VII. Modern Man and His World Conception

Rolph's thoughts stimulated Friedrich Nietzsche (1844–1900) to produce his own ideas of evolution after having gone through other phases of his soul life. At the beginning of his career as an author, the idea of evolution and natural science in general had been far from his thoughts. He was at first deeply impressed by the philosophy of Arthur Schopenhauer, and from him he adopted the conception of pain as lying at the bottom of all existence. Unlike Schopenhauer and Eduard van Hartmann, Nietzsche did not seek the redemption from this pain in the fulfillment of moral tasks. It was his belief rather that the transformation of life into a work of art that leads beyond the pain of existence. Thus, the Greeks created a world of beauty and appearance in order to make this painful existence bearable. In Richard Wagner's musical drama he believed he found a world in which beauty lifts man beyond pain. It was in a certain sense a world of illusion that was quite consciously sought by Nietzsche in order to overcome the misery of the world. He was of the opinion that, at the root of the oldest Greek culture, there had been the will of man to forget the real world through a state of intoxication.