VIII. Reactionary World Conceptions

Man's actions and artistic creations are completely without foundation in this world picture. All possibility to fit them into this system is lacking. For what could a relationship of simple entities that are completely indifferent to all processes mean to the actions of man? So Herbart is forced to look for independent tools both for ethics and for esthetics. He believes he finds them in human feeling. When man perceives things or events, he can associate the feeling of pleasure or displeasure with them. We are pleased when we see man's will going in a direction that is in agreement with his convictions. When we make the opposite observation, the feeling of displeasure overcomes us. Because of this feeling we call the agreement of conviction and will good; the discord, we call morally reprehensible. A feeling of this kind can be attached only to a relationship between moral elements. The will as such is morally indifferent, as is also the conviction. Only when the two meet does ethical pleasure or displeasure emerge. Herbart calls a relation of moral elements a practical idea. He enumerates five such practical-ethical ideas: The idea of moral freedom, consisting of the agreement of will and moral conviction; the idea of perfection that has its basis in the fact that the strong pleases rather than the weak; the idea of right, which springs from displeasure with antagonism; the idea of benevolence, which expresses the pleasure that one feels as one furthers the will of another person; the idea of retribution, which demands that all good and evil that has originated in a person is to be compensated again in the same person.