Lecture V

The fact that painters believe they can no longer manage without a model is due to their having totally lost the faculty of experiencing in any way at all how the I continues on into the organism, into the astral body. Why is it often precisely the old portraits that people admire today? Because they were not painted as they now are, where the artist merely has a sitter to copy, and is duty bound to copy everything that is there. In the past people knew that if a person forms the muscles round his eyes in a particular way, then what lives in his I enters in a very definite way into his astral body and produces this form of the muscles. If we were to go back as far as ancient Greece, we would be quite wrong to imagine that the ancient Greeks used a model for the wonderful forms they created. They had no models. If a particular curve of the arm was required, the sculptor, knowing how the will brought the I into the astral body, created the curve out of this experience. As this feeling for what was going on in the astral body faded away the necessity arose to adhere as strictly to a model as is customary today.