Lecture III

On the other hand, when we go further back into the past, the forms become symbolic; they indicate something that is not purely human, something that man does not yet feel within his own self. In those times he could only express in symbols what was coming in from divine-spiritual worlds. Hence, in the archaic period, art was symbolic.—And when we see the form in which art then makes its way to the people who were destined to provide the material for our own, fifth culture-epoch—think only of earlier German art—we find that there we have to do, not with symbolism, nor with an expression of the purely human, but with an inwardly deepened life of soul. We see there that the soul cannot wholly permeate the outer human form. How could the figures of Albrecht Dürer be characterised otherwise than by saying that man's longing for the super-sensible world comes only to imperfect expression—imperfect in the Greek sense—in the outer configuration of the body Hence the deepening in the direction of the life of soul as art progresses to further stages.