{"corpus":"steiner","locus":"GA 18/p01c06/p055","lang":"en","edition":"AP1973","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Goethe did not consider art and beauty as a realm that was torn out of the interconnection of reality, but as a higher stage of nature's order. At the sight of artistic creations that especially interested him during his Italian journey he wrote, “Like the highest works of nature, the lofty works of art have been produced by men according to *true* and *natural* laws. Everything that is arbitrary and merely imagined fades away before them. *Here is necessity; here is God.”* When the artist proceeds as the Greeks did, namely, “according to the laws that Nature herself follows,” then his works contain the same godly element that is to be found in nature itself. For Goethe, art is “a manifestation of secret natural laws.” What the artist creates are works of nature on a higher level of perfection. Art is the continuation and human completion of nature, for “as man finds himself placed at the highest point of nature, he again considers himself a whole nature and as such has again to produce a peak in himself. For this purpose he raises his own existence by penetrating himself with all perfections and virtues, produces choice, order, harmony and meaning, and finally lifts himself as far as to the production of the work of art.” Everything is nature, from the inorganic stone to the highest of man's works of art, and everything in this nature is ruled by the same “eternal, necessary and thereby divine laws,” such that “the godhead itself could not change anything about it” (Poetry and Truth, Book XVI).","text_trust":"verbatim","quote_safe":true,"title":"VI. The Age of Kant and Goethe","site_heading":null,"date":null,"location":null,"word_count":262,"url":"https://anthroposophy.ai/v1/steiner/en/ga/18/p01c06/p055","alignment_confidence":"low","alignment_reason":"no_original_to_compare","two_voice_volume":false,"translation_credit":null,"edition_coverage":{"de":["original"],"en":["AP1973"]},"available_versions":[{"lang":"en","edition":"AP1973","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/18/p01c06/p055"},{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"locus":"GA 18/l06/p055","anchor_mapped":true,"anchor_method":"part_chapter","anchor_confidence":"high","url":"https://anthroposophy.ai/v1/steiner/de/ga/18/l06/p055"}],"witness_completeness":{"ratio":null,"band":"no_original","note":null,"word_count":22399,"original_word_count":null,"may_be_abridged":false},"witness_quality":{"translator":{"status":"unknown","warning":"No translator is recorded for this edition. An unattributed translation cannot be weighed as a witness: you cannot tell which hand made the choices in it. Cite the German for anything load-bearing."},"entity_parity":{"status":"not_checkable","note":"No verified paragraph alignment covers this passage, so its names cannot be compared with the German."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}