Parsifal and the Grail in Stellar Script

I knew that many meanings can be attached to the Holy Vessel in which the Host, the holy bread or wafer, is placed. And on the Holy Vessel itself “Parsifal” was to shine. I was aware also of the deep significance of a passage such as that in St. Mark's Gospel, Chapter 4, verses 11 and 12, 33 and 34, where we are told that the Lord often spoke in parables and only gradually clarified their meaning. In occult investigation, too, one is, led gradually, step by step, and very often only in connection with karmic guidance, and on encountering something that seems to have to do with a certain matter, one very often does not know what will be made of it in one's own soul under the influence of forces coming from the spiritual world. Often one does not know in the least whether something drawn from the depths of the occult world will have a bearing on some problem that one has been following up for years. Thus I did not know how to proceed when I once asked the Norwegian Folk Spirit, the Northern Folk Spirit, about Parsifal and he said: “Learn to understand the saying that through my powers there flowed into the northern Parsifal saga ‘Ganganda greida’”—“circulating cordial”, or something like that![^1] I had no idea what to make of this. It was the same when I was coming out of St. Peter's in Rome under the strong impression made on me by Michelangelo's work that you find on the right-hand side as you enter—the Mother with Jesus, the Mother who looks so young, with Jesus dead already on her knees. And under the after-effect of looking at this work of art (this was a leading of the kind I mean), there came to me, not as a vision but as a true Imagination from the spiritual world, a picture which is inscribed in the Akashic record, showing how Parsifal, after he has gone away for the first time from the Castle of the Grail, where he had failed to ask about the mysteries which prevail there, meets in the forest a young woman who is holding her bridegroom in her lap and weeping over him. But I knew that whether it is the mother or the bride whose bridegroom is dead (Christ is often called the Bridegroom), the picture had a meaning, and that the connection thus established—without my having done anything about it—had a meaning also.