel coloring (whether the vowel precedes or follows the consonant), the quality of articulation (breath sounds, plosives, vibrations, and undulations), and the organs of speech (labial, dental, palatal). The eurythmic movements must polarize the actual speech processes, transforming breath into thrust and vice versa, to reveal how consonants embody humanity's struggle between inner self-awareness and outward objectification—a struggle that, when experienced pictorially rather than abstractly, prevents the chronic illnesses arising from modern civilization's loss of living connection to language.