What is the Purpose of Anthroposophy and the Goetheanum?

GA 84 — 14 April 1923, Dornach

The Enhancement of Human Cognitive Ability to Imagination, Inspiration and Intuition

While this course is taking place for teachers and those interested in education, I will give the lectures that are taking place simultaneously with this course as special anthroposophical courses in such a way that they can also be understood by those personalities who have only recently found their way to anthroposophy, or who are at the very beginning of it. Therefore, some of what I will be presenting here in these lectures in the course of this week will be a kind of repetition for the “enlightened anthroposophists”. But I think that such a repetition can also be quite useful from one point of view or another.

What I am presenting today is first of all intended to be a kind of further elaboration of what I presented in the public lecture that I had to give last week in various places in Switzerland. It is intended to follow on from that lecture and expand on some of it.

When we look at human life in its entirety, we find that this life is divided into two strictly separate life contents: one life content, which we always go through in the time between waking up and falling asleep, i.e. in ordinary daytime consciousness; the other part of life, which is the shorter one in normal people, is the one we go through between falling asleep and waking up. It is that part which is immersed in unconsciousness and only shines forth into consciousness by allowing the colorful diversity of the dream world to flow into it. So that, when we speak from the point of view of human consciousness, we must say: This consciousness is filled during the waking hours with the content that our senses provide us with. What is made known to us of the world through our senses is, let us say, present in our consciousness in a pictorial way. We experience this. Whether in ordinary life or in science, we link our ideas, our thoughts, to what the senses deliver to us; that is, we combine the sensory perceptions and try to find laws in the world of sensory perceptions.

We do all this with our faculty of thought. We connect the thoughts, the ideas that we can obtain through our faculty of thought, to the sensory impressions. But then we develop something else within our waking life. We are pleasantly touched by one event, by one impression of the day, and unpleasantly touched by another; we sympathize with one impression, the other impression is antipathetic to us. This sympathy and antipathy exists in the most varied ways and in the most varied gradations. And we describe what we experience in things, I would like to say, according to our human inner being, in such a way that they give us pleasure, that they cause us pain, that they uplift us, that they make us upset, we describe this as our feeling with things, and we distinguish clearly between our feeling and our thoughts, which represent something external to us. Our thoughts do not merely live within us, they represent something external to us. Through our ideas we gain something about the external world. It is already in the word “imagination” that we thereby gain something about the outer world. That which we imagine, we do not place within, but we place before us. Thought therefore points us outwards. Feeling points us inwards. We have the clear experience that what we feel is experienced inwards, and that it does not have anything to do with the outside to the same extent as thought or imagination.

But we experience something else in the world. When it happens to some people that they encounter, say, a vicious dog here or there, they run away. Some people run away when they see a mouse; but something similar also happens under other impressions of the outside world. In this case we say that our will is aroused. While feeling proceeds in such a way that we remain calm, we set our whole organism in motion in relation to the outside world through our will, roughly speaking.

This is how we speak when we want to talk about our consciousness as it develops during waking hours. From this consciousness we clearly distinguish the unconsciousness, which also belongs to our life, and which we spend between falling asleep and waking up. But it is from this unconsciousness of sleep that the colorful diversity of the dream world streams forth.

Now let us enlighten ourselves a little about what has a certain value for the ordinary human consciousness. We can say: For this ordinary human consciousness, the dream world plays out of the unconscious. It shines into the conscious mind. And then thinking, feeling and willing emerge in consciousness from the experiences of the day, from the experiences of the waking state.

How can we first of all, I would like to say in a popular, external way, indicate this difference between the unconscious state of man, out of which dreams shine, and the fully awake state?

Well, you will not need to think about it for long, you will find that in the waking state man feels involved in that which he calls his physical organism.

Take the world of dreams. It runs before you in pictures. You must say to yourself that while the world of the dream runs in pictures before you, you are not switched into your physical organism. When a person wakes up, he feels above all that his will is penetrating his physical organism. We also need our senses when we are awake because we control them through our will. So we can say: The sleeping state, from which the dream emerges, passes into the waking state by switching the will into the physical organism, so to speak.

So let us now look at this physical organism. Even as I say: Let us look at the physical organism - I am actually appealing to your sensory faculty of perception. I am appealing to what you know through this sensory faculty of perception. First of all, you cannot know anything about this physical organism of the human being other than what the senses convey to you, what you can think about the physical organism. Even no anatomy, no physiology knows anything about this physical organism other than what the senses teach us to recognize and what can be grasped by man through thinking, combining the sensory perceptions.

This, however, draws our attention to the fact that it is first of all the senses - we also become aware of this in the use of our consciousness - to which we must turn if we want to know something about the world in general and about the physical organism of man - the senses and thinking.

Let us take a look at the senses and examine in a very popular way what we have through the senses in relation to the two characteristically differentiated states of waking and sleeping.

Man thinks all too little about what comes into consideration there because, if he is not exactly blind, the lion's share of what he is conscious of in his experience comes from the eyes, and the eyes are precisely those organs that are closed in the human sleeping state, whereby the external impressions are kept out. But think of the other senses. Can you believe that your ear, if you do not block it, gives you different experiences during sleep than during the day in relation to the physical body? If you keep the physical body properly in mind and do not block your ear at night, you cannot possibly think that something different happens through the ear in your physical organism when you are asleep than when you are awake. There is no reason for it. The fact that you don't know that is quite another matter.

Or let us ask in relation to the sense of warmth. We perceive warmth and cold. Yes, do you believe that the warmth you perceive during the day stops at your skin when you are asleep? It will of course have the same effect on your skin. So during sleep, with the exception of your face, you are exposed to exactly the same impressions that you are exposed to when you are awake.

If this were not the case, you would have to assume that during sleep you have a mantle of warmth around you that keeps the heat out. You would have to think that a good spirit is plugging your ears so that the processes that are otherwise caused from the outside are not brought about. When you think of all this, you will come to say to yourself: Well, the eye is so sensitive that the human organism has adapted itself to use its will to hang the curtains of the eyelids over the eyes during sleep.

However, the outside world does ensure to some extent that the sensory impressions are absent during sleep time. But even if we read in the newspaper the other day that it would be more pleasant for those people in Basel who want to sleep and live near pubs if the concerts were to end at half past ten instead of eleven, this clearly indicates that people want to protect their ears, but they have to be protected from the outside. Even if all this is the case, it must be said that just as the outside world is shaped as it is during sleep, so it affects our senses with the exception of our eyes.

And then we must ask ourselves further: what about our thinking, our thoughts? You see, in order to answer this question, one could start from many different points of view; but for today's man, modern science has become popular, and therefore modern man knows that from every sense there is a continuation to the inside of the organism, namely the nerve cords, and that because the nerve cords go inwards as a continuation of the senses, thinking, imagining, follows on from sensory perception.

Yes, if you now hear, even if it is only the relative silence in the night - and it is quite natural that you hear it, because your ear is open, what is in your surroundings is audible, that causes the same processes that it would cause if you were awake - why should that stop before the nerves, that is before thinking?

So you must say to yourself, through your physical organism you - as I said, always with the exception of the eyes - do not stop the sensory impressions. But you do not keep thoughts out either. And you can even imagine - it remains hypothetical for the time being for external observation - that even if there is a relative calm during the night for certain senses due to the social facilities, it is certainly not present for other senses; certainly not for the sense of warmth and cold, for example, and certainly not for the sense of touch either, because, isn't it true, when you press your thumb on the blackboard, you perceive the pressure. Why should the perception of pressure not be the case when you lay your back on the bed? You must of course perceive this pressure, which is conveyed by the sense of touch, throughout the night. Likewise, if you place something on your hand, you will feel it. Why shouldn't you be aware of the comforter you put on yourself throughout the night and so on? But not only that, but the continuation inwards, the formation of ideas and thoughts, why should we stop at them? Because they are mediated by the organism.

So that if we look impartially at what is actually there, we must say to ourselves: Even when the physical body lies in bed during sleep, it has the usual impressions through the senses. It also has the usual experiences that appear to us as conscious ideas when we wake up during the day. Just as we know nothing of sensory impressions at night and yet they can be there, so we know nothing of our thoughts; but they are there.

A person does not usually realize that when he is asleep he is constantly thinking. But he knows nothing about it. Just as he knows nothing of the pressure of the blanket that lies on him, so he knows nothing of the thoughts that go on continually in his sleep. They are there. Man thinks the whole time of his life, not only during the day. Even if he does not consciously have thoughts, he still thinks, but these thoughts are in him. So that we are guided to how man is permeated by a world of thoughts from the moment he falls asleep until he wakes up.

Now take the person who wakes up. He wakes up. He wakes up from his dreams, we say. By studying certain dreams one can very easily perceive how quickly the dream runs its course, so that it has actually taken place immediately upon waking. You need only remember that you can dream - of course I don't want to put anyone through this, every individual is exempt, but it could happen to someone - that you get into a heated exchange of words with someone which degenerates into a brawl. You know that sometimes people are much naughtier in their dreams than during the day. It degenerates into a brawl; the other person smacks you down, as they say, and lo and behold, you wake up: You realize that a raindrop has fallen on your cheek. It even woke you up, the raindrop. The whole dream, which looks as if it has lasted a long time, is only caused by this raindrop at the moment of waking up.

You can experience this with countless dreams. They actually happen in a flash, caused by something, and have a very dramatic content. So we can say: you wake up with a dream. You will find, if you really go to work properly, that the dream gives you something that you could otherwise have thought according to your experiences, but you would have thought it differently when you were awake. We know that dreams clothe what they bring to experience in a certain fantasy.

Take the example I have just given. If a drop of rain falls on your cheek during the day, you have different images of the whole process than the dramatic process where you get into an exchange of words with someone and begin to scuffle; the exchange of words can perhaps last a very long time, the scuffle also a relatively long time, and then comes, let's say, the cheek strike, and that's the end, that's when you wake up. During the day you would have had a very simple experience, a sensory perception and an associated idea. When you wake up, you have a very dramatic experience. It is embellished. But you see, you will hardly dream anything other than what is made up of sensory experiences that you have somehow already had or could have had, or inner bodily experiences and the like. That's what you dream.

If you look at the whole process, the more dreams you observe, the more you will realize what dreaming actually consists of. When you are awake, you see colors through your eyes - light, dark; you hear this or that, you perceive warmth and cold. You combine this through your mind. You have the clear feeling that when you do all this, you are working from the inside out. You have the will inside with which you penetrate all of this. You work from the inside out. Let us leave untouched for the moment what is working from the inside outwards; but you have the feeling that you are seizing your sensory impressions, that you are somehow bringing them into order through your ideas. You combine these sensory impressions and so on. But you do it all from the inside. Yes, when you dream, just think about it once, you have similar images to the sensory impressions. You only need to remember a vivid dream and you will say to yourself: there are similar images. You see colors, you see someone moving and so on; images are there just as they are in the sense world. Only that in the sense world these images are, so to speak, superimposed on the hard objects; in dreams they float freely, these sense images. And ideas are also present in dreams, even cause and effect, of which natural science is so proud. One does not merely dream images, one dreams connections. It's all in there.

Only if you look closely at the dream, you will have to say to yourself: Yes, what I experience in dreams is actually the opposite of what I experience when I am awake. It is the other way around. When I am awake, I know that I am receiving sensory impressions, I control them through my thoughts. When I am not dreaming, the sensory impressions assail me first, and then a kind of connection lives within the sensory impressions, as it otherwise lives through the thoughts. Just as if the context were behind the sensory images, so it is in dreams. And if you think about these things properly, you will find that this dreaming is actually the other way round. It is as if you first encountered the sensory perceptions and then could not quite grasp the thinking. That is why the sensory images are so inconsistent, so illogical. You cannot grasp thinking. When you are awake, you have more or less, depending on whether you are more philistine or more imaginative, the sensory images in your power, in your strength. You know that thinking is within you, and with thinking you control the sensory images that are somewhat further away from you. In dreams, you encounter the sensory images. Thinking is now further away, you cannot catch it. In short, if you look at the matter rationally, you get the impression that when you are awake, you live from the inside out, the sensory images are on the outside (yellow arrows), and thinking is on the inside (violet arrows). This makes itself felt.

When you dream, it is the other way around (red arrows), then you first approach the sensory images, but cannot catch the thinking behind them; you cannot get to it properly. This is why the thinking inside the dream is so colorful.

You can distinguish between dreams and sensory reality through proper observation. In ordinary waking sensual reality you live from the inside out. You are quite intimate with your thoughts. Thinking is closer to you. With this thinking you combine the sensory impressions.

When dreaming - it follows from observation - you have to be outside, because you cannot properly approach thinking. That is why dreams have such a curious logic, because thinking is beyond. So when you are awake, you are there, and when you are dreaming, you are out there (see drawing). But you have just come in, because this then passes over into the ordinary waking state, where you are intimate with thinking. Just feel that when the dream runs its course, it runs into ordinary daytime consciousness. You rush into your ordinary thinking, you pass through the surface of your body. You pass through your eyes, but from the outside. You do not yet have the optic nerve. You have the eyes, they pass through you. And the optic nerve, which works from the other side, from a kind of beyond, is still playing around with the images when you slip in; then you are intimate with the nerve, which makes an orderly world out of the images. It is the same with all the other senses.

So you can see, simply by stating the facts, how awakening really consists of slipping into the body. So what must sleep consist of? You only need to place these facts properly before the eye of your soul and you will say to yourself: I must somehow be outside my body.

And now let us go through the ordinary consciousness of the day. The “enlightened ones” will only have a repetition of what I have to say now. If we go through the imaginations, we will find: In the imagination we are really awake, there we are intimately together with our thinking, there we are really awake. So we are intimately together in waking with that which sits within us as our thinking, with reference to which we are really awake.

But now let's take feeling. If you observe properly what you experience, you will not be able to say to yourself that feeling is just as intense as thinking. You will have to say to yourself: Feeling is already less logical than thinking. One allows oneself much less logic in feeling than in thinking. We allow ourselves much greater freedom and arbitrariness about what we like or dislike than about what is mathematical. It is clear that if it were a matter of feeling, housewives would prefer to take two francs and two francs again, that would be five francs instead of four, and not only housewives, but I think all people would probably prefer it. However, in thinking it is not indeterminacy but determinacy that matters.

In short, even if we see how different feeling is from dreaming in terms of the content of experience, feeling is not inferior to “dreaming in terms of indeterminacy. When we feel, we are in the same state as when we dream. Only that dreaming gives us images, whereas feeling gives us that peculiar content of life which we call feelings. In its state, feeling is definitely a waking dream.

We also know that if we want to immerse our logical ideas in the artistic, we have to use feeling. Without feeling there is no artistry. We have to immerse it in feeling. We feel, we have to give it an element that is similar to dreaming. In this way we create something similar on the inside to what the dream world creates on the outside. We do not create logical ideas internally, but images of the imagination. And this has been felt at all times, how dreams from the outside are filled with all the unfamiliarity and all the astonishing things that come from the outside, but are nevertheless similar to the fantasies that go inwards.

And let's move on to the will - well, let's just be very clear about this: the waking consciousness knows nothing of the will. It first has the thought that you want to go there or there. Even if we have to speak of wanting just then, when we wake up, because we feel that we are then taking possession of our body, we still know nothing about wanting. We have a thought: you want to go here or there. How this now shoots down into the organism and moves the legs so that it becomes will remains unknown. You only see in yourself how you move. What passes between the thought and the manifestation of the will is unknown to the consciousness, as unknown as what you sleep through. In fact, by developing a will, you sleep into your organism.

We can therefore say: Feeling is dreaming during the waking of the day; willing is sleeping during the waking of the day. With regard to the will, one does not wake up at all with the ordinary daytime consciousness. This also takes place in sleep during daytime consciousness. So that we can say: If we are decent people, we sleep on average only a third of our lives - quite seriously - some more, some less. But on the other hand we are compensated by the fact that we also carry sleeping within us while we are awake, namely in our will. And if you add this up, you will get something other than a third.

And the feeling, that is the dreams that arise out of the will, that is again out of sleep, and arouse the imagination. Just as dreams reveal themselves out of sleep, feeling reveals itself out of the will. You can also observe this in a certain way. Just think for a moment that you have, say, a flower in front of you. If you are able to pick it and take it with you, then you have it. You have applied an impulse of will. If you are not able to take it with you, then you are content with the fragrance, with the pleasantness of the fragrance, with the pleasantness. You only experience the flower internally, in your emotional life. But you could almost say: what is a pleasant feeling? A pleasant feeling is the inner, attenuated experience of that for which the strong experience you are actually striving is a decision of will. One wants to have what is pleasant to one; if one does not come to have it, it remains merely pleasant to one. So feeling is a weakened will. Dreaming only comes about in a different way during waking hours than during sleep. Dreaming during sleep is a restrained sleep. Feeling during daytime waking is a will that has not fully materialized.

If we did not have inhibitions within us, we would want everything that is pleasant to us, we would push everything away from us, even an expression of will that is not pleasant to us. We only hold on to the will when we feel. We merely dream of wanting instead of really wanting when we feel.

Now, we can say: If we draw the boundary between sleeping and waking with an ordinary line, then we have thinking during waking. We have nothing for it during sleep; that is gone. During sleep we have dreaming. Feeling corresponds to this during waking. During waking we have the will. The real sleep, the sleep state, the dreamless sleep corresponds to this during sleep.

Now take a look at this. We have found out: Feeling and dreaming, willing and sleeping actually live in the same element. In a way, dreaming is what we do at night and feeling is what we do during the day. It is the same, the same state. So that which feels by day must dream, and that which wills by day must sleep dreamlessly. So in order for me to feel and want during the day, to dream while sleeping and to live out this sleeping state of wanting, it must be inside the body. So you get an idea of a human being that can be inside and outside in relation to the body. If it is outside the body, it sleeps dreamlessly or lets its dreams arise; if it is in the body, it wills or feels. Only when it enters the body does it encounter thinking. You cannot see thinking externally. It is therefore something that is in man throughout life, as we have said, but as something invisible. Now, because it is an invisible thing - we shall see that it can also be called so for another reason - let us call that which thinks, in addition to the physically visible, the etheric body. This etheric body remains asleep and awake in the physical body throughout life.

That which feels does not remain in there; it wanders out during sleep and gives the possibility of dreams. We call it the astral body.

And that which wants, and which remains in dreamless sleep, we call the ego. And so we get these three invisible parts of the human being through mere observation: etheric body, astral body and ego. We need not doubt the physical body.

Now it is a matter of this: we see the physical body with the physical senses. What else is in the human being cannot be perceived with the physical senses. Can it somehow be made visible, perceptible, visible? This can be done by bringing about the following in the human being.

I told you that if you live awake, you live from the inside out. Now imagine that for my sake you have the eye or some other sense organ. That's where the nerves come from. They end inside the eye, they have ends somewhere. Now let's look at this waking state. We live intimately together with our thinking, that is, in the physical body with the nerve. We live together with this nerve. But we not only live in thinking, we live in the sensory impression. The nerve radiates, so to speak, into that which is the sensory image. It can also be expressed physiologically: The nerve comes into contact with the blood circulation, and through this it enters the sensory image. There we perceive the outside world.

But remember, we do not perceive the outside world, we merely develop life in the nerve itself and only reach the end of the nerve. We do not go into the blood circulation of the eye, but we stop where the nerve has its stumps; we only go to the end of the nerve. There we have an idea of a sensation, thus also a thought. The thing remains a memory. It is therefore shadowy because it does not reach the blood.

You see, in ordinary life, you do it in such a way that you have perceptions. They pass into the nerves. The nerves end inside the body. Then they are experienced in the memory up to the final state of the nerve. That's where the imagination starts, that's where it becomes memory-imagination. If it penetrates to the end of the nerve, it becomes perception; if it only reaches the stump, if it does not penetrate, it becomes memory. But at first one can remember nothing other than what one carries within oneself. Now imagine that through certain exercises you not only bring what you carry within you to the end of the nerve, but also what you take in from the other side, from outside. Imagine that you not only push to your nerve endings what you first let into your head, but that what you take in from the world without perception, or what you take in through your spinal cord nerve without perception, then the experience enters the nerve on the other side. It hits here. (See drawing.) That does not go to perception. Then you get those images that we call the content of the imagination. And then you perceive this etheric body, which contains the activity of thinking within it.

And in the same way, as we will see tomorrow, you can also take into feeling that which does not first come from outside and is reflected, but which you take into the body from backwards, so to speak. Then comes the inspiration. It does not go into the nerves, it goes into the breathing process and the circulation process. In this way one understands the astral body. And when one finally develops intuition, when one not only feels what one has learned in life as walking, but when one feels oneself as the other person who works and is, when one passes completely over into the other person, then intuition comes. And through this one understands the ego and the will. So that one can say:

The etheric body is grasped through imagination,
the astral body is grasped through inspiration,
the ego is grasped through intuition.

In ordinary life one does not have the ego, but the ego sleeps. One only knows something of one's I, which is asleep, just as one knows in the dark that it is dark. But one does not have the objects that are there. So the I is also asleep.

In the most intense thinking you can find, so to speak, those things that you find described in my “Theosophy” from the beginning: Physical body, etheric body, astral body, I. And then you can point out how these members of human nature can also be grasped in a visible way through imagination, inspiration and intuition.