Lecture II

In order that the right relationship should come about at her “Awakening,” Maria had to be presented, at the moment when the spiritual world was to rush in on her with such vehemence, as a person who could well appear absurd to someone like one of our fine young theater critics. A dainty little modern critic might well say: “After finishing the Egyptian scene, there sat Maria as if she had just had breakfast, experiencing these things without a bit of lively drama.” And yet anything else would be untrue at this stage of her development. Only Maria's quiet calmness can represent the truth of her development, as the rays of spiritual light fall upon the scene. We see from this how much depends on the soul mood, mastering within itself all the emotions and passions that are significant only for the physical sense world, if the soul is to cross the threshold of the spiritual world in the right way; otherwise it will experience there the necessary consequence of what remains of sensual feeling. Ahriman is the more spiritual being; what he carries out in the way of unlawful activity, of the unlawful activity he can create, flows more or less into the general world of the senses. Lucifer is more a being of soul; he tries to draw emotional soul elements out of the sense world and embody them in his special luciferic kingdom, where for every human being—according to the egoism rooted in his nature—Lucifer wants to ensure the greatest possibility of segregated independence.