4. The Human Organism Through the Incarnations

GA 169/1916-06-27/p041 ·1916-06-27 · English LowLow alignmentMost translators re-paragraphed Steiner substantially. The locus identifies the same chapter or section, but paragraph-N to paragraph-N mapping is loose. For exact-quotation precision, compare with the German.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

At this point, I would like to draw your attention to snapshots of people walking on the street you can find in any illustrated magazine. Snapshots reproduce the immediate outer reality; they show the person as he or she is—most of the time, that isn't very pretty. A snapshot of a bird will look very different from a painting. Now the strange thing is, when you look at a Japanese drawing of birds, you'll see it resembles a snapshot. That is a fact. There is a certain resemblance between Japanese drawings of birds in flight and a snapshot of birds. This resemblance applies even to Japanese drawings of people, because Japanese artists, more so than others, paint what a snapshot reveals—of course, we have to limit our observation to the representation of people walking.

Read this passage in another edition
ENEnglish
Raw JSON: /v1/steiner/en/ga/169/1916-06-27/p041.json
Cite: GA 169/1916-06-27/p041 · edition English