First Lecture

GA 156/1914-12-12/p023 ·1914-12-12 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

But you know, it is a sign of evolution that everything that comes from the good gods can be distorted in the world by Ahriman or Lucifer. The moment when the very ordinary art of printing was created, which then developed into that from which man mainly draws his wisdom today, by bending his head over the paper on which there are horrible signs, which are only the ape-like old characters that reveal to him what people thought or did not think about the world and its secrets, the art of writing was shifted. As a result, the written word has indeed entered a new stage, the stage where it has lost all nimbus of the sacred, where the Ahrimanic stage of written communication has begun, so to speak. And so, just as the ancient characters are the externalization of hidden secrets, albeit in a reproduction, in symbolism, just as these characters are the externalization of hidden secrets into the outer world, and just as these secrets correspond to the nature of the entities of the spiritual world that progress in the good sense. What we have today, especially in the form of printed matter – but in a broader sense it also applies to handwriting – is of a distinctly Ahrimanic character. And the people sensed this when they attributed the art of printing to the 'black forces', calling it a 'black art', and even attributing its invention to the devil.

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Cite: GA 156/1914-12-12/p023 · edition English