Blackboard drawings for GA 278
Eurythmy as Visible Singing · Eurythmie als sichtbarer Gesang (Ton-Eurythmie-Kurs) · the volume on this site · 10 plates, 1924-02-19 to 1924-02-27
Plate 1 · Dornach, 19 February 1924
In the lecture: The Experience of Major and Minor
Printed in K 58/19, p. 11.
Plate 2 · 21 February 1924
In the lecture: Melodic Movement; the Ensouling of the Three Dimensions through Pitch, Rhythm and Beat
Printed in K 58/19, p. 13.
Plate 3 · Dornach, 22 February 1924
In the lecture: The Progression of Musical Phrases; Swinging Over; the Bar Line
Printed in K 58/19, p. 15.
Plate 4 · 23 February 1924
In the lecture: Choral Eurythmy
Printed in K 58/19, p. 16.
Plate 5 · Dornach, 23 February 1924
In the lecture: Choral Eurythmy
Printed in K 58/19, p. 17.
Plate 6 · Dornach, 25 February 1924
In the lecture: The Sustained Note; the Rest; Discords
Printed in K 58/19, p. 18.
Plate 7 · Dornach, 25 February 1924
In the lecture: The Sustained Note; the Rest; Discords
Printed in K 58/19, p. 19.
Plate 8 · Dornach, 26 February 1924
In the lecture: Musical Physiology; the Point of Departure; Intervals; Cadences
Printed in K 58/19, p. 20.
Plate 9 · Dornach, 26 February 1924
In the lecture: Musical Physiology; the Point of Departure; Intervals; Cadences
Printed in K 58/19, p. 21.
Plate 10 · Dornach, 27 February 1924
In the lecture: Pitch (ethos and pathos), Note Values, Dynamics, Changes of Tempo
Printed in K 58/19, p. 23.
All blackboard drawings · json. /api/blackboard.json