VI. The Mystery of the Future

Anyone in the slightest degree capable of interpreting the signs of the times will perceive in the art of Richard Wagner the first rays of Christianity emerging from the narrow framework of the religious life into the wider horizons of modern spiritual culture. One can discern quite unmistakably how in the soul of Richard Wagner himself the central idea of Christianity comes to birth, how it bursts the bonds of religion and becomes universal. When on Good Friday, in the year 1857, he looks out of the Villa Wesendonck by the Lake of Zürich at the budding flowers of early spring, and the first seed of “Parsifal” quickens to life within him, this is a transformation, on a wider scale, of what already lives in Christianity, as a religious idea. And after he had reached the heights of that prophetic foreshadowing of Christianity to which he gave such magnificent expression in the “Ring of the Nibelungs,” this central Idea of Christianity found still wider horizons in “Parsifal,” becoming the seed of that future time when Christianity will embrace, not only the religious life, but the life of knowledge, of art, of beauty, in the widest sense of the words.