Lecture III

GA 149/1913-12-30/p030 ·1913-12-30 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

And the god of the Muses, above all the god of song and the art of music, is Apollo. Why is this? Because through the power of song and string-music he brings thinking, feeling and willing into harmony. We have only to keep firmly in mind that in Apollo there was a projection of what had happened at the end of the Atlantean time. Something had then worked from spiritual heights into the human soul, and a weak echo of it could be heard in the musical art cultivated by the Greeks under the protection of Apollo. They knew it as an earthly reflection of the ancient art which the Angel-Being, permeated by the Christ, had cultivated in the heavenly heights in order to bring thinking, feeling and willing into harmony. They did not say so openly; only in the Mysteries was the meaning of it understood.

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Cite: GA 149/1913-12-30/p030 · edition English