Ancient Mysteries and Christianity

GA 87 — 4 January 1902, Berlin

9. Platonic Philosophy from the Standpoint of Mysticism

Highly Esteemed Attendees!

Eight days ago I took the liberty of characterizing this great transition, which for a mystical view of things expresses itself in the further development of the Mystery Being, of the Mystery Mysteries to Platonic-Socratic mysticism, and I ask you to consider from the outset, if I may, the Platonic philosophy, in the center of which the personality of Socrates appears as the bearer of a series of powerful ideas, that everything that I allow myself to develop as Platonic mysticism should certainly be understood in such a way that I develop everything out of Platonism that appears to me as Platonic mysticism.

From the outset, it will perhaps appear to those who view Platonic philosophy in a scholarly manner as an impossible, perhaps even a daring undertaking to illuminate the Platonic world of thought from the so-called mystical point of view. To the historian in particular, much of what I find in Greek philosophy, especially in Platonic philosophy, must appear to be unhistorical. The sources that led me to it, however, caused me to regard Platonism as a decidedly mystical doctrine, which I cannot avoid, which I cannot do without as a precursor of Neoplatonism and the teachings of early Christianity, to which I want to hasten.

These views are for me undoubtedly components of the mystical development in the West, and therefore I ask you to regard them as necessary components of mysticism, but not to regard them as any contribution to a purely scholarly conception of Platonic philosophy.

The last time I took the liberty of showing how art grew out of the basic view [of the Mystery Being], [which] was not yet divided into art and beauty, into wisdom and truth, on the one hand, and what is called philosophy grew out of it on the other, that a one-sided striving for truth, a one-sided striving for knowledge arose in the higher and lower form of logic, which, however, as I said, is nothing other than having grown out of an [originally unified] striving for the spiritualization of man.

I have endeavored to show that Aristotle's work can only be understood if it is regarded as a faint echo, a shadow of this original conviction of Greek mysticism, just as this basic conviction was in the Mystery Cult, that one cannot arrive at wisdom through the ordinary pursuit of truth, of logic, but that one can arrive at this wisdom through a method that still contains the pursuit of art and the pursuit of truth unmixed.

We are at the point in Greek development where, through Socrates, the pursuit of art stands out from human spiritualization and expresses itself on the one hand in Greek art and tragedy and on the other in the one-sided pursuit of truth, as we encounter it individually in Socrates and Plato.

In the course of the previous lectures I have tried to show that nothing else was to be understood from the mystery cults than a conception of the core of truth in the highest sense of myth, and how such a deepening of the Greek mythological ideas is possible that we must say to ourselves that the grasp of Greek mythology through the mystery cult appears to us as the detachment of the originally existing core of truth within Greek philosophy.

Now it is natural that at that time, when knowledge on a logical basis branched off from the actual original mysticism, the need had to arise to become clear about how myth actually relates to what is called truth in the ordinary sense. We have seen that it was a completely different striving for truth, which expresses itself quite differently, expresses itself in a kind of tongue of fire, which immediately leaps over into a kind of symbolic mode of representation. We have seen that they deviated completely from what we call scientific work. We saw that the prosaic need for truth jumped over into the mythological-allegorical mode of representation, so that we had the dress on one side and the core of the myth on the other.

After Socrates and his disciples had endeavored to pursue the truth in a purely intellectual, rational way, the question had to arise: How does what emerged in the myths relate to our abstract pursuit of truth? Socrates, who was initially interested in nothing other than knowledge of human nature, rejected the interpretation of myths. He rejected it and regarded himself as an uninitiated person. We will see that this has its deeper meaning in the Platonic account.

However, he had to take a stand on the question of myth. He took a highly peculiar position for those who look at the matter superficially. This can be seen from two works when we speak of Platonic philosophy. These two works are the Phaedrus and the Phaedo. Both deal with areas which contrast the contemplation of the finite with the contemplation of the infinite, or which rise from the contemplation of the temporal to the contemplation of the eternal.

If we therefore note this, the contemplation of the finite in relation to the infinite, we are confronted with the curious fact that Plato is quite resolutely opposed to any rationalistic interpretation of myth. We encounter this particularly in the "Phaedrus", in the discussion about love.

The other strange thing is that Plato [indeed] rejects a rational interpretation of myth, [but that at the same time] where he passes from finite truths to infinite truths, he himself becomes a myth-denier. Plato expresses himself symbolically and allegorically where he wants to speak of what we cannot see with our eyes or hear with our ears. Thus, where he speaks about the "Phaedrus", he expresses himself mythologically, while on the other hand the meaning of myth, as it was cultivated by the sophists, is understood in such a way that myth must be explained simply on the basis of pure reason and rules of understanding, as, for example, the carrying away of the king's daughter by the wind is interpreted as a simple natural event. This is simply rejected [in the "Phaedrus" by Socrates].

At the same moment, however, when contemplation rises from the ordinary things of life, Plato himself becomes a mythmaker. The deeper reason for this is none other than the fact that Plato has the definite feeling that everything that goes beyond sensory observation, beyond the observation of the intellect, is impossible for man to express in any other way than through myth. It is impossible for him to give a form of transmission other than by using the ordinary, prosaic word, as we see and hear it with the senses, connect it with the intellect, separate it logically and so on, mythologically. We have no language and are forced to resort to myth ourselves.

Now let us see what Plato says about the doctrine of the soul itself. The Platonic "Phaedrus" is about the subject that we have seen as the center of all Greek thought. It is about the path from subordinate levels of consciousness to the superior levels of consciousness. It is nothing other than a more logical approach, a more intellectual approach, which Plato practises compared to the approach practised by the Mysteries.

This way of looking at things undoubtedly has the great advantage for man that it is initially closer to the logical thinker, the person who prefers to appeal to reason. But then it also has the disadvantage that only very few can rise with Plato from the sensual, intellectual contemplation to the higher contemplation of a true myth. By a true myth I do not mean one that is supposed to include a miracle, but one that is borne by that higher concept of truth that we have come to know as the bearer of mythology, as the bearer of myth.

I think we have to follow the path, roughly, if not exactly, in the Platonic version, that a student of Plato would have taken under the leadership of a personality like Socrates. In the Phaedrus we are led to that principle in man, that force that drives him upwards from the lower states of the soul to the higher ones. And for Plato, this driving force that leads him from the lower to the higher states is love, that is Eros, that is what leads man with elemental force from an everyday life to a higher spiritual life.

And if we now visualize the process on the basis of the "Phaidros", we find three states of moral life characterized. These are:

Firstly, the state in which man is completely dominated by the lowest forms of love, in which he strives to fulfill the needs of his lustful feelings, in which he is completely driven by his lustful feelings. He is dominated by the pursuit of the pleasurable, and this is completely immersed in everyday life. He lives entirely in the life that is given to him through his senses. He lives entirely in the feelings that can only be awakened through his senses. This thus dissolves in the manifold and [in the finite,] in that which surrounds him and to which he also belongs. The power in man, which he has as a single member in this multiplicity, is sensuality, which evokes his feelings of pleasure and which he strives to satisfy.

The next higher level to which man can rise is that on which man does not stand exclusively on the ground of the sensual world. This is the form of prudence. There he rises above the world of the senses to the use of his actual spiritual power. He now regulates his needs [no longer merely according to pleasure, but according to the principle] of usefulness, according to what appears useful to him. That which appears useful to him for his temporal and, in his view, eternal existence becomes the content of his view of life and he satisfies this on his next, higher level.

This power in man, which will guide and lead him to satisfy his needs, is the human mind, which divides all things into useful and harmful in life. A person who allows his ethical life to be guided by his intellect will reject many things from his life's path that would give him pleasure but do not appear useful. Therefore, man is not always uplifted, but often pulled down. Prudence shows this. The prudent person will refrain from doing many things that give pleasure, and he will not conceal from himself the fact that what is useful is often only a hidden means of satisfying his pleasure. It may therefore be a higher level. However, we must assume that man must by no means completely abandon lust and sensuality. That would mean a weakness of human nature, because if man had to completely drown out his senses, he would find that he would not be able to elevate this sensual world through prudence.

[Thirdly:] Prudence should represent nothing other than a spiritualization of the life of the senses, the stage at which love takes the form of enthusiasm. Enthusiasm is not something that relates to the finite, but something that raises man from the finite to the infinite. Therefore, no one is capable of enthusiasm who, in addition to avoiding the sensual, is not able to grasp the eternal, the imperishable, the permanent. And here, where he first discovers his soul, where he first outgrows it and where he must feel himself as a member of multiplicity, and here, where he feels within himself that something higher presents itself in the moment of existence, he rises from finitude.

Here Plato falls into a form of representation that we must describe as mystical, symbolic, allegorical. Here he believes that we are dealing with something that is impossible to express in intellectual forms. Here he does not write as one writes from the intellect, but as one who has immersed himself in the sea of the infinite. He does not write like someone who can only reproduce the logical form, but like someone who has a new, higher form of representation that represents nothing other than a higher truth in relation to the logical truth.

If you do not look at it this way, the soul myth appears to you as nothing more than any other. But if you look up, you will find that Plato - unlike his predecessors - was what is called an initiate, that is, he was a man who was able to reproduce in image the deeper truths that were revealed to him. The person who is able to reveal the secret of this image, this mystery, can also know what Plato wants. This will also be different for different people. One person will only be able to guess what is hidden in the image, and the secret can only gradually be revealed to him. In any case, however, it is symbolism that expresses the deeper truths, because it is not a matter of brutally presenting them externally to the mind.

Such a brutally presented truth is not recognized in its full depth and cannot be recognized in its full depth. This is the same thing that compelled Goethe to speak as he did in his "Fairy Tale" of the green snake and the beautiful lily or in the second part of his "Faust". It is a need that is connected with human nature and that reverent shyness before the deeper truth:

He who has an inkling of the infinite capacity of such truths will find that it is necessary to live through the content of these truths, he will find that it is impossible for this content to be expressed logically. That is why Plato always becomes mystical, allegorical at the deepest points.

Plato describes the virgin soul in mystical form in such a way that he creates a myth out of it. It is intended to represent his conception of the soul. This Platonic myth is something you will find in theosophical literature from all over the world, including Buddhism. And if this myth does not correspond to what you know as "esoteric Buddhism", there will still be an opportunity to show a deeper correspondence between Platonic philosophy and esoteric Buddhism.

A calculation is not always wrong because something else comes out. You have to know whether the calculation is based on completely different assumptions from the outset. We calculate with decadic numbers. But there can also be systems where you only count to five. There would be a new order, so that all types of calculation would appear different to us. Some things will be different, and this is how I would like to characterize the teaching of the Mysteries in relation to esoteric Buddhism.

For Plato, it is therefore the case that one ascends or submerges into the world of infinity on three levels. And this world of the infinite, which no longer transmits the same properties as our senses, with which our mind reckons, separates and connects, can be grasped. Where man ascends, where he grasps the spirit in its sense-free form, we use the word "intuition". So we use the word intuition where the human being does not use the spirit to process the sensual, but perceives the spiritual as the sense perceives the sensual. Just as the sense perceives the sensual, so the spirit perceives the spiritual. And so it is a reflection of the eternal.

Here, then, Plato rises from the perception of the temporal to the perception of the eternal. Here Plato has reached the point where all the things, all the forms in which man perceives the ordinary sensory world, no longer have any validity, so that one can no longer speak about space and time. Above all, at this moment, when man rises from prudence to enthusiasm, the prospect of a new world opens up in his soul.

It must be noted that Plato knew, not merely believed. We know that Plato knew the difference between belief and knowledge. Belief disappears. Therefore, for Plato it is simply a foregone conclusion that the things that present themselves to a person on the third stage are eternal in nature. Just as it is clear to him that something stands before his eye, so it is clear to him that the things that present themselves to a person on the third stage are of an eternal nature. But just as he who can see colors is not able to give a colorblind person a real insight into the diversity of colors - he can [only] offer him a surrogate for it - just as he is not able to show him the colors, so the spiritually seeing person is not able to teach the spiritually blind person this. He who is not able to develop his outer world of the senses up into the world of the intellect as far as the spiritual world, where things are transformed from the temporal into the eternal, is not able to go along with Plato up to this point. Here ends what the physical mode of conception has enclosed in the usual way.

Whoever is enclosed between birth and death gains here a view into that which is not enclosed between birth and death. What connects Plato from such concepts, we must be clear that it is an exoteric talking around. Imagining the soul as a sensual thing, no matter how diluted its resemblance to the physical, is not yet an esoteric view.

We must realize that it is impossible to speak of an actual proof of the eternity of the soul before an actual Platonic way of thinking. That is simply nonsensical. One will prove things that are attainable through logic. One proves some mathematical theorem for my sake. When you prove it, you have a complicated manifold in mind, which you break down into parts and then put together what you want to prove. The entire basis of what a proof refers to must be given by observation. No other proof can prove anything. Therefore, for Plato it is not a question of proving the immortality of the soul.

There was no room for such a proof for Plato. For him, it was about elevating man so that he could see the spiritual without senses. And that is nothing other than the Platonic world of ideas. Anyone who sees it free of sensual qualities, who sees things as they appear to the spirit, has an idea of the Platonic world of ideas. This can also be called the soul's "participation in the world of ideas". At this moment, the soul immerses itself in the world of ideas. It penetrates it so that it is incorporated into an eternal stream and ceases to belong to merely temporal life. It surveys the temporal from a higher point of view. Thus, for Plato, rising above the world of the senses is the actual world of the spirit or the knowledge of the soul.

For Plato, the elevation to the actual spiritual world or the knowledge of the soul is not a logical process, but a real process of the soul. Man becomes a different person, he ascends and conquers his soul. At the moment when he has done this, when he can set aside the sensual qualities of the world, he has achieved that to which space and time are not applicable, where one can no longer speak of coming into being and passing away. He has attained that which is sublime above birth and death; he has become a partaker of eternity, so that what Plato understands by "becoming a partaker of eternity" is something that must be conquered.

In the Platonic view, we cannot say: We carry an eternal soul within us, and we only need to recognize ourselves and we will recognize the eternal soul. That would not be the correctly understood Christian theory. But that is the Christian trivial theory. The soul is present in the human being. You can go looking for it like something hidden behind a door. It is there. Knowledge is there without us going through the [stages of] knowledge.

This view is not like the Platonic view. Those who do not want to go through the process of development, but want to recognize something that they already have within themselves, remain stuck in the sensual, in the intellectual. They remain in the sensual and do not reach that which is new. That is the cancer of our modern theory of knowledge.

This disaster has been caused by Kant's philosophy, which starts from the point of view that all truth is finished, that all truth is already there and that man only has to discover the truth, that he only has to pull away the veil and that he is actually the fifth wheel in the world's gears. Man is necessarily part of it. And when Plato speaks of the Godhead, the Godhead is just as dependent on man as man is on the Godhead, because the Godhead could not achieve perfection if man were not involved. It would remain at a lower level if man did not help it to achieve its goal. What man develops in the spirit is part of the world process.

This is also the point at which Platonic development can also say yes to our scientific theory of development. If we see it simply as a series of perceptions, but one that is infinite and never complete, if we view the sensory stages as a chain and see man as the pinnacle of nature, who in turn continues the same development out of himself, so that he represents a link in the development, then we have before us in the modern world what we also have before us in the Platonic world.

The human being who does not merely dissect and interpret sensuality, whose process of cognition is a real one, who does not merely recognize in the process of cognition, but who does something, who transforms the soul, transforms it from a temporal into a divine soul. It is the transition that must be found. And the driving force that conjures up the divine, that elevates man from sensual desire to enthusiasm, where his spiritual drive finds the transition, that is Eros, that is where he attains the higher standpoint and gains the overview.

He then does not take these drives from temporality, they are borrowed from the eternal world of ideas. We call this timeless and spaceless world the world of ideas because everything spatial and temporal is discarded, because we know that we are dealing here with the spirit. At this level, we cease to speak of the soul enclosed in finiteness and can only speak of the eternal. Everything that man gains in temporality is nothing other than a shining forth of the eternal world into the temporal, and the temporal world is nothing other than a reflection of the eternal in temporality.

If we translate this back, such a reflection appears in our imaginary life. If the matter becomes such that we see things in the light of eternity, then this is not an idea that has arisen, of which we can say that it was not there. It has always been there, only it has not been in the consciousness of man. It is exactly the same as with an idea that took root in our consciousness yesterday, which we did not think about, but which re-enters our consciousness today. Such an entry into consciousness is also the entry of eternal ideas into consciousness. It is the ability to remember.

So Plato can understand all higher knowledge as a memory by translating the [temporal into the eternal] back. And so he can say: Everything that we imagine in our imaginary life is the recollection of an earlier, purely spiritual life. And that which thus shines in cannot perish. It is what remains, it is what lies beyond death and beyond birth.

This, then, is the transition from the [temporal to the eternal]. Now think of how Plato speaks of the soul, saying: The soul remembers the former states before birth. The way in which he expresses himself is again a language of infinity translated back into temporality. But this prompts Plato to express the idea in a mystical way so as not to evoke the sensual imagination.

And now, in Plato, the process takes place that has taken place in all myth-making, a process that will always prevent us from interpreting the myths in a realistic way. The process takes place that must develop in every human being when he has to say goodbye to the logical. Here are the limits of logic.

Kant only knows about intellectual cognition. When man finds the way out from the knowledge of reason to the knowledge of experience, then he knows that this higher knowledge exists. When man is able to recognize as Johann Gottlieb Fichte did [that is] in such a way that he perceives the visible from the spiritual, because the spiritual becomes so fluid, then he feels compelled to resort to myth.

The myth that Plato chose for the virginal soul presents the soul as a team of two horses, one rushing along, the other heading for heaven. They are steered by a guide on their journey through the world. First they come to the region of the sky and then to the region of the sky above.

Through these regions of the world, the soul, guided by its leader in the sense of this Platonic myth, reaches the heaven above after ten thousand years. During the transition from the sphere of the mundane to the sphere of the divine, it has to overcome the greatest obstacles. This is where it faces the greatest danger. The steed inclined towards sensuality threatens to shy away. If the senses are not able to gain an insight into the Supermundane, [the soul] can be thrown back. But when it returns, it can undergo the marriage with heaven. Within ten thousand years it undergoes ten embodiments in one millennium each. The soul is free to choose its body once every millennium and is thus able to shorten its path. The ten thousand years can be shortened to three thousand years.

By imbuing itself with philosophy, theosophy and mysticism, the soul is able to shorten the path. This enables it to limit life to a smaller series of physical embodiments. Physical life is on the one hand - I may not say a marriage of the spiritual with the material - but a marriage of the soul with the sensual. It is a sensual reflection of the spiritual. And this marriage necessarily takes place according to the eternal laws of the universe. Man is necessarily compelled, after a series of years, to make that great transition where he must gain passage through the purely spiritual realm of the world of ideas. At the same time he is free on this path, which he accomplishes both below and above, to give himself his embodiment. He is a being that floats between freedom and necessity, that carries out his life between freedom and necessity. Thus Plato can understand life in the temporal as a recollection of the life he experienced in the extra-temporal. Man must participate in this retrospection of the world of ideas if he wants to rise to the higher levels of knowledge.

This is Plato's poem about the transition from the finite to the eternal. He speaks of it as if he were speaking of a journey, he speaks of it as if it were a fictionalized world of the senses. But this is nothing other than the art of awakening the imagination through myth. This has to do with the fact that, whatever one may speak about these things, one sees even deeper foundations coming before the soul, and that one would therefore only restrict, only limit these things with every intellectual limitation, with every conceptual expression.

If, on the other hand, they are expressed in a symbolic way and the symbol is conceived in a higher sense and is not too sober and unambiguous, then everyone will perhaps be able to draw higher, more meaningful things from this symbol by penetrating into it than those who speak in symbols. The person who speaks in symbols does not claim to have already thought everything that the listener can put into it.

But what about the question: did he mean what he said? Well, he wants us to be able to read more into his symbol than he himself was perhaps able to see in it. This is the exoteric and esoteric understanding of the symbol. The esotericist is aware that every human being, no matter how high a level of knowledge he may reach, still only has individual knowledge, and that it is possible for him to find the point of passage through the human spirit to that which the individual human consciousness cannot exhaust. He is aware that man can express truths in poetry without knowing what lies within these truths. And it can be the case that someone else, who comes afterwards, can first peel out what is contained therein.

This difference must be noted, so that we must not ask: Did he who created a myth of the inner life put these things into the myth? No, it is a need for man to express himself mythically when he comes to things that go beyond the human. When we come across such a mystical thing, an allegory or a symbol, it is a sign that a different interpretation is now coming in, and proof that we may now apply not a "finite but an "infinite interpretation".

It is quite the same as with the one who stands before the ordinary views of human life. Such a person can only describe the mountains to us in a finite form. He cannot tell us everything that the mountain has shown us. He cannot convey the same impression. But the one who does it the way Plato did it does not want to give us a description, he will not say: Use this description, which will lead you on the right path. The Platonic writings will only be used by a higher understanding in a higher way when they serve as a kind of "spiritual Baedeker". They should not be interpreted, they should be travel descriptions in the realm of the spiritual and lead you to the things themselves. But then the very language of myth, which makes certain things disappear in a kind of indeterminacy, will be appropriate because it does not create the impression that the thing itself is to be completed with the strict contours. No, what is handed down to us should only be an indication of what the person concerned saw. It should be a guide, not a story, a manual on how to study history.

Question answer:

The number 10,000 as the time of reincarnation.

Everything contained in "Esoteric Buddhism" tempts us to interpret everything exoterically.

The symbol is not a truth, but a path that can lead us to the truth.

Allegories. Not all allegories are original. Many will be taken over. Otherwise, every allegory corresponds to a spiritual. You draw them from your inner life.