VII. The Classics of World and Life Conception

Schelling spun the facts of nature into an artful network of thought in such a fashion that all of its phenomena stood as in an ideal, harmonious organism before his creative imagination. He was inspired by the feeling that the ideas that appear in his imagination are also the creative forces of nature's process. Spiritual forces, then, are the basis of nature, and what appears dead and lifeless to our eyes has its origin in the spiritual. In turning our spirit to this, we discover the ideas, the spiritual, in nature. Thus, for man, according to Schelling, the things of nature are manifestations of the spirit. The spirit conceals itself behind these manifestations as behind a cover, so to speak. It shows itself in our own inner life in its right form. In this way, man knows what is spirit, and he is therefore able to find the spirit that is hidden in nature. The manner in which Schelling has nature return as spirit in himself reminds one of what Goethe believes is to be found in the perfect artist. The artist, in Goethe's opinion, proceeds in the production of a work of art as nature does in its creations. Therefore, we should observe in the artist's creation the same process through which everything has come into being that is spread out before man in nature. What nature conceals from the outer eye is presented in perceptible form to man in the process of artistic creation. Nature shows man only the finished works; man must decipher from these works how it proceeded to produce them. He is confronted with the creatures, not with the creator. In the case of the artist, creation and creator are observed at the same time. Schelling wants to penetrate through the products of nature to nature's creative process. He places himself in the position of creative nature and brings it into being within his soul as an artist produces his work of art. What are, then, according to Schelling, the thoughts that are contained in his world conception? They are the ideas of the creative spirit of nature. What preceded the things and what created them is what emerges in an individual human spirit as thought. This thought is to its original real existence as a memory picture of an experience is to the experience itself. Thereby, human science becomes for Schelling a reminiscence of the spiritual prototypes that were creatively active before the things existed. A divine spirit created the world and at the end of the process it also creates men in order to form in their souls as many tools through which the spirit can, in recollection, become aware of its creative activity. Schelling does not feel himself as an individual being at all as he surrenders himself to the contemplation of the world phenomena. He appears to himself as a part, a member of the creative world forces. Not he thinks, but the spirit of the world forces thinks in him. This spirit contemplates his own creative activity in him.