Lecture I

GA 155/1912-05-23/p024 ·1912-05-23 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
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Now we can direct our gaze to another personality, to the remarkable personality of the painter Raphael. This remarkable personality presents itself to us in an unusual way. In the first place, we need only compare Raphael to—let us say—Titian, a painter of a later period. Whoever has an eye for such things, even if he look at the reproductions, will find the distinction. Look at the pictures of Raphael and at those of Titian! Raphael painted in such a way that he put Christian ideas into his pictures. He painted for the people of Europe as Christians of the West. His pictures are comprehensible to all Christians of the West, and will become so more and more. Take, on the other hand, the later painters. They painted almost exclusively for the Latin race, so that even the schisms of the Church found expression in their pictures.

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Cite: GA 155/1912-05-23/p024 · edition English