9. The Artistic Composition of the Gospel of St. John

By this He meant: among those who cling to the old forms of life the ego is entrenched in a system of blood relationships. The words I and Father Abraham are one aroused a very special feeling in the true confessor of the Old Testament, a feeling nowadays very difficult to share. What a man calls his own self, circumscribed by birth and death, he sees as transitory. But one who had true faith in the Old Testament, who was influenced by the widespread teachings of that time, asserted—not allegorically, but as a fact: As regards myself I am isolated; but I am a member of a great organism, of a great living whole reaching back to Father Abraham. Just as my finger can remain a living member only as long as it is part of my body, so my memory is contingent upon my feeling myself a member of the great folk organism that goes back to Father Abraham. I am part of the great complex, exactly as my finger is part of my body. Cut off my finger and it ceases to be a finger: it is safe only as long as it is part of my hand, my hand part of my arm, and my arm part of my body; it ceases to have meaning if severed from my hand. And in like manner, I myself have meaning only when I feel myself a member of all the generations through which the blood flows down from Father Abraham. Then I feel sheltered. My individual ego is transient and fleeting, but not so this whole great folk organism way back to Father Abraham. When I sense and feel myself wholly embraced by it I conquer my temporally transient ego: I am sheltered in one great ego, the ego of my people that has come down to me from Father Abraham through the blood of the generations.