I. The Three Spiritual Precursors of the Mystery of Golgotha

GA 152/1914-03-05/p012 ·1914-03-05 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
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We find this spiritual event mirrored in the myths of all peoples, in the myth of Saint George, the archangel Michael, conquering the dragon. In the post-Atlantean cultures we see a consciousness alive of the Christ's influence in the spiritual worlds on the process of becoming human through that spiritual being. In the Zarathustra cult, we encounter the high sun-being, and like an image of this, the service of Apollo appears in Greek consciousness. The temple of Apollo stands at the Castalian Spring, and it is to this that the Greeks, well prepared, journey to seek Apollo's counsel. Python, who rests over the vapors that rise from the crevice and entwine Mount Parnassus like a snake, is defeated by Apollo, and in his place stands the priestess Pythia, through whose mouth Apollo reveals his wisdom to the Greeks. From spring to fall, Apollo dwells in his place, then he moves north to the land of the Hyperboreans. Apollo must move north as the spirit of the sun, while the physical sun moves south. And we find Apollo associated with music, the playing of the lyre. It represents the expression of the harmony of the three human soul powers. And it is said of a famous man with ears that were too large, King Midas, that Apollo caused him to grow the ears of an ass as punishment for his having decided the musical contest between Apollo and Marsyas in favor of Apollo, because he preferred Marsyas's flute to Apollo's playing of the strings.

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Cite: GA 152/1914-03-05/p012 · edition English