5. Life between Death and Rebirth I

GA 140/1912-11-26/p043 ·1912-11-26 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Another fact astounded me, and though I strongly resisted it because it seemed incredible, I found it impossible to do so. Many of you will know the Medici Tombs by Michelangelo in Florence, with the statues of Giuliano and Lorenzo de Medici and four allegorical figures. The artistic element in these figures is usually overlooked. They are viewed as barren allegories. Now these figures with one exception, were not quite finished, and yet they do not give the impression of being merely allegorical. In the guide books we are told that the statue of Giuliano stands on one side and that of Lorenzo on the other. Actually, they have been reversed. The statue said to represent Lorenzo is that of Giuliano, and that of Giuliano is the statue of Lorenzo. This is correct, but in almost every history of art manual and in Baedecker, the facts are wrongly given. The descriptions would certainly not tally and apparently the statues were once reversed. They no longer stand where Michelangelo had placed them originally. But I want to speak mainly about the four allegorical figures. At the foot of one of the Medici statues we have the figures of “Night” and “Day;” at the foot of the other, “Dawn” and “Dusk.”

Read this passage in another edition
ENEnglish
Raw JSON: /v1/steiner/en/ga/140/1912-11-26/p043.json
Cite: GA 140/1912-11-26/p043 · edition English