Greco-Christian stream·Divine Comedy·Inferno·Inferno · Canto 3
Gate of Hell; the neutrals; Acheron and Charon
Lasciate ogne speranza, voi ch'intrate. The inscription on the gate of Hell. The Ante-Inferno of the neutrals — those who took no side, neither for God nor for the rebels — stung by hornets, pursued by their own banner. Charon's barque on the Acheron carries the damned across.
Source context
- Theme
- threshold inscription, the fate of the indecisive, and the vestibule of Hell as moral-ontological boundary
- Soul-faculty
- Sentient Soul
Steiner
- GA 97, 1906-02-11Steiner references Inferno 1 (lines 94f and 38f) in the context of Dante's initiatory journey as a spiritually grounded cosmological document, treating Virgil's role as guide as an expression of pre-Christian wisdom reaching its limit at the threshold of higher realms.
- GA 59, 1910-05-12Steiner characterizes the Inferno as the first of three stages in Dante's presentation of a divine-spiritual world, noting that Dante re-establishes access to supersensible reality in artistic form after the line of development from Aeschylus.
Cross-tradition
- Greek underworld / Homeric HadesThe uninitiated shades at the threshold in Canto 3 show cross-tradition congruence with the restless dead of Homeric Hades who lack full ontological status — neither fully present among the living nor fully received into the realm of the dead.
- Kabbalistic KlipothThe vestibule populated by souls rejected by both Heaven and Hell shows cross-tradition congruence with the Kabbalistic concept of the outer shells (Klipoth) as a liminal domain of deficient spiritual substance, neither integrated into the divine order nor wholly opposed to it.
- Buddhist Bardo / intermediate stateThe condition of those who 'never were alive' in any spiritually consequential sense shows cross-tradition congruence with Buddhist descriptions of beings who, through absence of decisive karmic formation, remain in attenuated intermediate states.
Inferno Canto 3
Canto III
Argument
Dante, following Virgil, comes to the gate of Hell; where, after having read the dreadful words that are written thereon, they both enter. Here, as he understands from Virgil, those were punished who had passed their time (for living it could not be called) in a state of apathy and indifference both to good and evil. Then, pursuing their way, they arrive at the river Acheron; and there find the old ferryman Charon, who takes the spirits over to the opposite shore; which, as soon as Dante reaches, he is seized with terror, and falls into a trance.
"Through me you pass into the city of woe: Through me you pass into eternal pain: Through me among the people lost for aye. Justice the founder of my fabric moved: To rear me was the task of Power divine, Supremest Wisdom, and primeval Love.[1] Before me things create were none, save things Eternal, and eternal I endure. All hope abandon, ye who enter here."
[1: "Power," Wisdom," "Love," the three Persons of the Blessed Trinity.]
Such characters, in color dim, I mark'd Over a portal's lofty arch inscribed. Whereat I thus: "Master, these words import Hard meaning." He as one prepared replied: "Here thou must all distrust behind thee leave; Here be vile fear extinguish'd. We are come Where I have told thee we shall see the souls To misery doom'd, who intellectual good Have lost." And when his hand he had stretch'd forth To mine, with pleasant looks, whence I was cheer'd, Into that secret place he led me on.
Here sighs, with lamentations and loud moans, Resounded through the air pierced by no star, That e'en I wept at entering. Various tongues, Horrible languages, outcries of woe, Accents of anger, voices deep and hoarse, With hands together smote that swell'd the sounds, Made up a tumult, that forever whirls Round through that air with solid darkness stain'd, Like to the sand that in the whirlwind flies.
I then, with horror yet encompast, cried: "O master! what is this I hear? what race Are these, who seem so overcome with woe?"
He thus to me: "This miserable fate Suffer the wretched souls of those, who lived Without or praise or blame, with that ill band Of angels mix'd, who nor rebellious proved, Nor yet were true to God, but for themselves Were only. From his bounds Heaven drove them forth Not to impair his lustre; nor the depth Of Hell receives them, lest the accursed tribe Should glory thence with exultation vain."
I then: "Master! what doth aggrieve them thus, That they lament so loud?" He straight replied: "That will I tell thee briefly. These of death No hope may entertain: and their blind life So meanly passes, that all other lots They envy. Fame of them the world hath none, Nor suffers; Mercy and Justice scorn them both. Speak not of them, but look, and pass them by."
And I, who straightway look'd, beheld a flag, Which whirling ran around so rapidly, That it no pause obtain'd: and following came Such a long train of spirits, I should ne'er Have thought that death so many had despoil'd.
When some of these I recognized, I saw And knew the shade of him, who to base fear[2] Yielding, abjured his high estate. Forthwith I understood, for certain, this the tribe Of those ill spirits both to God displeasing And to His foes. These wretches, who ne'er lived, Went on in nakedness, and sorely stung By wasps and hornets, which bedew'd their cheeks With blood, that, mix'd with tears, dropp'd to their feet, And by disgustful worms was gather'd there.
[2: This is commonly understood of Celestine V, who abdicated the papal power in 1249. Venturi mentions a work written by Innocenzio Barcellini, of the Celestine order, and printed at Milan in 1701, in which an attempt is made to put a different interpretation on this passage. Lombardi would apply it to some one of Dante's fellow - citizens, who, refusing, through avarice or want of spirit, to support the party of the Bianchi at Florence, had been the main occasion of the miseries that befell them. But the testimony of Fazio degli Uberti, who lived so near the time of our author, seems almost decisive on this point. He expressly speaks of the Pope Celestine as being in Hell.]
Then looking further onwards, I beheld
A throng upon the shore of a great stream: Whereat I thus: "Sir! grant me now to know Whom here we view, and whence impell'd they seem So eager to pass o'er, as I discern Through the blear light?" He thus to me in few: "This shalt thou know, soon as our steps arrive Beside the woful tide of Acheron."
Then with eyes downward cast, and fill'd with shame, Fearing my words offensive to his ear, Till we had reach'd the river, I from speech Abstain'd. And lo! toward us in a bark Comes on an old man, hoary white with eld, Crying, "Woe to you, wicked spirits! hope not Ever to see the sky again. I come To take you to the other shore across, Into eternal darkness, there to dwell In fierce heat and in ice. And thou, who there Standest, live spirit! get thee hence, and leave These who are dead." But soon as he beheld I left them not, "By other way," said he, "By other haven shalt thou come to shore, Not by this passage; thee a nimbler boat Must carry." Then to him thus spake my guide: "Charon! thyself torment not: so 'tis will'd, Where will and power are one: ask thou no more."
Straightway in silence fell the shaggy cheeks Of him, the boatman o'er the livid lake, Around whose eyes glared wheeling flames. Meanwhile Those spirits, faint and naked, color changed, And gnash'd their teeth, soon as the cruel words They heard. God and their parents they blasphemed, The human kind, the place, the time, and seed, That did engender them and give them birth,
Then all together sorely wailing drew To the curst strand, that every man must pass Who fears not God. Charon, demoniac form, With eyes of burning coal, collects them all, Beckoning, and each, that lingers, with his oar Strikes. As fall off the light autumnal leaves One still another following, till the bough Strews all its honours on the earth beneath; E'en in like manner Adam's evil brood Cast themselves, one by one, down from the shore, Each at a beck, as falcon at his call.[3] one by one, down from the shore.]
[3: "As a falcon at his call." This is Vellutello's explanation, and seems preferable to that commonly given: "as a bird that is enticed to the cage by the call of another."]
Thus go they over through the umber'd wave; And ever they on the opposing bank Be landed, on this side another throng Still gathers. "Son," thus spake the courteous guide, "Those who die subject to the wrath of God All here together come from every clime And to o'erpass the river are not loth: For so Heaven's justice goads them on, that fear Is turn'd into desire. Hence ne'er hath past Good spirit. If of thee Charon complain, Now mayst thou know the import of his words."
This said, the gloomy region trembling shook So terribly, that yet with clammy dews Fear chills my brow. The sad earth gave a blast, That, lightening, shot forth a vermilion flame, Which all my senses conquer'd quite, and I Down dropp'd, as one with sudden slumber seized.