5. Life between Death and Rebirth I

Now let us look at the figure of “Day.” This is no barren allegory. Picture the lower members of the human being more passive, and the ego predominantly active. We have this expressed in the figure of “Day.” If we were now to express in the posture the action of the astral body working freely when the other members are reduced to inactivity, then we should find this in the so-called allegory of “Dawn.” And if sought to express the conditions where the physical body is not altogether falling to pieces, but becomes limp as a result of the withdrawal of the ego and astral body, this is wonderfully portrayed in the figure of “Dusk.” In these figures we have living portrayals of the four sheaths of man. We can readily understand the once widespread legend about the figure “Night.” It was said that when Michelangelo was alone with this figure it became alive, rose up and walked about. This is understandable if one knows that it has the posture of the etheric or life body, and that in such a position the etheric body can be fully active. If this is perceived, then indeed the figure appears to rise up, and one knows that it could walk about were it not carved out of marble. If the etheric body only were really active there, then nothing would prevent it from moving about.