Lecture III

GA 149/1913-12-30/p031 ·1913-12-30 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

In the Apollonian Mysteries it was said: A high Divine Being once sank Himself into a Being of the Hierarchy of Angels and thereby brought harmony into thinking, feeling and willing. The art of music was a reflection of that happening, especially the Apollonian art which flowed from the sound of strings. The music which demands less of the elements than wind instruments do; which depends in the main only on the skill of human hands; in short, the music that sounds from the strings of Apollo—to this music the Greeks ascribed the musical effects which bring harmony into the soul. And persons who have no inclination for Apollo's music, or do not value it highly enough, were said by the Greeks to carry a bodily mark of their obtuseness in this respect; a sign that they had stayed behind, atavistically, at an earlier stage.

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Cite: GA 149/1913-12-30/p031 · edition English