{"corpus":"steiner","locus":"GA 161/1915-01-30/p005","lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"No one who lets the *Divine Comedy* work upon his soul will fail to perceive the spiritual note that pervades what Dante has here expressed. Nowadays, if it be a question of studying how Dante arrived at the magnificent pictures of his poem, people will readily be inclined to use the word *fancy* or *imagination*. Dante, they say, was filled with artistic imagination. They are content to leave it at that. Needless to say, I shall not deny that artistic imagination was at work in Dante. But even in the light of outer history it would be wrong to suppose that he created the whole of his magnificent poem, as it were out of the void, out of mere fancy.","text_trust":"verbatim","quote_safe":true,"title":"Brunetto Latini","site_heading":null,"date":"1915-01-30","location":null,"word_count":120,"url":"https://anthroposophy.ai/v1/steiner/en/ga/161/1915-01-30/p005","alignment_confidence":"high","alignment_reason":"beads:length","two_voice_volume":false,"translation_credit":{"scope":"unit","status":"established","translator":"George Adams","identified_edition":"Singles","book_title":"Brunetto Latini","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA161/English/Singles/19150130p01.html","evidence":"lecture_page_line"},"edition_coverage":{"de":["original"],"en":["English"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/161/1915-01-30/p005"},{"lang":"en","edition":"English","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/161/1915-01-30/p005","paragraph_aligned":true}],"record":{"record_type":"unknown","scope":"volume","note":"How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.","evidence":null,"evidence_translation":null,"evidence_source":null},"german_anchor":{"de_prefix":"1915-01-30","de_passages":[{"locus":"GA 161/1915-01-30/p004","url":"https://anthroposophy.ai/v1/steiner/de/ga/161/1915-01-30/p004"}],"bead_confidence":"high","pairing_state":"proposed","verified":false,"length_check":{"de_words":137,"en_words":145,"ratio":1.06,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 161/1915-01-30/p004","passage_number":4,"text":"Um auf eine bedeutsame Tatsache hinzuweisen, sei das Beispiel eines ja wirklich über die Zeiten hinleuchtenden Kunstwerkes gewählt, der «Göttlichen Komödie» Dantes. Wer wird, wenn er wirklich die «Göttliche Komödie» auf sich wirken läßt, nicht den spirituellen Zug walten sehen durch dasjenige, was Dante zum Ausdruck gebracht hat! Heute wird man gerne geneigt sein, wenn es sich darum handelt, zu sagen, wie Dante zu den grandiosen Bildern seines Gedichtes gekommen ist, das Wort «Phantasie» zu gebrauchen und sich zufrieden geben damit, daß man sagt: Nun ja, in Dante hat eben die künstlerische Phantasie gewirkt. — Selbstverständlich soll nicht geleugnet werden, daß in Dante die künstlerische Phantasie gewirkt hat. Aber selbst historisch, äußerlich historisch wäre es unrichtig, wenn man glauben wollte, daß Dante, so wie aus dem Nichts heraus, aus der Phantasie sein ganzes grandioses Gedicht geschaffen hätte.","text_trust":"verbatim","quote_safe":true,"word_count":137,"url":"https://anthroposophy.ai/v1/steiner/de/ga/161/1915-01-30/p004"}],"english":["GA 161/1915-01-30/p004","GA 161/1915-01-30/p005"],"method":"length","confidence":"high","correspondence":"established","length_check":{"de_words":137,"en_words":145,"ratio":1.06,"partial":false},"pairing_state":"proposed","verified":false},"witness_completeness":{"ratio":1.0,"band":"comparable","note":null,"word_count":5367,"original_word_count":5385,"may_be_abridged":false},"witness_quality":{"translator":{"scope":"unit","status":"recorded","translator":"George Adams","identified_edition":"Singles","book_title":"Brunetto Latini","publisher":null,"publisher_inferred":false,"match_score":1.0,"source_url":"https://www.rsarchive.org/Lectures/GA161/English/Singles/19150130p01.html","evidence":"lecture_page_line"},"entity_parity":{"status":"ok","checked_against":["GA 161/1915-01-30/p004"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}