{"corpus":"steiner","locus":"GA 18/p01c07/p007","lang":"en","edition":"AP1973","edition_basis":null,"is_original":false,"is_default_edition":true,"text":"Schelling sees a world creation on a small scale in the production of a work of art. In the thinking contemplation of things, he sees a reminiscence of the world creation on a large scale. In the panorama of the world conception, the very ideas, which are the basis of things and have produced them, appear in our spirit. Man disregards everything in the world that the senses perceive in it and preserves only what pure thinking provides. In the creation and enjoyment of a work of art, the idea appears intimately permeated with elements that are revealed through the senses. According to Schelling's view, then, nature, art and world conception (philosophy) stand in the following relation to one another. Nature presents the finished products; world conception, the productive ideas; art combines both elements in harmonious interaction. On the one side, artistic activity stands halfway between creative nature, which produces without being aware of the ideas on the basis of which it creates, and, on the other, the thinking spirit, which knows these ideas without being able at the same time to create things with their help. Schelling expresses this with the words:","text_trust":"verbatim","quote_safe":true,"title":"VII. The Classics of World and Life Conception","site_heading":null,"date":null,"location":null,"word_count":193,"url":"https://anthroposophy.ai/v1/steiner/en/ga/18/p01c07/p007","alignment_confidence":"low","alignment_reason":"count_diverges","two_voice_volume":false,"translation_credit":null,"edition_coverage":{"de":["original"],"en":["AP1973"]},"available_versions":[{"lang":"de","edition":"original","edition_basis":null,"is_original":true,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/de/ga/18/l07/p007","locus":"GA 18/l07/p007","anchor_mapped":true,"anchor_method":"part_chapter","anchor_confidence":"high"},{"lang":"en","edition":"AP1973","edition_basis":null,"is_original":false,"is_default_edition":true,"url":"https://anthroposophy.ai/v1/steiner/en/ga/18/p01c07/p007","paragraph_aligned":true}],"german_anchor":{"de_prefix":"l07","de_passages":[{"locus":"GA 18/l07/p005","url":"https://anthroposophy.ai/v1/steiner/de/ga/18/l07/p005"}],"bead_confidence":"high","pairing_state":"verified","verified":true,"evidence":["reader"],"reader_german":["GA 18/l07/p005"],"reader_part":true,"length_check":{"de_words":229,"en_words":268,"ratio":1.17,"partial":false},"correspondence":"established","note":"English passage numbering is edition-relative, so the same number need not name the same paragraph in the German. The German original passage(s) above are the edition-invariant anchor — fetch them (lang='de') to verify wording before quoting across editions."},"paired_german":{"status":"paired","german":[{"locus":"GA 18/l07/p005","passage_number":5,"text":"In dem Hervorbringen des Kunstwerkes erblickt Schelling eine Weltschöpfung im kleinen; in der denkenden Betrachtung der Dinge eine Erinnerung an die Weltschöpfung im großen. In der Weltanschauung treten die Ideen selbst in unserem Geiste auf, die den Dingen zugrunde liegen und sie hervorgebracht haben. Der Mensch läßt aus der Welt alles weg, was die Sinne über sie aussagen, und behält nur dasjenige, was das reine Denken liefert. Im Schaffen und Genießen des Kunstwerkes tritt die innige Durchdringung der Idee mit dem, was den Sinnen sich offenbart, auf. Für Schellings Ansicht stehen also Natur, Kunst und Weltanschauung (Philosophie) einander so gegenüber, daß die Natur die fertigen, äußeren Erzeugnisse darbietet, die Weltanschauung die erzeugenden Ideen, die Kunst beides in harmonischem Zusammenwirken. Die künstlerische Tätigkeit steht in der Mitte zwischen der schaffenden Natur, die hervorbringt, ohne von den Ideen zu wissen, auf Grund deren sie schafft, und dem denkenden Geiste, der diese Ideen weiß, ohne mit ihrer Hilfe auch die Dinge schaffen zu können. Schelling drückt dies in dem Satze aus: «Die idealische Welt der Kunst und die reelle der Objekte sind also Produkte einer und derselben Tätigkeit; das Zusammentreffen beider (der bewußten und bewußtlosen) ohne Bewußtsein gibt die wirkliche, mit Bewußtsein die ästhetische Welt. Die objektive Welt ist nur die ursprüngliche, noch bewußtlose Poesie des Geistes, das allgemeine Organon der Philosophie und der Schlußstein ihres ganzen Gewölbes die *Philosophie der Kunst*.»","text_trust":"verbatim","quote_safe":true,"word_count":229,"url":"https://anthroposophy.ai/v1/steiner/de/ga/18/l07/p005"}],"english":["GA 18/p01c07/p007","GA 18/p01c07/p008"],"method":"reader","confidence":"high","correspondence":"established","length_check":{"de_words":229,"en_words":268,"ratio":1.17,"partial":false},"pairing_state":"verified","verified":true,"evidence":["reader"],"reader_german":["GA 18/l07/p005"],"reader_part":true},"witness_completeness":{"ratio":null,"band":"no_original","note":null,"word_count":12877,"original_word_count":null,"may_be_abridged":false},"witness_quality":{"translator":{"status":"unknown","warning":"No translator is recorded for this edition. An unattributed translation cannot be weighed as a witness: you cannot tell which hand made the choices in it. Cite the German for anything load-bearing."},"entity_parity":{"status":"ok","checked_against":["GA 18/l07/p005"],"missing_from_translation":[],"present_only_in_translation":[],"bead_confidence":"high","note":"Every load-bearing name in the German counterpart appears in this English passage. That is a check on NAMES only: a translation can keep every name and still reverse who acts on whom, change a number, or soften a claim. Read the German for anything you intend to rest an argument on."},"note":"quote_safe certifies the bytes of this text. This block is about the translation as a WITNESS: who made it, and whether it carries the same names as the original. See witness_completeness for how much of the original this witness holds."}}