9. The Artistic Composition of the Gospel of St. John

“Woman, this now passeth over from me unto thee.” Otherwise—well, after an utterance like “Woman, what have I to do with thee?” why would she turn to the servants and say, “Whatsoever he saith unto you, do it”? She had to possess the old forces of which nowadays people can have no conception; and she knew that He referred to the blood tie between them, to the bond that should then pass over into the others. Then she knew that something like an invisible spiritual force held sway, capable of effectuating something.—And here let me beg you to read the Gospel—really to read it. I ask how anyone can come to terms with the Gospel who believes that something happened at that wedding—I really don't know what—that six ordinary jars stood there “for the purifying of the Jews”, as we are told; and that according to ordinary observation—without reference to anything such as we have just been considering—the water turned into wine. How could such a thing have come about externally?