5. Life between Death and Rebirth I

As I have said, to begin with I resisted what I am now going to say about them. Let us start with the figures of “Night.” Suppose one immerses oneself in everything one sees, in every gesture (books comment rather nonsensically that this is a gesture that a sleeping person cannot possibly adopt.) If, having studied every gesture, every movement of the limbs, one asks oneself how an artist would have to portray the human figure if he wished to convey the greatest possible activity of the etheric body in sleep, then he would have to do it out of his artistic instincts exactly as Michelangelo did it in his figure. The figure of “Night” corresponds with the posture of the etheric body. I am not suggesting that Michelangelo was conscious of this. He simply did it.