Second Lecture

GA 156/1914-12-13/p039 ·1914-12-13 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

Human gestures become an expression of the whole life of the world, of the spiritual life of the world. One must feel how such knowledge of the secrets of the cosmos can deepen the ordering of the human form in art! But you can also ask yourself: What actually happened when the upward orientation of the head, which can be compared to the Luciferic, was turned forward, and the human being stands on the earth with the head turned forward? He thereby became an earthly being! That which is not an earthly being cannot have legs and feet in the human sense. Man does not get his head, and with it his countenance, from the earth, but from the cosmos; but it comes into being in its form through turning to the earth. If we take other genii, other spirits, we cannot possibly make them with human legs. To make genii, who do not belong to earthly existence, with human legs is simply wrong, is actually wrong. This can really be seen from spiritual scientific knowledge. And our art in our building should take full account of these perceptions that come from spiritual scientific knowledge.

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Cite: GA 156/1914-12-13/p039 · edition English