# 13. The Chymical Wedding of Christian Rosenkreutz

Anyone who knows the nature of the experiences that the human soul undergoes when it has opened the entrance gates to the spiritual world needs only to read a few pages of the *Chymical Wedding of Christian Rosencreutz* (anno 1459) to recognize that the book's narrative refers to real spiritual experiences. Subjectively conceived images reveal themselves as such to those who have insight into spiritual reality, because they cannot fully correspond to this reality either in their own form or in the way they are strung together. — This seems to provide the starting point from which the *Chymical Wedding* can be viewed. We can follow the experiences described from the soul's point of view, as it were, and explore what insight into spiritual realities has to say about them. Unconcerned about everything that has been written about this book, the point of view characterized above is to be taken up here first. We will take from the book itself what it wants to say. Only then can we talk about questions that many observers ask before a sufficient basis for this is created.

The experiences of the wanderer in *The Chymical Wedding* are divided into seven soul-spiritual workdays. The first day begins with the bearer of the experiences encountering imaginations before his soul that allow his decision to begin the journey to mature. The description is written in such a way that it reveals the particular care of the narrator in distinguishing between what the bearer of the experiences understands at the time he has a “vision” and what is still hidden from his insight. Likewise, a distinction is made between what comes to the seer from the spiritual world without his will being involved, and what is brought about by this will. The first experience is not one that is arbitrarily brought about and is not one that the seer fully understands. It brings him the opportunity to enter the spiritual world. However, he is not unprepared. Seven years ago, he was informed through a “bodily face” that he would be called to participate in the *Chymical Wedding*. The expression “bodily face” cannot be misunderstood by anyone who grasps the entire spirit of the book. It is not a vision of the morbid or down-tuned soul life, but a perception that can be attained through spiritual vision, the content of which stands before the soul with the same character of reality as a perception of the bodily eye. That the bearer of the experiences could have such a “vision” presupposes a state of soul that is not that of ordinary human consciousness. The latter knows only the changing states of waking and sleeping and, between the two, the dream, the experiences of which are not related to anything real. The soul, which experiences itself through this ordinary consciousness, knows itself to be united with a reality through the senses; but when its connection with the senses ceases during sleep, it is not aware of a relationship with any reality, not even with its own self and its inner experiences. And during the dream, she cannot see clearly what relationship she has to reality. At the time of the “bodily vision” that he still remembers, the Wanderer in *The Chymical Wedding* already had a consciousness that was different from the usual one. He has experienced that the soul can perceive even when it is in the same relationship to the senses as it is during sleep. The concept of the soul living separately from the body and knowing a reality in this life has become a valid one for him. He knows that the soul can so strengthen its own being that in its separation from the body it can be united with a spiritual world in the same way it is united with nature through the bodily sense organs. That such a union can take place, that it lies before him, he has learned through the “bodily vision”. The experience itself of this union could not be given to him through this vision. He has waited for this. It presents itself in his conceptions as the participation in the *Chymical Wedding*. Thus he is prepared for a renewed experience in the spiritual world.

At a time of heightened spiritual mood, on the eve of Easter, this renewed experience occurs. The bearer of the experiences feels as if he is being buffeted by a storm. Thus it announces itself to him that he is experiencing a reality whose perception is not mediated through the physical body. He is lifted out of the state of equilibrium with respect to the forces of the world, into which the human being is placed by his physical body. His soul does not live the life of this physical body; it feels only connected with the (etheric) body of formative forces that permeates the physical one. This body of formative forces is not, however, part of the equilibrium of the cosmic forces, but of the mobility of the supersensible world, which is closest to the physical and which the human being perceives first when he has opened the gates of spiritual vision. Only in the physical world do the forces solidify into fixed forms that express themselves in states of equilibrium; in the spiritual world, perpetual mobility reigns. The person undergoing this mobility becomes aware of the raging storm as a result of this mobility. The *revelation of a spiritual being* emerges from the vagueness of this perception. This revelation takes place through a clearly shaped imagination. The spirit appears in a blue dress studded with stars. One must keep away from the description of this being everything that amateurish esotericists like to add to the “explanation” in the way of symbolic interpretations. One is dealing with a *non-sensory* experience, which the person experiencing it expresses for himself and for others through an image. The blue dress studded with stars is no more a symbol of the blue night sky or anything similar than the idea of the rosebush is a symbol of the evening glow in ordinary consciousness. In supersensible perception there is a much more active, conscious activity of the soul than in the case of the senses. — In the case of the wanderer at the *Chymical Wedding*, this activity is exercised through the formative forces body, as in the case of physical seeing through the bodily senses by means of the eyes. This activity of the formative forces body can be compared to the arousal of radiating light. Such light falls on the spiritual being that is revealing itself. It is reflected back by it. Thus the beholder sees his own radiated light, and behind its boundary he becomes aware of the limiting being. The 'blue' comes about through this relationship of the spiritual being to the spiritual light of the body of formative forces; the stars are not reflected, but are absorbed by the being as parts of the spiritual light. The spiritual being has objective reality; the image through which it reveals itself is a modification, brought about by the being, in the radiance of the body of formative forces. This imagination must not be confused with a vision either. The subjective experience of the bearer of such an imagination is completely different from that of the visionary. The visionary lives in his vision through an inner compulsion; the bearer of the imagination adds it to the designated spiritual being or process with the same inner conscious freedom with which a word or a sentence is used as an expression for a sensory object. Someone who has no knowledge of the nature of the spiritual world may think that it is completely unnecessary to clothe this spiritual world, which reveals itself in imageless experiences, in imaginations that evoke the semblance of the visionary. In reply to this, it is true that imagination is not the essence that is perceived spiritually, but it is the means by which this essence must reveal itself in the soul. Just as one cannot perceive a sensory color without the definite activity of the eye, so too can one not experience something spiritual without encountering it from within with a definite imagination. This does not prevent the use of pure concepts, as they are common in natural science or philosophy, when presenting spiritual experiences that are made through imagination. The present remarks are based on such concepts in order to trace the content of the *Chymical Wedding*. But in the seventeenth century, when J. V. Andreae wrote the book, it was not yet customary to make use of such concepts to such an extent; one directly presented the imaginations through which one had experienced the supersensible beings and processes.

In the spiritual form that reveals itself to him, the wanderer to the *Chymical Wedding* recognizes the being that can give him the right impulse for his journey. Through his encounter with this figure, he consciously feels that he is standing in the spiritual world. The way in which he stands in this world points to the particular direction of his path of knowledge. He does not walk in the direction of the *mystic* in the narrower sense, but in that of the *alchemist*. In order not to misunderstand the following exposition, one should keep away from the concept of “alchemy” everything that has been attached to it through superstition, fraud, adventurism and the like. Think of what the honest, unprejudiced seekers after truth who coined this term were striving for. They wanted to recognize the lawful connections between the things of nature that are not conditioned by the activity of nature itself, but by a spiritual essence that reveals itself through nature. They sought supersensible forces that are active in the sensory world but do not allow themselves to be recognized in a sensory way. The wanderer of the *Chymical Wedding* sets out on the path of such researchers. In this sense, he is a representative of alchemical research. As such, he is convinced that the supersensible forces of nature hide themselves from ordinary consciousness. He has brought about experiences within himself which, through their effect, enable the soul to use the body of formative forces as an organ of perception. Through this organ of perception, he gains insight into the supersensible forces of nature. He first wants to recognize the extra-human, supersensible forces of nature in a spiritual form of existence, which is experienced outside the realm of sensory perception and ordinary mental activity. Equipped with the knowledge of these forces, he then wants to see through the true essence of the human body itself. He believes that through knowledge gained by the soul in conjunction with the body of formative forces, which is activated independently of the physical organism, one can see through the human body and thereby come close to the secret that the universe works through this being. For ordinary sensory perception, this secret is veiled; the human being *lives* in it; but he does not *see through* what he experiences. Starting from supersensible knowledge of nature, the wanderer in The Chymical Wedding finally aimed to arrive at beholding the supersensible essence of the human being. It is by this path of research that the alchemist, in contrast to the mystic in the narrower sense, strives. He too seeks to experience the human being differently from what is possible through ordinary consciousness. But he does not choose the path that leads to the use of the formative forces independent of the physical body. He starts from the vague feeling that a more intimate interpenetration of the physical body with the formative forces than is possible in ordinary waking life leads away from communion with the world of sense-perceptible beings and leads to communion with the spiritual world of human beings. The alchemist strives to withdraw himself with his conscious being from the ordinary context of the body and to enter into the world that lies behind the realm of sensory perception as the “spiritual nature” of the world. The mystic attempts to lead the conscious soul deeper into the context of the physical, in order to consciously immerse himself in that area of physicality that is hidden from self-awareness when it is filled with the perceptions of the senses. The mystic does not always seek to give a full account of this endeavor. He will only too often seek to characterize his path in a different way. But the mystic is in most cases a poor explainer of his own nature. This is connected with the fact that certain feelings become attached to the spiritual quest. Because the mystic's soul wants to overcome the kind of togetherness with the body that is experienced in ordinary consciousness, a kind of self-rapture takes hold of it, not only a certain contempt for this togetherness, but for the body itself. Therefore, she does not want to admit to herself that her mystical experience is based on an even more intimate connection with the body than that which produces ordinary consciousness. — Through this more intimate connection, the mystic perceives a change in his thinking, feeling and willing. He surrenders to this perception without developing any inclination to elucidate the reason for the change. This change reveals itself to him, despite having descended deeper into the physical, as a spiritualization of his inner life. And he has every right to see it as such. Sensuality is nothing other than the form of existence that the soul experiences when it is in the same connection with the body as that on which ordinary waking consciousness is based. When the soul unites more intimately with the body than is the case in this form of existence, then it experiences a relationship of the human being to the world that is more spiritual than that established through the senses. The perceptions that arise then are condensed into imaginations. These imaginations are revelations of the forces with which the formative body works on the physical body. They remain hidden from ordinary consciousness. The feeling is strengthened to such an extent that the etheric-spiritual forces, which radiate from the cosmos into the human being, are experienced as if through an inner touch. In the will, the soul knows itself to be dedicated to a spiritual work that integrates the human being into a supersensible world context, from which he separates himself through the subjective will of ordinary consciousness. True mysticism arises only when the human being carries his fully conscious soul being into the more intimate connection with the body that is characterized and is not driven by the constraints of the bodily organization to morbidly visionary or downcast consciousness. Genuine mysticism strives to experience the spiritual essence of man, which is too close to the human heart and which is *covered by* sense perception for ordinary consciousness. Genuine alchemy makes itself independent of sense perception in order to see the spiritual essence of the world that exists outside of man, which is *covered by* sense perception. Before entering into the inner life of man, the mystic must bring his soul into such a state that it does not expose its consciousness to fading or extinction in the face of the increased counter-pressure that it experiences through its closer union with the body. Before entering the spiritual world that lies beyond the sense realm, the alchemist needs to strengthen his soul so that it does not lose itself in the beings and processes of this world. The paths of research of the mystic and the alchemist lead in opposite directions. The mystic goes directly into the human being's own spiritual nature. His goal is what may be called the *mystical marriage*, the union of the conscious soul with one's own spiritual being. The alchemist wants to pass through the spiritual realm of nature in order to see the spiritual being of man with the powers of knowledge acquired in this realm after the successful journey. His goal is the *Chymical Wedding*, the union with the spiritual realm of nature. Only after this union does he want to experience the contemplation of the human being.

Both the mystic and the alchemist experience a mystery at the very beginning of their paths, which cannot be penetrated within the ordinary consciousness. It relates to the relationship between the human body and the human soul. As a spiritual being, the human being truly lives in the spiritual world; but at the present stage of development within the evolution of the world, he has no ability of his own to orient himself in the spiritual realm. Through the powers of his ordinary consciousness, he can only establish his relationship to himself and to the world outside of himself in the sense of truth if the body instructs him in the directions for soul activity. The body is so incorporated into the world that this incorporation corresponds to cosmic harmony. When the soul lives within the perception of the senses and the ordinary activity of the mind, it is given over to the body with just the strength by which the body can transmit its harmony with the universe to it. If the soul is lifted out of this experience according to the mystical or alChymical direction, it becomes necessary to take precautions so that it does not lose the harmony with the universe gained through the body. If he did not take such precautions, then on the mystical path he would be threatened with the loss of spiritual connection with the universe; on the alChymical path, the loss of the ability to distinguish between truth and error. Without this precaution, the mystic would, through the closer connection with the body, so intensify the power of self-consciousness that he would be overwhelmed by it and no longer be able to experience the life of the world in his own life. Thus he would enter with his consciousness into the region of a spiritual world other than that which corresponds to man. (In my spiritual scientific writings I have called this world the Luciferic.) The alchemist would, without the necessary precautions, come to a loss of discernment between truth and deception. In the great context of the universe, deception is a necessity. Man, however, cannot fall prey to it at his present stage of development because the realm of sense perception affords him protection. If deception were not in the background of human experience, man could not develop the various levels of consciousness. For deception is the driving force behind this development of consciousness. At the present stage of human consciousness, deception must indeed work towards the emergence of consciousness; but it must itself remain unconscious. For if it were to enter into consciousness, it would overwhelm the truth. As soon as the soul enters, by the alChymical path, into the spiritual realm that lies beyond sense perception, it enters into the vortices of deception. It can only preserve its nature in the right way within these vortices if it brings with it from its experience in the sense world a sufficiently developed power of distinguishing between truth and deception. If it failed to develop such a power of discrimination, the whirlpools of illusion would sweep it away into a world where it would have to lose itself. (In my spiritual writings I have called this world the Ahrimanic one.) — Before he begins his journey, the mystic needs to bring his soul into such a state that his own life cannot be overpowered; the alchemist must strengthen his sense of truth so that it will not be lost, even if he is not supported by sense perception and the mind that is bound to it.

The bearer of the experiences described in the “Chymical Wedding” is aware that, as an alchemist, he needs a strengthened ability to distinguish between truth and deception on his path. He seeks to gain his support from Christian truth according to the circumstances of life from which he begins his alChymical path. He knows that what connects him to Christ has already brought forth within his life in the sensual world a power in his soul that leads to the truth. This power does not need the basis of the senses and can therefore prove itself even when this basis of the senses is not there. With this attitude, his soul stands before the being in the blue dress, who points him to the path to the “Chymical Wedding”. At first this being could just as well belong to the world of deception and error as to that of truth. The wanderer on his way to the “Chymical Wedding” must distinguish. But his power of discrimination would be lost, error would have to overwhelm him, could he not recall in supersensible experience what binds him in the sense world to truth with an inner power. What has become in this soul through Christ arises out of it. And like its remaining light, the body of formative forces of this Christ-light radiates towards the revealing being. The right imagination is formed. The *letter* that points him to the path of the “Chymical Wedding” contains the sign of Christ and the words: in hoc signo vinces. The wanderer knows that he is connected to the appearing being through a power that points to the truth. If the power that had led him into the supersensible world had been one tending towards deception, he would have stood before an entity that would have paralyzed his memory for the Christ impulse living in him. He would then have followed only the seductive power that draws man to itself even when the supersensible world leads him forces that are pernicious to his nature and will.

The content of the letter, which is handed over to the wanderer after the “Chymical Wedding” by the being that appears to him, contains, in the language of the fifteenth century, a characterization of his relationship to the spiritual world, insofar as he has become aware of it at the beginning of the first day of his spiritual experiences. The symbol added to the words expresses how the mutual relationship between the physical body, the body of formative forces and the soul-spiritual has developed in him. It is significant for him to be able to say that this condition in his human existence is in harmony with the conditions in the universe. He has found, through “diligent recalculation and calculation” of his “annotated planets”, that this condition may occur in him at the point in time at which it is now taking place. Anyone who regards what is being considered here in the sense of the follies of some “astrologers” will misunderstand it, regardless of whether they are a believer in it or an “enlightened” person who smiles condescendingly at it. The author of The Chymical Wedding had good reason to add the *date 1459* to the title of his book. He was aware that the soul-disposition of the one experiencing it must be in harmony with the state in which world-becoming has been attained at a certain point in time, if inner soul-disposition and outer world-content are not to result in disharmony. The outer supersensible world-content must meet the soul, which is independent of ordinary sense perception, in harmony, if the consonance of the two is to give rise to the state of consciousness that constitutes the “Chymical Wedding”. Anyone who believes that the constellation of the “annotated planets” contains a mysterious power that determines the state of experience of the person would be like someone who believed that the position of the hands on his watch had the power to cause him to undertake a journey that he had to take from his life circumstances at a certain hour.

The letter refers to *three temples*. What is meant by these is not yet understood by the bearer of the experiences at the time when he receives the hint. He who perceives in the spiritual world must know that he will occasionally receive imaginations, which he must first renounce in understanding. He must accept them as imaginations and allow them to mature in the soul as such. During this maturing, they bring forth in man's inner being the power that can effect understanding. If the observer were to explain them to himself at the moment they reveal themselves to him, he would do so with an unsuitable power of understanding and think inconsistently. In spiritual experience, much depends on having the patience to make observations, to accept them at face value at first, and to wait until the appropriate time to understand them. What the Wanderer experiences on the first day of his spiritual experiences at the “Chymical Wedding” is described by him as having been announced to him “seven years” before. During this time he was not allowed to form an intellectual opinion about his “vision” at the time, but had to wait until the “vision” had had such an effect on his soul that he was able to experience further things with understanding.

The appearance of the spirit being in the blue, star-studded dress and the presentation of the letter are experiences that the wanderer has at the “Chymical Wedding” without his soul's own free decision leading to it. He goes on to bring about experiences through such a free decision. He enters into a sleep-like state; one that brings him dream experiences whose content has a reality value. He can do this because, after the experiences he has had, he enters into a different relationship with the spiritual world than the ordinary one through the state of sleep. In the ordinary experience during the state of sleep, the human soul is not bound to the spiritual world by ties that can give its ideas a reality value. But the soul of the wanderer at the “Chymical Wedding” is transformed. It is so inwardly strengthened that it can take up in the dream experience what is connected with the spiritual world in which it finds itself. And through such an experience she first of all experiences her own newly won relationship to the sense body. She experiences this relationship through the *imagination of the tower*, in which the dreamer is locked up and from which he is freed. She consciously experiences what is unconsciously experienced in ordinary life when the soul, falling asleep, passes from the realm of sense experience into that of supersensible existence. The restrictions and hardships in the tower are an expression of the sensory experiences towards the soul's inner being when it frees itself from the realm of such experiences. What binds the soul to the body in such a way that the result of this bond is sensory experience, these are the life forces that promote growth. Consciousness could never arise under the sole influence of these forces. That which is merely alive remains unconscious. The forces that destroy life, in conjunction with illusion, lead to the emergence of consciousness. If man did not carry within him that which leads him towards physical death, he could live in the physical body but not develop consciousness in it. For ordinary consciousness, the connection between the death-bringing forces and this consciousness remains hidden. But for someone who, like the bearer of experiences in the “Chymical Wedding”, is to develop an awareness of the spiritual world, this connection must come before the “eye of the spirit”. He must experience that connected with his existence is the “ *hoary man*”, the being who, by nature, carries within him the power of aging. Vision in the spiritual realm can only be granted to that soul which, while dwelling in this realm, beholds the power that in ordinary life lies behind aging. This power is capable of snatching the soul from the realm of sensory experience. The value of the dream experience lies in the fact that through it the wanderer to the “Chymical Wedding” is aware that he can now approach nature and the human world with a state of mind that allows him to see what is hidden in both of them from ordinary consciousness. This has matured him for the experiences of the next few days.

At the beginning of the description of the second day, it is immediately pointed out how nature appears to him in a new way. But he is not only to look into the background of nature; he is to look more deeply into the motives of human will and action than is possible in ordinary consciousness. The interpreter of The Chymical Wedding means to say that this ordinary consciousness only gets to know the outer side of the will and action, and that through this consciousness people are also only aware of their own will and action. The deeper spiritual impulses that pour out of the supersensible world into this volition and action, and that shape human *social life*, remain unknown to this consciousness. Man can live in the belief that a particular motive leads him to an action; in truth, this motive is only the conscious mask for one that remains unconscious. Insofar as human beings regulate their social life together according to ordinary consciousness, forces intervene in this life together that do not lie in the sense of evolution and are beneficial to humanity. These forces must be counteracted by others that are seen through supersensible consciousness and incorporated into social activity. The Wayfarer of the *Chymical Wedding* is to be led to the knowledge of such forces. To do this, he must see through people to the being that really lives in them, which is quite different from the one present in their belief or corresponds to the place they occupy in the social order determined by ordinary consciousness. The image of nature that reveals itself to ordinary consciousness is very different from that of a social human order. The supersensible natural forces, which spiritual consciousness gets to know, are related to the supersensible forces of this social order of man. The alchemist strives for a knowledge of nature that will become for him the basis of a true knowledge of human nature. It is the Way to such knowledge that the Wanderer to the “Chymical Wedding” must seek. But not one such Way, but several, are shown to him. The first leads into a region where the intellectual conceptions of ordinary consciousness, gained through sense perception, impinge upon the course of supersensible experience, so that insight into reality is killed through the interaction of the two experiential circles. The *second* holds out the prospect that the soul can lose its patience if it has to submit to long periods of waiting for spiritual revelations, in order to allow what must initially be accepted only as an incomprehensible revelation to mature fully. The *third* demands men who, through their already unconsciously attained maturity of development, are allowed to see in a short time what others must acquire in a long struggle. The fourth brings man to an encounter with all the forces from the supersensible world that cloud and frighten his consciousness when he wants to snatch himself from sensory experience. Which path is to be taken by the one or other human soul depends on the state into which the experiences of ordinary consciousness have brought it before it begins the spiritual journey. It cannot “choose” in the usual sense, because its choice would arise out of the sense consciousness, which is not entitled to decide in supersensible matters. The impossibility of such a choice is realized by the Wayfarer after the “Chymical Wedding.” But he also knows that his soul is sufficiently strong for behavior in a supersensible world to be led aright when such an inducement comes from the spiritual world itself. The Imagination of his deliverance “from the tower” gives him this knowledge. *The imagination of the “black raven”*, snatching the food given to the “white dove”, evokes a certain feeling in the soul of the wanderer; and this feeling, produced out of supersensible, imaginative perception, leads to the path whereon the choice of ordinary consciousness would not have dared to lead. On this path, the wanderer arrives where people and human relationships are to be revealed to his gaze in a light that is not accessible to experience in the sense body. He enters through a portal into a dwelling within which people behave in a way that corresponds to the super-sensible forces pouring into their souls. Through the experiences he has within this dwelling, he is to awaken to a new life, which he will be responsible for leading when a sufficiently large area of these experiences is covered by his super-sensible consciousness. Many critics have expressed the opinion that the “Chymical Wedding of Christiani Rosencreutz” is nothing more than a satirical novel about the doings of certain sectarians or adventurous alchemists or the like. But perhaps a truly correct view of the experiences that the author of the book has his wanderer undergo “before the gate” will show that the satirical mood that the work displays in its later parts can be traced back to soul experiences, the seriousness of which takes on a form that appears to be mere satire, which only wants to remain in the realm of sense experience. It would be well not to lose sight of this in considering the further experiences of the wanderer after the “Chymical Wedding”.

The second mental day's work brings the spiritual seeker, whose experiences Johann Valentin Andreae describes, to experiences through which it is decided whether he can attain the ability of true spiritual vision, or whether a world of spiritual error shall embrace his soul. For his perception, these experiences take the form of *imaginations of entering a castle*, in which the world of spiritual experience is administered. Not only the genuine, but also the fake spiritual seeker can have such imaginations. The soul reaches them when it follows certain lines of thought and modes of perception, through which it is able to imagine surroundings that are not conveyed to it through sensual impressions. From the way Andreae describes the society of *unreal spiritual seekers*, within which the “Brother of the Red Rose Cross” still finds himself on the “second day”, one recognizes that he is well aware of the secret of the difference between the real and the unreal spiritual seeker. Whoever has the opportunity to correctly judge such inner testimonies of the spiritual insight of the author of The Chymical Wedding will be in no doubt as to the true character of this writing and of Andreaes's intention. It is obviously written to provide enlightenment for people who are seriously striving for an understanding of the relationship between the world of the senses and the spiritual world, and of the forces that can arise for the human soul from the knowledge of the spiritual world for social and moral life. Andreae's unsentimental, humorous and satirical style of presentation does not speak against, but for, the deeply serious intention. Not only can one feel the seriousness within the seemingly light-hearted scenes, but one also has the feeling that Andreae is describing like someone who does not want to cloud the mind of his reader with sentimentality about the secrets of the spiritual world, but who wants to create in the reader a spiritually free, self-aware and rational attitude towards this world.

If someone, through the exercise of thought and feeling, has brought himself to imagine a supersensible world, such ability is by no means a guarantee that these imaginations will lead him to a real relationship with the spiritual world. In the field of imaginative experience, the Brother of the Rose Cross sees himself surrounded by numerous souls who, although they live in ideas about the spiritual world, cannot come into real contact with this world because of their inner condition. The possibility of this real contact depends on how the spiritual seeker attunes his soul to the world of the senses before approaching the threshold of the spiritual world. This attunement produces a state of mind in the soul that is carried across the threshold and reveals itself within the spiritual world in such a way that it either accepts or rejects the seeker. The *right frame of mind* can only be attained if the seeker is willing to discard everything at the threshold that determines his relationship to the world within the reality of the senses. In order to dwell in the spiritual world, those impulses of the mind through which man feels the character and validity – the weight – of his personality from his external circumstances and fate must become ineffective. If this necessity, by which man feels transported into a kind of psychic childhood, is difficult to fulfill, then the other necessity, to suppress the kind of judgment by which one orients oneself within the sense world, is even more contrary to ordinary feeling. One must come to the realization that this way of judging is gained in the sense world, that it can only have validity within it, and that one must be prepared to learn the way one has to judge in the spiritual world from the spiritual world itself. When the Brother of the Rose Cross enters the castle, he develops a mood of soul that arises from a sense of these necessities. He does not allow himself to be led into a chamber to spend the first night in the castle, but remains in the hall to which he has come through his participation in the events of the second day. In this way he protects himself from carrying his soul into a region of the spiritual world with which the forces at work within him are not yet able to unite worthily. The soul mood that prevents him from penetrating further into the spiritual realm than the second day has brought him is effective in his soul throughout the night and equips him with the capacity for perception and will that he needs the following day. Those intruders who have come with him without the ability of such a state of mind must be expelled from the spiritual world the following day, because they cannot develop the fruit of this mood. Without this fruit it is impossible for them to connect the soul with the world through real inner powers, of which they are, so to speak, only externally embraced.

The events at the gates, the encounter with the lion, the reading of the inscriptions on the two pillars at the entrance, and other happenings of the second day are so vividly described by the Rose Cross Brother that one can see his soul weaving in the described mood. He experiences all this in such a way that that part of it remains unknown to him which speaks to the ordinary mind bound to the sense world, and that he only absorbs that which enters into a spiritual pictorial relationship with the deeper powers of the mind. The *encounter with the “cruel lion”* at the second gate is a step in the self-knowledge of the spiritual seeker. The Brother of the Rose Cross experiences it in such a way that it acts as an imagination on his deeper powers of mind, but that it remains unknown to him what it means for his position within the spiritual world. This unknown judgment is passed by the “guardian” who is with the lion, who calms the lion and, according to the content of a letter that is also unknown to the person entering, speaks the words to the person entering: “Now welcome to me, God, the man I have long wished to see.” The spiritual vision of the “cruel lion” is the result of the spiritual state of the Brother of the Rosicrucians. This soul condition is reflected in the formative part of the spiritual world and gives the imagination of the lion. In this reflection, an image of the observer's own self is given. In the field of spiritual reality, the observer is a different being than in the realm of sensory existence. The forces at work in the realm of the sensory world shape him into a sensory human image. In the spiritual realm, he is not yet human; he is a being that allows itself to be expressed imaginatively through the animal form. Within this existence, the drives, affects, feelings and impulses of the will that live in the human being's sensory existence are held in chains by the life of perception and imagination bound to the sense body, which are themselves a result of the sense world. If man wishes to step out of the sense world, he must become conscious of what in him is no longer fettered by the gifts of the sense world and must be brought onto the right path by new gifts from the spiritual world. Man must see himself before the sensuous incarnation. This insight comes to the Rose Cross Brother through the encounter with the lion, the image of his own being before the incarnation. It should be noted here, just to avoid any misunderstanding, that the form of existence in which the underlying essence of man beholds itself in a spiritual way before becoming man has nothing to do with animality, with which popular Darwinism thinks the human species is linked by descent. For the animal form of the spiritual vision is one that, by its very nature, can only belong to the world of formative forces. Within the sense world, it can only exist as a subconscious element of human nature. The fact that the part of his being that is held in bondage by the sense body is still in the process of becoming human is expressed in the frame of mind in which the Brother of the Rose Cross finds himself upon entering the castle. He faces what he has to expect with an open mind, and does not cloud it with judgments that still come from the mind bound to the world of sense. Such clouding he must later notice in those who have not come with a rightful soul mood. They too have passed by and seen the “cruel lion”, for this depends only on their having received the corresponding currents of thought and modes of perception into their souls. But the effect of this spiritual vision could not be strong enough in their case to persuade them to abandon the way of judging to which they were accustomed in the sense world. Their way of judging appears to the spiritual eye of the Brother of the Rose Cross within the spiritual world as vain boasting. They want to see Plato's ideas, count Democritus' atoms, pretend to see the invisible, while in truth they see nothing. These things show that they cannot connect the inner soul powers with the world that has embraced them. They lack consciousness of the true demands which the spiritual world makes upon man when he would see it. The Brother of the Rose Cross can in the following days connect his soul-forces with the spiritual world because on the second day he admits to himself in accordance with the truth that he cannot see and do what the other intruders claim before themselves or others to see and do. The feeling of his powerlessness later becomes the power of spiritual experience for him. He must allow himself to be bound at the end of the second day because he is to feel the bonds of mental powerlessness in the face of the spiritual world until this powerlessness as such has been exposed to the light of consciousness for as long as it takes to transform itself into power.

Andreae wants to show how *the seven “sciences and liberal arts”*, into which knowledge gained within the sensory world was divided in the Middle Ages, are to serve as preparation for spiritual knowledge. The seven liberal arts were usually considered to be: grammar, dialectics, rhetoric, arithmetic, geometry, music and astronomy. From the description in the *Chymical Wedding* one recognizes that Andreae thinks both the brother of the Rose Cross and his rightful companions as well as the unlawful intruders as being equipped with the knowledge that can be gained from these liberal arts. However, the newcomers possess this knowledge to a varying extent. The rightful ones, especially the Brother of the Rose Cross, whose experiences are described, have acquired this knowledge in such a way that through its possession they have developed the strength in their souls to receive from the spiritual world the unknown, which must still remain hidden for these “free arts”. Their soul is so prepared by these arts that it not only knows what can be known through them, but this knowledge gives it the weight by which it can gain experience in the spiritual world. The weight of these arts has not become the weight of the souls of the unlawful arrivals. They do not have in their souls the true world content of these “seven free arts”. On the third day the Brother of the Rose Cross participates in the *weighing of souls*. This is described by means of the imagination of a scale by which the souls are weighed in order to find out whether they have acquired, in addition to their own human weight, a weight equal to seven others. These seven weights are the imaginative representatives of the “seven liberal arts”.

The Brother of the Rose Cross has in his soul not only the substance that can match the seven weights, but also a surplus. This benefits another personality, which is not considered sufficient for itself, but which is protected from expulsion from the spiritual world by the true spiritual seeker. By describing this process, Andreae shows how familiar he is with the secrets of the spiritual world. Of all the powers of the soul that develop in the world of sense, love is the only one that can remain unchanged during the transition of the soul into the spiritual world. Helping weaker people according to the strength one possesses, that can happen within the world of sense, and it can also be done in the same way with the possessions that a person receives in the spiritual realm.

From the way in which Andreae describes the *expulsion of the unlawful intruders* from the spiritual world, it is evident that he wants to use his writing to make his contemporaries aware of how far far removed from the spiritual world and thus from true reality a person can be who, although he has familiarized himself with all kinds of descriptions of the path to this world, is still unaware of a real inner transformation of the soul. An unbiased reading of the *Chymical Wedding* reveals as one of the aims of its author to tell his contemporaries how pernicious for the true development of humanity are those who intervene in life with impulses that relate to the spiritual world in an unlawful way. Andreae expects right social, moral and other human community goals from a rightful recognition of the spiritual foundations of existence, especially for his time. Therefore, in his description, he sheds a clear light on everything that is harmful to human progress because it draws such goals from an unlawful relationship to the spiritual world.

On the third day after witnessing the expulsion of the illegitimate newcomers, the brother of the Rose Cross senses that the possibility is beginning for him to use the ability to reason in a way that is suitable for the spiritual world. The possession of this ability presents itself to the soul as *the imagination of the unicorn*, which bows down before a lion. The lion then calls forth a dove with his roar, which brings him an olive branch. He swallows it. If one were to treat such a picture as a symbol and not as a real imagination, one could say that it visualizes the process in the soul of the spirit-seeker, through which he feels able to think spiritually. But this abstract idea would not express the soul process that is actually at stake in its full essence. For this process is experienced in such a way that the periphery of personal experience, which for the sense being extends to the boundary of the body, is extended beyond this boundary. In the spiritual realm the seer experiences beings and processes outside his own nature just as man experiences the processes within his own body through the ordinary waking consciousness. When such an expanded consciousness occurs, then mere abstract conception ceases, and imagination presents itself as the necessary form of expression of what is experienced. If one nevertheless wishes to express such an experience in abstract ideas, which is necessary in particular in the present day for communicating spiritual-scientific knowledge on a large scale, then one must first bring the imaginations into the form of ideas in an appropriate manner. Andreae omits this in The Chymical Wedding because he wishes to present, without alteration, the experiences of a spiritual seeker from the middle of the fifteenth century; in those days one did not translate the experienced imaginations into ideas and concepts.

When imaginative knowledge has matured to the point reached by the Brother of the Rose Cross on the third day, then the soul itself with its inner life can enter into the region of reality from which the imaginations have come. Only through this ability does man arrive at a new way of seeing the entities and processes of the sense world from a point of view situated in the spiritual world. He sees to what extent these flow out of their true sources in the supersensible realm. Andreae remarks that the Brother of the Rose Cross acquires this ability to a greater extent than his companions. He is able to see the *library of the castle* and the *burials of the kings* from the point of view of the spiritual world. That he is able to do this depends on his being able to exercise his own will to a high degree in the imaginative world. His comrades can only see what comes to them through the power of others, without such strong exercise of their own will. The brother of the Rose Cross learns more at the “burials of the kings” than is written in all the books. The vision of these burials is brought into direct connection with that of the glorious “Phoenix”. In these visions the secret of death and birth is revealed. These two borderline processes of life only take place in the material world. In the spiritual realm, birth and death are not followed by creation and decay, but by the transformation of one form of life into another. One can only recognize the essence of birth and death by looking at them from a point of view outside the material world, from a realm in which they themselves do not exist.

The fact that the Brother of the Rose Cross penetrates to the “burials of the kings” and beholds in the image of the Phoenix the arising of a young royal power from the dead body of the old kings is recorded by Andreae because he wants to describe the particular spiritual path of a seeker of knowledge from the middle of the fifteenth century. This is a turning point in time with regard to the spiritual experience of humanity. The forms in which the human soul could approach the spiritual world through the centuries were changing at this point into others. In the sphere of external human life, this change was manifested by the emerging scientific way of thinking of the new time and the other upheavals in the life of the peoples of the earth in this epoch. In the realm of the world in which the spiritual seekers search for the secrets of existence, the passing away of a particular direction of the human soul forces and the appearance of another reveal themselves at such turning points. Despite all the other revolutionary events in the historical development of humanity, the character of spiritual insight had remained essentially the same since the times of Greco-Roman life until the fifteenth century. The spiritual seeker had to carry the instinctive mind rooted in the mind, which was the essential soul power of this age, into the field of spiritual reality and transform it there into the power of spiritual insight. From the middle of the fifteenth century onwards, this soul power was replaced by the mind, which was operating in the light of full self-awareness and liberating itself from instinctive forces. To raise this to the level of intuitive consciousness is the task of the spiritual seeker.

In Christian Rosenkreuz, as the leading brother of the Rosicrucians, Andreae portrays a personality who has entered the spiritual world in the way that came to an end in the fifteenth century. The experiences of the *Chymical Wedding* present this ending and the emergence of a new way to his mind's eye. He must therefore penetrate into secrets which the rulers of the castle, who would like to continue to administer the spiritual life in the old way, want to conceal from him. Andreae wants to characterize for his contemporaries the greatest spiritual researcher of the end of an expired epoch, but who sees through the death of this epoch and the rise of a new one in the spiritual field. He found that they were content with the traditions of the old epoch, that they wanted to open up the spiritual world in the sense of these traditions. He wanted to tell them: your way is a fruitless one; the greatest who has walked it in the end has seen through its fruitlessness. Recognize what he has seen through, and you will acquire a feeling for a new way. Andreae wanted to place *Christian Rosenkreutz's spiritual path* as the legacy of the spiritual research of the fifteenth century in his time, in order to show that the initiative must be taken for a new kind of spiritual research. In the continuation of efforts, as they began with Johann Valentin Andreae, the spiritual researcher still stands in them, who understands the signs of his time. He encounters the strongest resistance from those spiritual seekers who want to pave the way into the supersensible world by renewing or reviving old spiritual traditions.

Andreae speaks in delicate terms of the insights that must arise from humanity's contemplative consciousness in the epoch that began in the mid-fifteenth century. Christian Rosenkreutz advances to a great *globe*, through which the dependence of earthly events on extraterrestrial, cosmic impulses penetrates his soul. This marks the first glimpse of a “cosmology” that has its beginning with the Copernican view of the world, but which sees in it only a beginning that can only give what is valid for the sensory world. In the spirit of this beginning, the more recent scientific conception continues to research to this day. In its world picture, it sees the earth surrounded by “heavenly processes”, which it only wants to grasp with intellectual concepts. In the terrestrial area itself, it seeks the forces for the essential processes of the earth event. When it examines the conditions under which the germ for a new being arises in a mother being, it looks only at the forces that can be found in the hereditary current of the earthly ancestors. She is not aware that in the formation of the germ the “heavenly surroundings” of the earth are at work in the earthly process, that in the mother being is only the place where the extraterrestrial cosmos develops the germ. This way of thinking seeks the causes of historical events exclusively in the facts that preceded these events in earthly life. It does not look up to the extraterrestrial impulses that fertilize earthly facts, so that the events of one epoch give rise to those of the next. In this way of thinking, only the inanimate earthly processes are influenced by the extraterrestrial. For Christian Rosenkreutz, the prospect of an organic, spiritual “celestial science” opens up, which can no longer have anything in common with the kind of ancient astrology that rests on the same foundations for the supersensible as Copernicanism does for the sensual.

One can see how Andreae treats imaginative life quite appropriately in the *Chymical Wedding*. Everything that comes to him from Christian Rosenkreutz as revealed knowledge, without the intervention of his own will, is brought to him by forces that find their representation in *images of the feminine*. The path that the spirit-seeker's own will paves for itself is illustrated by *images of guiding boys*, by the masculine. Whether man is a woman or a man in the sense of the senses, the masculine and the feminine are at work in him as polar opposites. It is from this point of view that Andreae characterizes. The relationship between the conceptual and the volitional is brought into the right relationship when this relationship is presented in images that recall the relationship of the masculine and the feminine in the sensory world. Again, to avoid misunderstandings, it should be noted that the imagination of the male and female should not be confused with the relationships of man and woman in the sensual world itself; just as little as the imagination of the animal form, which arises in the seeing consciousness, has to do with the animal nature to which popular Darwinism relates humanity. At present, many a person believes that they can penetrate the hidden secrets of existence through sexual physiology. A superficial acquaintance with genuine spiritual science could convince him that this endeavor does not lead to the secrets of existence, but away from them. And in any case, it is nonsense to bring the opinions of such personalities as Andreae into any kind of relationship with ideas that have something to do with sexual physiology.

Andreae clearly points out important things that he wants to include in his *Chymical Wedding* in his characterization of the “virgin”, to whom he brings the spiritual seeker into a particularly close relationship. This “ *Virgin*” is the imaginative representation of a supersensible knowledge that, in contrast to the “seven liberal arts” acquired in the sensible field, must be taken from the spiritual realm. This “Virgin” gives, in a somewhat mysterious way, her name, which is “alchemy”. Andreae is thus saying that true alchemy is a different kind of science from those that arise from ordinary consciousness. In his opinion, the alchemist performs his operations with sensible substances and forces not because he wants to know the effect of these substances and forces in the realm of the senses, but because he wants to let a supersensible reality reveal itself through the sensual process. He wants to look through the sensual process to a supersensible one. What he does is different from the investigation of the ordinary natural scientist in the way he looks at the process.

One of the experiences of the “third day” is the complete overcoming of the belief that the way of judging to which man is accustomed in the sense world can also be a guiding force in the supersensible world in its unaltered form. In the society in which Christian Rosenkreutz dwells, *questions* are put which lead to a reluctance to decide on an answer. This is to draw attention to the limitations of ordinary judgment. Reality is richer than the possibility of decision, which lies in the mind trained on the sense world. After describing these experiences, Andreae introduces a “ *duchess*”; he thus relates Christian Rosenkreutz to the supersensible kind of knowledge characterized by her, to theology. The effect of this knowledge on the human mind is characterized. It is of particular importance that after all these experiences, the spiritual seeker is still haunted by the *dream* in the following night, which shows him a door that he wants to open and which resists him for a long time. This image is reflected in his soul by the idea that he should not regard all his previous experiences as valuable for their immediate content, but only as a producer of a force that must submit to further efforts.

The “fourth day” is crucial for the spiritual seeker's position in the supersensible world. The spiritual seeker encounters the lion again. The *old inscription* that the lion presents to him essentially contains the challenge to approach the source from which inspiration flows from the spiritual world. The soul that wishes to remain in merely imaginative experience could, so to speak, only allow itself to be *addressed* by the spiritual world and use the strength of its own will to bring the revelations to its understanding. If the full power of the human 'I' is to enter the supersensible world, then this 'I' must carry its own consciousness into this world. The soul must rediscover the 'I' with its sensory experiences in the spiritual world. In the supersensible, so to speak, the memory of the way the sensory world is experienced must arise. Andreae presents this by placing a ' *comedy*' among the experiences of the 'fourth day', that is, an image of events in the sensory world. In beholding this image of the world of sense, which is gained within the supersensible realm, the “I” of the spiritual seeker is strengthened, so that he feels the close connection between the soul element that experiences in the supersensible and that which is active in the sense world through the body.

From this insight into Andreae's appropriate mode of presentation, it can be concluded that he seriously wanted to talk to his contemporaries about a path to the spiritual world that is appropriate to the epoch of human development that began in the sixteenth century, at the beginning of which the author of the *Chymical Wedding* feels he is. The fact that the realization of what Andreae presented to his contemporaries as ideal demands initially faced severe obstacles is rooted in the devastating impact of the turmoil of the Thirty Years War and all that it brought to recent times. But progress in the evolution of mankind is only possible if personalities like Johann Valentin Andreae counter the inhibiting forces of a certain world current with truly progressive ones.

Whether Andreae succeeded in describing Christian Rosenkreutz as a spiritual seeker who, from the path he has taken from the spiritual experiences of a bygone era, can effectively point to the new one that corresponds to the new era, can only be asserted if it is possible to show that the last “days” of the *Chymical Wedding* report experiences that open up the perspective into this new period; if Christian Rosenkreutz can carry his “I” over into this period.

For Christian Rosenkreutz, the most significant experience of the “fourth day” is his presentation before the kings and their subsequent beheading. The author of *The Chymical Wedding* points to the essence of this experience through the “symbols” that stand “on a small altar.” In these symbols, the human soul can see its relationship to the universe and its development. In such symbols, spiritual seekers have always sought to show the soul how its own essence lives in the essence of the cosmos. The book points to the content of human thought, which, in accordance with the human organization, is a flood of objective world-creating thoughts into the soul. In the “Little Light,” it is shown how world-creating thoughts are effective as light ether in the universe and become enlightening and knowledge-producing in human beings. Cupid's interplay by blowing on the little light refers to the view of the spirit seeker who sees two polar forces in the essence that etherically underlies all existence and becoming: light and love. However, this view can only be judged correctly if one sees in physical light and in the love active within the physical world the materially effective manifestations of spiritual primal forces. Within the spiritual primal force of light, the creative element of thought in the world lives out its life, and within love, the creative element of will. A “sphere” is one of the symbols used to indicate how human experience is part of the universal experience. The clock speaks of the soul's interweaving with the passage of time in the cosmos, just as the sphere speaks of its interweaving with its spatial existence. The *small fountain*, from which blood-red water flows, and the *skull with the snake* indicate the way in which birth and death are conceived by the spirit-knower in the universe. Valentin Andreae uses these symbols for his description in a similar way to how they have been used since time immemorial in the meeting places that served such societies, through which the people admitted to them were to be initiated into the mysteries of life. By using them in this way, he shows that, in his opinion, they are truly imaginations rooted in the development of the human soul, which can inspire people to perceive the mysteries of life.

This raises the question: What does the “King's Hall” represent, into which Christian Rosenkreutz is led, and what does he experience through the *presence of the kings and their beheading?* The symbols point to the answer. The seeker of the spirit should see how he is founded with his own being in the being of the universe. He should see in the world what is within him, and in himself what is in the world. He can only do this if he sees in the things and processes of the world images of what is working and weaving within him. He comes to see what is going on within him no longer merely through ideas taken from the soul, but he sees the experiences of this soul through images that represent the becoming of the universe. The kings stand before Christian Rosenkreutz to show him: this is how your soul forces live within you; and the experiences of the kings reflect what must happen in the soul under certain conditions. Christian Rosenkreutz stands before the events in the “Hall of Kings” in such a way that his soul sees itself in them. The beheading of the kings is an event within his own soul development. He has entered the “Hall of Kings” with the powers of knowledge that still have only the nature that they were able to acquire before entering the spiritual world. But by living in this world, these “powers of knowledge” gain experiences that also relate to the material world. Not only does the spiritual world shine before the soul, but the material world also reveals itself in forms that cannot be seen in their full meaning by those who remain in the material realm with their observations. One of these experiences is the revelation of the dual nature of human beings. The forces underlying physical growth are also effective in the phenomena commonly referred to as mental. The power of memory and the impulses that form images prove to be based on physical conditions similar to those underlying growth. However, the forces of growth act in such a way that they are in ascending development during human childhood and youth, then decline and, through their decay, cause death, while the powers of memory and imagination, from a certain very early point in life, take on the possibility of decaying within themselves. In every waking period, these forces undergo a descending development, reaching decay, which the entire organism undergoes from the second half of life until death. In each period of sleep, this decay is compensated for, and the powers of memory and imagination experience a resurrection. The soul organism is attached to the human organism as a parasite, and it is able to provide the conditions for memory and imagination because, in the course of the day, it goes through the path to death that the organism as a whole goes through in the course of earthly life. In this way, for the spiritual seeker, the soul organism becomes a metamorphosis of the entire organism. The soul organism appears as that part of the entire organism which brings to fruition in a more intense way the forces that reveal themselves in it from birth to death, so that they form the basis for the life of imagination. The creative thought-being of the world pours into the daily decay of the forces of the soul organism and thus becomes the life of imagination in the human being. The essential point is that the spiritual seeker recognizes the material basis of the soul processes as the transformed general material processes of the whole organism. There is a paradoxical fact that, on the path to the spirit, one first looks at the material conditions of the soul life. This fact can be the starting point for a temptation. One can stop at the discovery that the soul processes reveal themselves in their material form. Then, in seeking the spirit, one can be driven into a materialistic worldview. But if one really sees through what is present, then the opposite occurs. One recognizes in the material basis of the soul life the effective spiritual forces that reveal themselves through the material forms, and thereby prepares the possibility of recognizing the underlying spirit in the whole organism and its life process.

Christian Rosenkreutz is thus confronted with the important experience that an alchemy taking place in the natural process reveals to him. The material processes of the whole organism are transformed before his spiritual eye. They become such that the soul processes shine through them like the light that reveals itself in the external process of combustion. But these soul processes also show him their limits. They are processes that correspond to what leads to death in the whole organism. Christian Rosenkreuz is led before the “kings” of his own soul being, before his powers of knowledge. They appear to him as that which the whole organism metamorphoses out of itself. But the life forces of growth are only transformed into powers of knowledge by absorbing death into themselves. And therefore they can only carry the knowledge of what is dead within them. Death is integrated into all processes of nature in that the inanimate lives in everything. The ordinary process of knowledge is directed only towards this inanimate. This process grasps the inorganic because it is dead; but it only grasps the plant and every living thing to the extent that they are tinged with the inanimate. Every plant contains inorganic processes in addition to what it is as a living being. These grasp the powers of knowledge in the ordinary view; they do not grasp the living. This only becomes visible insofar as it presents itself in the inanimate. Christian Rosenkreutz observes the death of his “soul kings”, his powers of knowledge, as they arise from the metamorphosis of the material forces of the whole organism, without the human being passing from *natural alchemy* to *artificial alchemy*. This must consist in man's giving his powers of knowledge a character within the soul that they do not have through mere organic developmental processes. What is essential in the ascending growth, what death has not yet gnawed at, must be awakened in the powers of knowledge. The natural alchemy must be continued.

This continuation of natural alchemy forms the fifth day's work of the *Chymical Wedding*. The spiritual seeker must penetrate with insight into the processes that nature brings about in bringing forth growing life. And he must introduce this natural creation into the powers of knowledge, without allowing death to prevail in the transition from the processes of growth to the processes of the soul. He receives the powers of knowledge from nature as dead entities; he must give them life by giving them what nature has taken from them when she has carried out the alChymical transformation into powers of knowledge with them. When he sets out on such a project, temptation draws near to him. He must descend into the sphere in which Nature works, conjuring up life out of that which, by its very nature, strives towards death, through the power of love. In doing so, he exposes himself to the danger of his vision being seized by the instincts that prevail in the lower realm of matter. He must come to know how an element akin to love lives in matter, which is imprinted with death, and which underlies every renewal of life. This process of the soul, exposed to temptation, is meaningfully described by Andreae in that he lets Cupid drive Christian Rosenkreutz before *Venus*. And it is clearly indicated how the characterized spiritual seeker is not held back from his further path by temptation, not only through his own soul power, but through the rule of other powers. If Christian Rosenkreutz had only to walk his own path of knowledge, he could also conclude with temptation. That this is not the case points to what Andreae wants to describe. Christian Rosenkreutz is to point the way from a past epoch to a dawning one with his spiritual path. It is the forces at work in the course of time that help him to permeate his “I” with the powers of knowledge that correspond to the new era. In this way he can begin the ascent to the “Tower” by taking part in the alChymical process by which the dead powers of knowledge experience their resurrection. Thus on this ascent he has the strength to hear the *siren song* of love without falling prey to its temptations. He must allow himself to be influenced by the spiritual elemental force of love; he must not allow himself to be misled by its manifestation in the sensual realm. In the *Tower of Olympi*, the dead forces of knowledge are brought into line with the impulses that in the human organism only come into play in growth processes. It is pointed out how Christian Rosenkreutz is allowed to participate in this process because his soul development is to take place in the sense of the changing temporal forces. He goes out into the garden while he should be sleeping, looks up at the starry sky and says to himself: “Because I had a good opportunity to reflect more deeply on astronomy, I found that on this particular night such a conjunction of the planets is taking place, the like of which cannot soon be observed elsewhere.”

In the experiences of the sixth day, the imaginations are described in detail, which bring to life in the soul of Christian Rosenkreutz how the dead powers of knowledge, which the organism develops in the ordinary course of its life, are transformed into the powers of supersensible insight. Each of these imaginations corresponds to an experience that the soul undergoes in relation to its own powers when it experiences how that which previously could only penetrate into itself with the dead becomes capable of awakening living knowledge within itself. Another spiritual seeker would describe the individual images in a different way from Andreae. But what matters is not the content of the individual images, but the fact that the transformation of the soul forces takes place in the human being by having the process of such images as a reflection of this transformation in a sequence of imaginations.

In *The Chymical Wedding* Christian Rosenkreutz is portrayed as the spiritual seeker who senses the approach of the age in which humanity will direct its gaze at natural processes differently than in the one ending with the fifteenth century, in which humanity no longer, when observing nature, , in this observation itself the spiritual content of natural things and natural processes, in which it can come to a denial of the spiritual world if it does not consider a path of knowledge possible by which one can see through the material basis of the soul life and yet still absorb the essence of the spirit into knowledge. To be able to do this, one must be able to spread the spiritual light over this material basis. One must be able to see how nature proceeds by shaping her forces of activity into a soul organism through which the dead is revealed, in order then to divine from the nature of nature itself the secret of how spirit can be juxtaposed to spirit when nature's creative activity is directed towards the awakening of the dead powers of knowledge to a higher life. In this way, knowledge is developed that is placed in reality as spiritual knowledge. For such knowledge is a further sprout on the living being of the world; through it, the evolution of reality continues, which prevails from the very beginning of existence up to the life of man. Only that which is present in nature in a germinal state and is retained in the working of nature itself at the point where, in the metamorphosis of existence, the powers of cognition are to develop for the dead, is developed as higher powers of cognition. That such a continuation of natural activity beyond what it itself achieves in human organization leads out of reality and into the formless is not an objection that will be raised by anyone who understands the development of nature itself. For this consists everywhere in hindering the progress of the growth forces at certain points, in order to bring about the revelations of the infinite possibilities of form at certain stages of existence. In the same way, a formative potential is also held within the human organization. But just as such a potential is held within the green leaf of the plant, and yet the formative forces of plant growth then go beyond this form in order to bring forth the green leaf in the colored petal at a higher level, so too can the human being progress from the form of his powers of knowledge, which are directed towards the dead, to a higher level of these powers. He experiences the reality of this progression by becoming aware within himself of how he thereby takes up the soul organ in order to grasp the spirit in its supersensible revelation, just as the transformation of the green leaf into the colored floral organ of the plant prepares the ability that is realized in the formation of the fruit.

After the completion of the art-alchemical process, Christian Rosenkreutz was appointed *Knight of the Golden Stone*. One would have to go into great detail in a purely historical account if one wanted to point out the name *The Golden Stone* and its use from the relevant serious and the far more fraudulent literature. That is not the intention of this essay. However, it is possible to point out what can be gained from a study of this literature as a result of this use. Those serious personalities who have used the name wanted to use it to point to something in which dead stone nature can be viewed in such a way that its connection with living becoming is recognized. The serious alchemist believed that artificial natural processes could be brought about, in which dead, stony matter is used, but in which, if they are properly observed, something of what happens when nature itself weaves the dead into the living becoming can be recognized. By observing very specific processes in the dead, the aim was to grasp the traces of creative natural activity and thus the essence of the spirit that prevails in the phenomena. The symbol for the dead, recognized as a manifestation of the spirit, is the “golden stone”. Anyone who examines a corpse in its immediate present essence becomes aware of how the dead is incorporated into the general process of nature. But the formation of the corpse contradicts *this* general process of nature. This formation could only be a result of spiritual life. The general process of nature must destroy what has been formed by spiritual life. The Alchemist is of the opinion that ordinary human knowledge of nature as a whole involves something of which it only grasps as much as is present in a corpse. A higher knowledge should be found for natural phenomena, which relates to them as spiritual life does to a corpse. This striving is for the “güldenen Stein” (the golden stone). Andreae speaks of this symbol in such a way that one can see that he believes that only someone who has gone through the experiences of the six days he describes can grasp how to proceed with the “güldenen Stein”. He wishes to intimate that anyone who speaks of this symbol without knowing the nature of the transformation of the powers of knowledge can only have a mirage in mind. He wishes to portray Christian Rosenkreuz as a personality who can legitimately speak about something that many speak about without authorization. He wishes to defend the truth against the false talk about the search for the spiritual world.

Christian Rosenkreuz and his comrades, after they have become the true workers with the “golden stone,” receive a *symbol with the two sayings:* “Art is the handmaid of nature” and “Nature is the daughter of time.” In the spirit of these guiding principles they are to work out of their spiritual knowledge. The experiences of the six days can be summarized in these sentences. Nature reveals her secrets to him who, through his art, is able to continue her work. But this continuation cannot succeed for anyone who, for his art, has not first eavesdropped on her in the sense of her will, who has not recognized how her revelations come about through her infinite possibilities of development being born out of the womb of time in finite forms.

The circumstances in which Christian Rosenkreutz is made king on the seventh day show how the spiritual seeker now relates to his transformed powers of cognition. It is pointed out that he himself gave birth to them as their “father.” And his relationship to the “first gatekeeper” also appears to be that to a part of his own self, namely to the one who, before the transformation of his powers of cognition, was an “astrologer” in search of the laws that govern human life, but who was unable to resist the temptation that arises when the spiritual seeker finds himself in a situation such as that in which Christian Rosenkreutz found himself at the beginning of the fifth day when he stood before Venus. Those who succumb to this temptation find no entrance into the spiritual world. They know too much to be completely removed from it, but they cannot enter either. They must stand guard at the gate until another comes who succumbs to the same temptation. Christian Rosenkreutz initially believes himself to have succumbed to it and thus to be condemned to take on the *office of guardian*. But this gatekeeper is part of his own self; and by looking at this part with his transformed self, he gains the ability to overcome it. He becomes the gatekeeper of his own soul life; but this office does not prevent him from establishing his free relationship with the spiritual world.

Christian Rosenkreutz has become a knower of the spirit through the experiences of the seven days, and he is allowed to work in the world through the power that has come to his soul from these experiences. What he and his companions accomplish in their outer life will flow from the spirit from which the works of nature itself flow. Through their work, they will bring harmony into human life, which will be a reflection of the harmony at work in nature, overcoming the opposing disharmonies. The presence of such people in the *social order* should be a continually active cause for maintaining the health of life in the social order itself. Valentin Andreae points to Christian Rosenkreuz and his companions as an answer to those who ask: What are the best laws for the coexistence of people on earth? Andreae answers: Not what one expresses in thoughts, that it should happen in one way or another, can regulate this coexistence, but what people can say who strive to live in the spirit that wants to express itself through existence.

In *five* sentences, what guides souls that want to work in the sense of Christian Rosenkreutz in human life is summarized. It should be far from them to think in a different spirit than the one that is revealed in the work of nature, and they should find the human work by becoming the continuers of the works of nature. They should not place their work in the service of human desires, but should make these desires mediators of the works of the spirit. They should serve people lovingly so that the active spirit may be revealed in the relationship between people. They should not be deterred in their pursuit of the value that the spirit can give to all human work by anything that the world can give them in terms of value. They should not fall into the error of mistaking the physical for the spiritual, like bad alchemists. Such people believe that a physical means of prolonging life or something similar is a supreme good, and forget that the physical has value only as long as it proves itself through its existence as the rightful revealer of the spiritual that underlies it.

At the end of his description of the *Chymical Wedding*, Andreae hints at how Christian Rosenkreutz “came home”. In all the externals of the world he is the same as he was before his experiences. His new situation in life differs from the old one only in that from now on he will carry his “higher self” within him as the ruler of his consciousness, and that what he will accomplish can become what this “higher self” may work through him. The transition from the last experiences of the seventh day to the finding of oneself in the familiar surroundings is no longer described. “Here about two quart of leaves are missing.” One might imagine that there are people who would be particularly curious about what should have been on these *missing pages*. Well, it is that which can only be experienced by those who know the nature of the transformation of the soul as their own individual experience. Such a person knows that everything that leads to this experience has a general human significance that is shared as one shares the experiences of a journey. The reception of the experience by the ordinary person, on the other hand, is something very personal, is also different for each person and cannot be understood by anyone in the same way as by the person who has experienced it. The fact that Valentin Andreae omitted the description of this transition to the familiar situation can be taken as further proof that the *Chymical Wedding* expresses true connoisseurship of what is to be described.

The preceding remarks are an attempt to characterize what is expressed in the “Chymical Wedding”, merely from such a consideration of its content as it arises from the author of this presentation. The judgment should be substantiated that the writing published by Andreae should point in the direction that one should follow if one wanted to know something about the true character of a higher kind of knowledge. And as a fact, these remarks would like to show that the special kind of spirit knowledge that has been demanded since the fifteenth century is described in the *Chymical Wedding*. For anyone who understands the content of this writing in the same way as the author of this exposition, it is an *historical account of a spiritual current in Europe* that goes back to the fifteenth century and is directed towards gaining knowledge about a context of things that lies behind the external phenomena of the world.

There is, however, a fairly extensive literature on the effectiveness of Johann Valentin Andreae, in which the question is discussed whether the writings published by him can be considered real proof of the existence of such a spiritual current. In these writings, this current is presented as the Rosicrucianism. Some investigators are of the opinion that Andreae was only indulging in a literary joke with his Rosicrucian writings, intended to ridicule the dreamers who show themselves wherever higher knowledge is spoken of in a secretive way. Rosicrucianism would then be a fantasy of Andreae's, intended to mock the ravings of giddy or fraudulent mystics. The author of these remarks does not believe that he should approach his readers with much of what has been said in this direction against the seriousness of Andreae's intentions, because he believes that a proper consideration of the content of the *Chymical Wedding* makes it possible to form a sufficiently well-founded view of what is intended by it. Certificates taken from a field outside this content cannot change this view. Those who believe that inner reasons can be recognized in their full weight hold that external documents should be evaluated according to these reasons, and not the inner according to the outer. If, therefore, these remarks are made outside of the purely historical literature on Rosicrucianism, this is not intended as a negative judgment of historical research itself. It is only meant to indicate that the point of view adopted here makes a detailed discussion of Rosicrucian literature unnecessary. Only a few more remarks should be added. It is well known that the manuscript of the *Chymical Wedding* was completed as early as 1603. It was not published until 1616, after Andreae had published the other Rosicrucian writing *Fama Fraternitatis R. C.* in 1614. This writing, above all, has given rise to the belief that Andreae only spoke in jest of the existence of a Rosicrucian society. This belief is supported by the fact that Andreae himself subsequently referred to Rosicrucianism as something he would not want to advocate. Some of his later writings and notes in letters, which he made, cannot be interpreted in any other way than that he only wanted to tell a tale about such a school of thought in order to “fool” the curious and enthusiastic. However, in the exploitation of such testimonies, it is usually disregarded what misunderstandings writings like those published by Andreae are subject to. What he himself later said about them can only be correctly judged when one considers that he was compelled to speak after opponents had appeared who heretically denounced the designated school of thought in the worst possible way, that “followers” had appeared who were visionaries or alchemist swindlers, and who distorted everything that was meant by Rosicrucianism. But even if one takes all this into account, if one wanted to assume that Andreae, who later showed himself to be a more than pietistic writer, soon after the appearance of the Rosicrucian writings had a certain shyness about being considered the confessor of what was expressed in these writings, one cannot gain a sufficiently well-founded view of this personality's relationship to Rosicrucianism through such considerations. Yes, even if one wanted to go so far as to deny Andreae's authorship of the *Fama*, one would not want to do so with respect to the “Chymical Wedding” for historical reasons.

The matter must also be considered from another historical point of view. The *Fama Fraternitatis* was published in 1614. Let us leave open for the moment whether Andreae intended this writing to address serious readers, in order to speak to them of the school of thought known as Rosicrucianism. But two years after the publication of the *Fama*, the *Chymical Wedding* was published, which had already been completed thirteen years earlier. In 1603, Andreae was still a very young man (seventeen years old). Did he, as such, already have the maturity of mind to play a prank on the starry-eyed enthusiasts of his time by mocking them with a construct of his imagination in the form of Rosicrucianism? And even if he was willing to speak of a Rosicrucianism that he seriously believed in in the *Fama*, which, incidentally, had already been read in manuscript form in Tyrol in 1610, how did he, as a very young man, come to write the *Chymical Wedding*, the document that he then published two years after the *Fama* as a message about the true Rosicrucianism? The questions regarding Andreae seem to become so entangled that it becomes difficult to find a purely historical solution. One could hardly object to a mere historical researcher who tried to make credible that Andreae had found the manuscript of the *Chymical Wedding* and the *Fama* - perhaps in the possession of his family - and had published them in his youth for some reason, but later wanted nothing to do with the school of thought expressed in them. But if this were a fact, why did Andreae not simply make it known?

From a spiritual scientific point of view, one can come to a completely different conclusion. From Andreae's own judgment and maturity at the time he wrote the *Chymical Wedding*, one does not need to deduce its content. In terms of content, this writing proves to be one that was written out of intuition. Such a work can be written by people who are predisposed to do so, even if their own judgment and life experience do not speak into what is written down. And yet what is written down can still be a message from a reality. The content of the *Chymical Wedding* demands to be understood as a message about a real spiritual current in the sense indicated here. The assumption that Valentine Andreae wrote it intuitively throws light on the position he later took up to Rosicrucianism. As a young man he was predisposed to give a picture of this spiritual current without his own mode of cognition playing a part in it. But this mode of cognition developed in the later pietistic theologian Andreae. The intuitive side of his nature receded in his soul. He himself later philosophized about what he wrote in his youth. He does this as early as 1619 in his writing *Turris Babel*. The connection between the later Andreae and the intuitive writer of his youth did not come clearly before his soul. If Andreae's attitude towards the subject-matter of the *Chymical Wedding* is considered in the light just indicated, one is compelled to consider the contents of this writing without reference to what its author himself expressed at any time about his relation to Rosicrucianism. Whatever of this spiritual current could reveal itself at Andreae's time, revealed itself through a personality suited for the purpose. Those who are convinced from the outset that it is impossible for the spiritual life active in world phenomena to be revealed in this way will indeed have to reject what is said here. But there could also be people who, without starting from superstitious prejudices, come to the conviction of such a form of revelation precisely through calm consideration of the “Andreae case”.