Lecture V

GA 176/1917-07-03/p025 ·1917-07-03 · English HighHigh alignmentThis translation's paragraph count matches the German original — the locus maps cleanly to the same paragraph in DE.
Record: unknown. How this text was taken down (shorthand transcript, listeners' notes or manuscript) is not on record here. Unknown is not an assurance of a stenogram: check the edition's own notes before resting an argument on one word.

To confirm in detail what I have just said would take too long. However, you all know that the saying “taste cannot be disputed” has a certain justification. Taste for certain things one either has or has not; either the taste has been acquired already or not yet. We may ask, why? The answer is that every time we apply an aesthetic evaluation to something we have a twofold perception. That is an important fact discovered through spiritual investigation. Whenever you are inclined to apply the criterion of beauty to something, your perception of the object is twofold. Such an object is perceived in the first place because of its influence on the physical and ether bodies. This is a current that streams, so to speak, from the beautiful object to the onlooker, affecting his physical and ether bodies regardless whether a painting, a sculpture or anything else is observed. What exists out there in the external world is experienced in the physical and ether bodies, but apart from that it is experienced also in the I and astral body. However, the latter experience does not coincide with the former; you have in fact two perceptions. An impression is made on the one hand on the physical and etheric bodies and on the other an impression is also made on the I and astral body. You therefore have a twofold perception.

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Cite: GA 176/1917-07-03/p025 · edition English