Lecture VI

In the middle between what is generally ahrimanic in architecture and sculpture and what is luciferic in poetry and music lies painting. In a way it is a neutral region but not such that we can comfortably settle down and say to ourselves, “Now I'll go ahead with painting, for here neither Lucifer nor Ahriman can get at me.” Actually it is just here in the middle that we are exposed on both sides most strongly to their attacks; at every moment we must be on our guard. In the realm of painting we are in the highest degree vulnerable to one or the other influence. The middle line is always the place where we have to bring about, in the very strictest sense of the word, the harmonious balance of polarities by means of human will and human action.