I. The Egyptian period, and the present time.

Everyone knows this wonderful figure of the Virgin in the centre of the picture, carrying the child in her arms, and we have certainly all experienced a corresponding emotional thrill when confronted by it. I would ask you, however, to note one thing with regard to it which expresses the spiritual striving of humanity at the stage with which we are dealing—the three civilizations mentioned above. It is not for nothing that the artist has surrounded the Madonna with a cloud out of which develop a great number of similar little children, a crowd of angelic forms. Let us now allow our feeling to be completely absorbed by this picture of the Madonna. Anyone whose emotion is sufficiently deep for him to be able to do this will feel and perceive that there is here something very different from what an ordinary profane intellect will see in the picture. Do not these cloud-angels surrounding the Madonna say something to us? Yes, they say something of the greatest significance if we do but consider them deeply enough. When we allow ourselves to sink deeply into this picture, something whispers in our soul, “Here before us is a miracle in the best sense of the word.” We do not think that this child whom the Madonna bears in her arms is born in the ordinary way from the woman. No! These wonderfully delicate angel-forms we see in the clouds seem to be in process of development, and the child in the Madonna's arms seems to be only a more condensed manifestation of them, like something that had crystallized somewhat more than these fleeting angel-forms, which seems as if brought down from the clouds and held fast in her arms. It is thus this child appears to us, and not as if born from the woman. We are directed to a mysterious connection between the child and the virgin mother. If we call up the picture thus before our souls, another virgin mother appears to our mental vision: the ancient Egyptian Isis, with the child Horus, and we may become aware of a mysterious connection between the Christian Madonna and the Egyptian figure on whose temple was written the words, “I AM, which is, and which was, and which is to come my veil no mortal can raise.”