Goethe and the Present

GA 68c — 9 January 1911, Frankfurt

XXXIII. Goethe's Secret Revelation (Esoteric)

Yesterday I endeavored to show how what is to be presented here about Goethe's innermost and most intimate opinion and view of the development of the human soul can be gained and that nothing in his works and especially in his Fairy Tale of the Green Snake and the Beautiful Lily is arbitrary, that nothing has been arbitrarily secreted into it. I have tried to show how the whole basis for the explanation of the “fairytale” and Goethe's world view can be gained from an historical consideration of Goethe's life, from the historical pursuit of Goethe's most important ideas and impulses. An attempt has been made to substantiate what is to be given on the subject today in a more freely formulated way.

If we allow the fairy tale we discussed yesterday to come to mind, it does indeed seem to us to be completely immersed in mystery, and one might say: either we have to assume that Goethe wanted to incorporate many, many secrets into this fairy tale, as in Faust, according to his own words, or that we could regard this fairy tale as a mere play of the imagination. If the latter were not already excluded by Goethe's whole way of thinking and being, one would have to say that such an assumption is particularly prohibited by the fact that Goethe placed this fairy tale at the end of his story “Conversations of German Emigrants”. For it is the same thought that is characteristic of Goethe's entire life, which also lies in his conversations with German emigrants, and from what immediately precedes it, we can once again take the theme for this fairy tale.

We are presented with the conversations of people who have been forced to emigrate due to events in their French homeland, which look back in the most diverse ways on their sad experiences. The whole story is focused on showing what people who have been uprooted from their environment can go through as a result of this uprooting, in terms of the loneliness of the soul; what people in this situation can gain by reflecting on their psychological experiences, by observing themselves. We can only highlight a few examples to show how Goethe wanted to focus everything on revealing how the soul that wants to observe itself, that asks: What kind of guilt have I accumulated, how have I blocked the paths to development? First of all, we meet an Italian singer who is to reveal her destiny to us because in this destiny a human soul appears before us that must cling to the surface of the world view, which, although it follows what is going on around it attentively because it is forced to do so by is forced by the processes of life to do so, but is not yet mature enough to distinguish between what may be called chance and the spiritual necessity of things, a soul that does not know how the phenomena of life must be connected, if we assume the spirit in the environment. She has behaved towards a man in such a way that he has become seriously ill as a result of her repulsive manner and is dying because of her behavior. She is summoned to his deathbed, but she refuses to come. He dies without having seen her. After his death, all kinds of things happen that give the soul just described food for thought. 'How should I behave towards this?' she wonders. After the man's death, something very strange happens. She hears very strange things in the room, the furniture dances, she is slapped in the face by an invisible hand, and she is always forced to ask herself: Is the dead man somehow there, wanting to assert himself because I refused him? The top of a cupboard bursts, and at the same moment a cupboard in her own apartment in France, made by the same carpenter, goes up in flames. Goethe did not want to express that there was anything in such events that could give rise to the assumption of hidden spirits or the coming of the dead, but he only wanted to say that there could be such spirits that interpret all kinds of events in such a way that they are not sufficiently superstitious to say that the dead are certainly rumbling; they only come into an indefinite feeling and cannot get over it. What happens to the souls in the outside world according to their level of development is what Goethe wants to draw attention to. He then shows how one comes to the position of healing a lady from sensuality and passion; he takes the path of asceticism. This is again an indication of what the soul can go through in order to experience development. Goethe then leads upwards in stages. First a soul digging in the dark, then a more real thing in the lady just described, because many come to a cleansing of their soul through fasting. We are already entering more into a reality. And through the third of the things mentioned by Goethe, we enter completely into reality. He shows how a person is initially somewhat unscrupulous, he is in a subordinate soul development and says: What belongs to my father also belongs to me. He commits theft. Then conscience awakens, the soul rises, and precisely through the unrighteous deed he becomes a kind of moral center for all the people around him. He shows a soul development that signifies an ascent from a subordinate level to a higher level of knowledge and world view.

We are dealing with soul forces that are represented by the figures, the beings of the “fairytale”, and with the play of soul forces that is to be purified into harmony, into a symphony of soul forces in the deeds that the persons perform. At first we are confronted with will-o'-the-wisps that are ferried across the river by a ferryman. These will-o'-the-wisps are initially filled with gold, but the ferryman does not want their gold as a reward because everything would end in wild tumult. He much prefers to have fruits of the earth: three cabbages, three artichokes and three large onions. The will-o'-the-wisps have the ability to create a golden haze around themselves. They meet the snake, the aunt of the horizontal direction. For her, the gold is fertile and beneficial. She becomes inwardly radiant through the gold pieces. She can now illuminate what she could not see before.

When I tried more than twenty years ago to gain access to this fairy tale in every possible way, it was above all a rewarding thought in the tangle of questions of the “fairy tale” when it became clear that above all one had to follow the gold. Gold plays a role in different ways. The will-o'-the-wisps scatter it around. There it is not something blessed in a certain respect. In the snake, it becomes beneficial. Then we encounter gold again in the golden king, on the walls of the hut of the old man with the lamp; the will-o'-the-wisps lick it down, making themselves thicker. Once we are pointed to the human soul quality that gold has something to do with when we are pointed out that the golden king represents the giver, the bringer of wisdom. Goethe himself tells us: the golden king, in comparison to the others, represents the giver of wisdom. So gold must have something to do with wisdom. Gold is what makes the king wise, what enables him to endow the youth with wisdom:

Recognize the Most High!

Gold is something that the giver of wisdom is able to instill in man. The will-o'-the wisp must therefore represent the powers of the soul that are capable of receiving wisdom and that can also shake wisdom off. It must be shown how the gold can be stored; it is stored for a long, long time in the walls of the hut. We will have no choice but to see soul forces in individual persons, because we know how well it is founded. We can describe the will-o'-the-wisps as the abstract mind, the abstract thinking, which is capable of acquiring a certain amount of wisdom. Now we also understand why knowledge in the pure power of reason plays such a role in will-o'-the-wisps. Those who absorb what science is with their bare minds absorb it in order to have something personal about it, in order to be able to use it personally.

Goethe often congratulates himself on not officially representing science as a teacher. He congratulated himself on being able to give of his wisdom to the world only when he was inwardly compelled to do so, rather than being forced to cast it aside, as is necessary when one is destined to be a teacher or mere abstract dispenser of wisdom. Goethe presents such people in the will-o'-the-wisps, who have abstract knowledge. The abstract intelligence can absorb a vast amount of knowledge, but it leads to vanity. It is also spoken in Goethe's sense: However cleverly we think, however many abstract concepts we have, as long as we have ideas that are not drawn from the depths of life, they are unsuitable for ultimately leading us into the secrets of the eternal riddle of existence. Where we need something that goes straight to the heart of the eternal ideas of existence, we need something other than abstract concepts. When we come to the boundary of the physical world and the realm of spirituality, we are repelled by all abstract concepts and ideas. Indeed, all these abstract concepts and ideas are not even capable of making us understand, so to speak, what is closest to us. How far removed the abstraction is from even the most mundane things that surround us. It is incapable of giving anything to the stream through which we must pass if we want to enter the supersensible world. And if we want to approach the very source of life, it rears up when we come up with mere intelligence. The will-o'-the-wisps are from the vertical line, while the snake is from the horizontal line. This indicates that man, with abstract ideas, removes himself from the ground, from the ground of everyday life. We see how vividly the will-o'-the-wisps are formed. But are ideas and concepts, philosophical expositions, under all circumstances that which separates us from the true source of existence? No, it is not that; for if man has the ability to live in such a way that he combines his own life forces with things, that he does not rise up into the realm of abstract concepts and ideas, but moves quietly in things, such a spirit becomes, as Faust is one when he says:

Exalted Spirit, thou gavest me, gavest me everything
I asked for. Thou didst not in vain
Turn thy face to me in the fire.
Gavest me the glorious nature of a kingdom,
The power to feel and enjoy it. Thou dost
You only allow coldly amazed visitors,
Allow me to look into their deep chests,
As into the bosom of a friend,
You lead the line of the living
Before me and teach me my brothers
In the silent bush, in air and water.

Where man truly enters into communion with nature, the same concepts that alienate him from the world when he deals with abstractions serve him to penetrate ever deeper into existence. We must not simply turn around and say: because the abstractionist distances himself from reality, concepts and ideas are worthless in general. If there is a soul-power in them, which lives in and with things, then they become full of light at the same time. This is why gold becomes such a blessing for the snake, which lives in crevices and has a horizontal direction, and does not become alienated. When man loves things, when he mystically immerses himself in things, then ideas are the light that can help him through. Therefore, it can be experienced that sometimes scholastically presented philosophy seems frosty and sober. But when we encounter the same ideas in lonely nature lovers, in herb and root gatherers, and so on, we see how, in fact, in the serpents, in those who make contact with things, the ideas become full of light, which are sober in the abstractions. The snake thus points to the power of the soul, which has the mystical urge to submerge itself mystically in things everywhere. This is represented when the snake moves through the crevices. Man, who does not move in abstract things, comes close, like the snake, to the underground temple. If a person has a sense for the mysterious workings of the forces of nature, he comes to the heart of nature; he can experience something of what lives outside in nature in things, even if he does not have the ideas. The snake shows us the people who can live without ideas in an emergency, but who, by lovingly immersing themselves in things, come to grasp the riddles of the world. But when a balance is created, in that ideas and concepts are immersed in these mystical soul forces, then it comes about that the person who is lovingly inclined towards things can also illuminate with his own light what was previously only sensed from the sources of existence. Goethe says meaningfully:

If the eye were not solar,
How could we behold the light?
If not the divine power of God lives in us,
How can we be enraptured by the divine?

He immediately points out how we must respond to the light of nature's secrets if these secrets of nature are to shine back again. Man must have the inner sense, the open heart, he must have cultivated the recognition of the spiritual. Only then can he also see the spiritual in his environment. Then the snake enters the underground temple. Such underground places exist for the life of the soul. These things can only be characterized if they go into the strange workings of the human soul in development in a little more detail. Can it be felt that before the soul is able to perceive the spirit in the outer world, it has the inner certainty: Yes, there is a primary source from which everything flows? It can have this certainty and still not be able to see the spirit everywhere. Oh, it is a great goal to see the spirit everywhere. [Feeling: I myself have emerged from the spiritual. To do this, man must awaken.] Man must first develop the highest soul powers within himself. He must first evoke in himself the supersensible that sleeps in ordinary, normal consciousness. First he must ascend to higher levels of development.

First, the human being must have an inkling that something like this exists. Then he comes to another realization: I can only achieve my ultimate goal if I see how my whole existence is permeated by the spirit. I have been crystallized, born out of the spiritual, out of the supersensible, without my being involved in this birth out of the supersensible, which I can ultimately achieve through knowledge. In a mysterious way I am born out of the land that I can only reach again in the end. This characterizes the land of the beautiful lily, from which man also comes. The ferryman brings him over. Man is brought over by secret powers. The ferryman who brings to this shore must never bring anyone back again. The same real way by which we are brought over from the supersensible through birth cannot be the way by which we consciously return. Other paths must be taken.

Then the will-o'-the-wisps ask the snake how they can enter the realm of the beautiful lily, that is, how a single soul force can ascend to the highest. Two means are indicated: firstly, when the snake crosses the river at noon. But the will-o'-the-wisps do not like to travel there. It is quite beyond the scope of the Abstract Being, who wants to live entirely in ideas and inferences, to cross over in the way represented by the snake, through devotion to things, through mystical communion with things. This mystical communion cannot always be achieved. A great mystic of the Alexandrian school confesses that he has only achieved a few moments in which the spirit of the infinite has entered the soul, where the God in the breast is experienced by the human being himself. These are moments at midday when the sun of life is at its highest, when something like this can be experienced. For the Abstractlings, who say to themselves: Once you have the right thinking, it must lead to the highest, such midday hours of life, which one must await as a grace of life, are not hours in which they can travel; for them, what they are looking for must be achievable at any time. Then the snake points out to them that the shadow of the giant, who is powerless by himself, will fall across the river, and that is when they can cross over. If we want to understand the giant, we must bear in mind that Goethe was well aware of the powers of the soul that lie below the threshold of consciousness, which in the normal person only emerge in dreams, but which belong to the subordinate clairvoyant powers. These are powers that are not acquired through the development of the soul, but that occur particularly in primitive souls in intuitions, second sight, in all that is connected with less advanced souls, from which a primitive clairvoyance emerges.

Through such clairvoyant powers, man arrives at some notions of supersensible worlds. Many people today still prefer to come to the supersensible world through such intuitions or through spiritualistic shadow images than through the actual development of the soul. Everything that belongs to the realm of the subconscious, to the realm of the soul, that is not illuminated by clear understanding, by the light of insight, of self-control, everything that expresses itself like dream-like knowledge, is represented by the giant. In truth, one can recognize nothing through this consciousness, for it is very weak compared to real knowledge. It is something that one cannot control. It is best personified by a person who cannot carry weight, because through this realization nothing can be recognized that has weight for a worldview. But the shadow of this subconscious plays a great role in life. Only one word needs to be said to characterize this shadow: superstition. If countless people did not have superstition, the shadowy image of the subconscious that operates in the twilight of knowledge, they would have no idea of the supersensible world. For countless people today, superstition is still the shadow of the subconscious that leads into the supersensible. I need only emphasize how people can say that Theosophy, spiritual science, is something that only those people can grasp who put a lot of effort into raising the soul to a higher level. That is an uncomfortable thing. If the spirits want to be there for us, they should descend to us. This is where all the abundant superstitions in the field of modern superstition come from, which even today scholars pay homage to, who absolutely do not want to admit that the soul can become part of the spiritual through development. They are readily available to a medium who can give them some gift from the spiritual world. This is not to say that these things cannot be based on truth, but the distinction between error and truth is extremely difficult here and only possible for the initiated.

Goethe wants to point out this shadow of the subconscious, this realm in the human soul, but not like a polemicist, which Goethe never was. Goethe is clear that every power of the soul has its significance at its level; he even finds it useful here to have the snake give advice to the will-o'-the-wisp. But superstition plays a major role in drawing attention to and directing the human mind to the supersensible world. Goethe, who wanted to depict the entire spectrum of the soul's powers in their symphonic harmony, shows how this superstition has its good basis in the soul, in the powers that do not always come up with sober, clear concepts, but say to themselves, the things are rich, we just want to sense secrets for now, not frame them in sharp contours. This intuitive sense is something tremendously important that is to play a role in the overall consciousness and life of our soul development.

What was so clearly expressed in external nature for Goethe plays into the development at a higher level.

Goethe saw a certain law in all natural activity like a leitmotif. It is a law of balance that nature has a certain measure for all things and can give rise to all possible beings from unity. Goethe sought the law in all of nature in order to see in harmony everything that is embodied one-sidedly in the external world. When Goethe uttered this sentence, he was seen as just a poet, an amateur. The sentence only caused a stir when Cuvier, in his dispute with Geoffroy St. Hilaire, also drew attention to this law. Goethe, who lived in an understanding of nature that saw one-sidedness everywhere and wanted to grasp the whole by harmonizing the one-sided, also saw something in the soul that he wanted to combine by harmonizing. There are people who represent one-sided soul forces. The false prophets, who want to apply their wisdom everywhere, are the will-o'-the-wisps; then there are serpents and so on. He wanted to show that man can reach higher levels by representing the type of human being within himself. Thus, the sense that senses the supersensible in the sensible must be connected with abstract intelligence. One must not let the sober intelligence be subjugated by the sense, but nor should one emphasize the abstract concepts one-sidedly and refuse to understand how full of content is that which lives and moves in things. Goethe wanted to show how man can become one-sided, but how he must strive for the beautiful lily, for the inner, balancing human soul.

After the snake has received the inner glow, it enters the temple. The powers that must inspire the human soul give the strengths that man must have within him if he wants to ascend to higher existence. Goethe shows that there are certain powers of the soul that the soul must have if it is to ascend to higher levels. But if a person wants to attain the higher levels without having found the right path at the right time through inspiration, through the world powers, then this world view is something that can kill him, confuse him in his soul, paralyze him. Therefore, the youth who is not mature will be paralyzed at first, or even killed by complete exposure. So, what wants to free the mind without giving us control over ourselves, that has a killing effect, says Goethe. All our striving must be directed towards making us mature, towards shaping us so that the soul receives the highest in the right mood, in the right state. So the youth is killed at first. He is to be prepared by the endowment of soul powers by the kings. We have already seen from the golden king that he is the spiritual power that can be kindled in the soul and that gives wisdom in the right way when it harmonizes with the other soul powers. The silver king represents piety. For Goethe, beauty and the cult of art are closely related to piety. Beauty is that which makes us inwardly pious. The power of the soul that draws us through our feelings to the spiritual world is represented by the second king. The power of the soul of will [to do good] is represented by the brazen king.

But these soul powers must enter into the soul in such a way that we can distinguish them, that they enter into us in the right way, that we can master them, separate them; the life of feeling from the life of wisdom, and likewise the life of will from the life of feeling and the life of wisdom. These powers, which thus appear separately, condition the higher life of wisdom. The lower life is represented by the mixed king. Every human being has these three soul powers within them, but mixed. A higher age in the development of humanity will only begin when this chaotic mixing of soul forces ceases, when they are no longer mixed in such a chaotic way as in the fourth king, but are clearly separated from each other, with the area of soul power permeated with wisdom, and that permeated with beauty, and that permeated with the will to do good. Then the time comes when man may say to himself: “It is time.” Something else must precede this. A soul that has been led unprepared through wisdom, beauty and power would hardly see anything special.

Another soul force must guide us, which is represented by the man with the lamp. The lamp can only shine where there is already light. It is the light of faith that radiates from our hearts, even if we have not yet penetrated into things. It is what is brought as faith to things. It is a light that can only shine where there is already another light: religion can only generate faith where it is adapted to what people feel in a particular climate, in a particular cultural epoch, and so on. There the serpent, which wants to penetrate to wisdom, beauty and strength through the mere inner soul power, must encounter the light of faith that prepares the soul. Thus Goethe shows that the right time must approach, that first the soul must be guided by the light of faith, and that we can then come up to a direct grasp of the soul forces in being separate and in direct interaction. On this side of the river, then, man must prepare himself. On the other side it is shown how man, if he connects with the soul forces unprepared, damages his soul.

A strange figure is the old man's wife with the lamp, who is described as human, all too human, vain and so on, who is chosen to pay the ferryman with the fruits of the earth. This is primitive human nature, which has the power to be connected to the light of faith. We are shown: that the light shining from the lamp of the old man transforms stones into gold, wood into silver, dead animals into precious stones. The pug is transformed into a precious stone. This shows the power of faith, this very wonderful power of faith, oh, how it is able to show us all things in such a way that they really show us their divine in a certain way, show us what is in them. Dead stones turn to gold, showing themselves to be endowed with wisdom. Faith already senses this in things, how all things are not what they appear to us through the senses. This is shown by the transformation through the lamp. Man, when he remains in his healthy nature, when he cannot attain to science, has something within him that leads much more to the boundary of the supersensible. The scientist becomes a doubter, a skeptic, and one tries to see how certain some original nature, represented by the old woman, is able to give facts to the flow as the will-o'-the-wisps cannot. Such natures have an original feeling that connects them to the supersensible, which weaves and lives in everything; and one can see in such people how a compassionate smile appears when scientists talk, saying, we know something that you cannot know, that brings us together with what we are created from. This is shown by the fact that the woman can pay.

The temple must be transported from below the earth up into the upper realm, it must rise above the river. And it is conceivable that a soul has gone up the steps in such a way that it can experience, feel the midday moments of life; so that it is achieved through a higher soul development, that not only special spirits can cross the river. That is what is achieved in the new culture through spiritual science. And Goethe behaves like a prophet in the new culture by pointing out that not only special minds can find the transcendental realm, but that there is a soul development that everyone can undergo; so that everyone can walk over and across when what is the actual secret has occurred.

“How many secrets do you know?” – “Three,” replied the old man. “Which is the most important?” asked the silver king. “The obvious one,” replied the old man.

The expression “the revealed secret” often occurs in Goethe because, like all true mystics, he believed that the connection between the material and the spiritual is evident everywhere; therefore, it is not so important for man to seek the spiritual in all sorts of detours, but to really connect with things as the snake connects with them. The revealed secret of all three is that which can be found everywhere, and which requires only a certain maturity of soul. The three secrets are simply these: wisdom, piety and virtue. A fourth is still needed for this, the snake whispers into the old man's ear; the old man cannot know that. But he can know that it is now time. What does the snake say now? That she is willing to sacrifice herself to be a bridge over the river. There you have the whole secret of the sacrifice of the lower soul forces. You can find this sacrifice further in Goethe's words:

And so long as you do not have this,
this dying and becoming,
you are only a dull guest
on the dark earth.

First, a person must go through all that has led him through life. But what he has gained, what he has experienced through the lower soul life, he must be able to sacrifice in order to ascend.

Jakob Böhme, whom Goethe knew very well, expressed this secret beautifully:

He who does not die before he dies, will perish when he dies.

He who enters the supersensible world before he has died for the lower self would not yet be able in this embodiment to see correctly the spiritual after death.

He who does not die before he dies, will perish if he dies.

The soul protects itself from ruin in the lower self, says Goethe, when it becomes like the snake that sacrifices itself, that is, there is a soul force in us that can connect with the forces of nature and that must be sacrificed: that which, as lower selfishness, is necessary to achieve human freedom. Therefore, that which has led us becomes the way into the beyond. We enter the supersensible world through that which we have sacrificed ourselves. The will-o'-the-wisps are now able to unlock the door of the temple. Science has the key to the realm of the supersensible, but it cannot lead into the real secrets, because it only leads to the gate of the temple, just as Mephisto has only the key to the realm of the mothers, but cannot penetrate it himself. So we see how the will-o'-the-wisps actually fulfill their role to the end and how Goethe captures the meaning of soul development in each individual case.

What remains of religious belief? The tradition in our cultural processes. Go to the libraries, look up how much of the gold is stored there, and see how the abstractions lick the gold down and make new ones out of the old books, as a librarian once said. Goethe shows that the will-o'-the-wisps can feed on that. How many scholars walk around full of what comes straight from these sources. The pug dog dies from it, it makes him feel worse. But he can be revived by the lily, as he has passed through death. Whoever wants to endure contact with the lily must first have passed through the lower death. The youth is only ready to unite with the beautiful lily when he has suffered the last misfortune, is completely dead, has fully felt the effect of what happens when one unites with the supersensible while still immature. The snake sacrifices itself, which has an immediate effect on the details of natural existence. When all this has happened, the youth can then be led into the temple. Then the soul is led upwards to the realization that everything is permeated and animated by the spirit. Then the temple is led upwards, the soul endowed with that which leads to the supersensible. Wisdom gives him that which is characterized by:

Recognize the Highest

and by the oak wreath; the golden king gives that. The silver king says:

Feed the sheep,

in memory of the pious shepherd,

Feed my lambs;

is an expression of piety. The iron king gives him a sword and a shield and says:

The sword on the left, the right free!

Stand strong and firm on your feet when it comes to defending human dignity and human dignity, but do not be aggressive. Now the young man is allowed to connect with the lily. The powers of the soul may be illuminated with truth and love, which the soul only finds when it connects with the spirit. The young man feels the love, of which it is said last: wisdom, beauty, piety and virtue, they promote the development of the soul, love forms the soul, harmonizes everything. When man ascends into the temple in which knowledge can be experienced, he comes, in holy awe, to see, like a small temple in the great temple, the highest, the secret of man himself, who passes from the spiritual world into the world of this world. The ferryman's hut is placed as a small world in the great temple; when the soul advances to higher knowledge, then it attains what Goethe felt as Spinozian love of God, it comes to the riddles, the secrets of the world. But as the highest of the mysteries, as that which he in turn sees like a small temple in the great one, that is the mystery of the existence of man himself in connection with the divine being.

The giant comes last and becomes something like an hour hand that indicates the time. Our knowledge becomes spiritual, shedding all that is external consciousness as we ascend; all forces that work mechanically, that are a remnant of the subconscious. All this may remain only in one, when we look up at what is the most external for our inner being. Thus, the merely mechanical, which has not yet been elevated to higher knowledge, has a right to exist. Goethe could have had in mind all the superstitions that have been practiced with the art of numbers and all the prevailing beliefs from old worldviews. But one thing remains behind, to form a kind of chronometer for what knowledge gives it. Thus everything is transformed into a plastic image, right down to the last detail, which Goethe felt was the law of human education.

Today I was only able to explain the main features, but if you read the “fairy tale” with this in mind, you will find that every page, indeed every half-sentence, can be proof of its correctness. One can only hint at this symbolically, in richly symbolic images. We must be aware that what is contained in Goethe's “Fairytale” is infinitely richer than what could be said, and that everything said today is only a suggestion of how to search and feel about a symbolic fairy tale. It is not possible to give more than a hint. But perhaps you have gained a sense of the great and immeasurable productive power with which Goethe created, how right he was when he said that only beauty and art can be an expression of truth. This is also what lived as a conviction in Goethe and led him from stage to stage in restless pursuit. But this is also what led us so to Goethe. Goethe is one of those minds that work in a way that only the greatest minds can. You read a work by Goethe and think you have understood it. Each time you read it again later, you believe that you have finally understood it correctly. Finally, you say to yourself: I still don't understand it, I have to wait until I become more and more mature. This is only the case with the most exquisite minds. This assures us that in Goethe we have one who belongs to the leaders of mankind. Thus, in summarizing what is to be characterized here, one may say of Goethe's spirit:

They shine like stars
in the heaven of eternal being
The spirits sent by God.
May all human souls succeed
in the realm of earthly becoming
To see their flames of light.