VI. The Son of God and the Son of Man. The Sacrifice of Orpheus

GA 124/1911-01-16/p015 ·1911-01-16 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

If we can feel the supersensible reality behind the creations of men such as Raphael, Leonardo da Vinci and others of their calibre, we can still glimpse in the relatively small number of pictures that have come down to us, something of the original inspiration. Great works of art, works of spiritual genius, are always echoes of what was originally revealed. And if we can perceive something of what Raphael, for example, expressed in his pictures, or form a living idea of the work of Zarathustra, we shall be able to hear something of what comes from the Exousiai.

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Cite: GA 124/1911-01-16/p015 · edition English