9. The Artistic Composition of the Gospel of St. John

GA 112/1909-07-02/p038 ·1909-07-02 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Thus we have shown, through the whole constellation of conditions surrounding this first sign, how the unison of souls which results from blood ties produces an effect even in the physical world. It was the first sign, and the Christ force is shown at its minimum: it still needed the intensification resulting from contact with the mother's psychic forces, as well as the additional strength residing in certain forces of nature that remained intact in the freshly drawn water. The active force of the Christ Being is here shown at its least; but what is stressed as especially important is its influence upon the other soul and its calling forth from it an activity which the latter is fitted to perform. The essential point is that the Christ force had the power to render the other soul capable of exerting influences: it engendered in the wedding guests as well the ability to taste the water as wine.—But every real force increases through its own exercise, and the second time it is called upon it is already greater. Just as any ordinary force increases with exercise, so is especially a spiritual force strengthened when it has once been successfully applied.

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Cite: GA 112/1909-07-02/p038 · edition English