10. The two poles of all soul-ordeals. The macrocosmic Christ Impulse in the meaning of St. Paul.

Such was the wisdom which prevailed in the Greek Mysteries, a wisdom which leads us to the deepest secret behind the soul's ordeals. Therefore the Greek neophytes, the pupils of these Mysteries, were led on the one side to fear of the infinite abyss, and to knowledge; on the other side they were led, through the temptation to egotism and its overcoming, to infinite compassion and sympathy with all beings. In the marriage, the union, of compassion with thought they experienced purification from all the soul's trials. A faint reflection of this is shown in early Greek tragedy, Greek drama. The first dramas of Aeschylus, and in a lesser degree also those of Sophocles enable us to recognise what their purpose was. The way in which the action takes place on the stage is intended to arouse both fear and pity, and through them to lead to catharsis, to purification. Aristotle, who held the tradition that Greek drama portrayed in miniature those tremendous sensations of fear and egotism, of the overcoming of fear through fearlessness, and of egotism in sympathy, in boundless sympathy—Aristotle, who knew that drama was a way of teaching in miniature, defined tragedy as a representation of connected events calculated to arouse fear and pity in the human soul and through those qualities to purify it.