IV. The Raising of Lazarus

From the three foregoing lectures, it should have become somewhat clear that in the Gospel of St. John the truths of Spiritual Science can be found again. However, it must be very clear that in order to discover these truths, it will be necessary to weigh every word thoroughly. In fact the important thing in a consideration of this religious document is that the true, exact meaning be perfectly understood, for as we shall see in particular instances everything in it has the deepest possible significance. Moreover, not only the wording of special passages is of importance, but something else must be considered and this is the division, the composition, the structure of the document. As a matter of fact, people no longer have the right feeling for such things. Authors of the past—if I may so designate them—introduced into their works much more of an architectural structure, much more of an inner arrangement than is usually imagined. You need only to recall from among them a relatively modern poet, Dante, to find this confirmed. Here we see that the Divine Comedy is architecturally composed of parts based upon the number three. And it is not without meaning that each division of Dante's Comedia closes with the word “Stars.” This I mention only to suggest how architecturally ancient writers constructed their works, and especially in the great religious documents we should never lose sight of this architectural form, because in certain cases the form signifies a very great deal. To be sure, we must first discover this meaning.