III. Towards a Synthesis of World Views: A Fourfold Mission

GA 143/1912-05-16/p015 ·1912-05-16 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
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And so we could go through the most diverse things with Raphael. If we focus on his various Madonnas, we must ask ourselves, however: Isn't one thing strange about Raphael, he is great when he paints the scenes that show the becoming, the growing in the emergence of Christianity, the little Jesus as something that contains the whole of Christianity becoming in the germ. But we do not find Raphael's painting of Judas betraying Christ, nor does he actually paint Christ carrying the cross, because his Christ carrying the cross seems to us to be forced, not at all like Raphael's other works. Instead, we find the Annunciation, the Ascension, that is, the things that point precisely to the emergence of Christianity.

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Cite: GA 143/1912-05-16/p015 · edition English