Initiates and Clairvoyants

An idea of the world of Imagination may be gained in the following way. Suppose someone were able to extract from a plant in front of him everything perceptible to the sense of sight as ‘colour’, so that this hovered freely in the air. If he were to do nothing more than draw out the colour from the plant, a lifeless colour-form would hover before him. But to the clairvoyant such a colour-form is anything but a lifeless picture, for when he extracts the colour from the objects, then, through the preparation he has undergone and the exercises he has practised, this colour-picture begins to be animated by spirit just as in the physical world it was filled by the living substance of the plant. He then has before him, not a lifeless colour-form but freely moving coloured light, glistening, sparkling, full of inner life; each colour is the expression of the particular nature of a spiritual being imperceptible in the world of the physical senses. That is to say, the colour in the physical plant becomes for the clairvoyant the expression of spiritual beings. Now imagine a world filled with such colour-forms, reflected in manifold ways and in perpetual metamorphosis; your vision must not be confined to the colours, as it might be when confronting a painting of glimmering colour-reflections, but you must imagine it all as the expression of beings of soul-and-spirit, so that you can say to yourselves: ‘When a green colour-picture flashes up it expresses to me the fact that an intellectual being is behind it; or when a reddish colour-picture flashes up it is to me the expression of a being with a fiery, violent nature.’ Now imagine this whole sea of interweaving colours I might equally well say a sea of interplaying sensations of tone, taste, or smell, for all these are the expressions of beings of soul-and-spirit behind them—and you have what is called the ‘Imaginative’ world, the world of Imagination. It is nothing to which the word ‘imagination’ (fancy) in its ordinary sense could be applied; it is a real world, requiring a mode of comprehension different from that derived from the senses.